J.W. Eaton 1986 Folk Style Bather Sculpture

Fantastic Monumental Abstract sculpture. Beautiful tall form of a woman rendered in wrought iron. Done in a distinctive PostModern style. Acquired from a Palm Beach estate.

Chamotte stoneware, partially glazed. Signed “Stig L” with the Gustavsberg Studio hand mark on the underside. A characteristic early studio work by Lindberg, featuring the textured ...

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A fantastic, quite whimsical, engaging Mid-century Modern abstract female nude sculpture by New York artist Albert Leon Wilson. This is one of the best pieces we have come across of his work. Wilson was born in 1920 in Jamaica, New York. In the mid-1950s he relocated to Rochester, New York, where he worked until 1967 as an art director, illustrator, and photographer, winning over 20 graphic art awards from the Rochester Society of Communicating Artists. Afterward, he found his calling working with welded and bent metals and designing abstract sculptures often featuring figures and animals. He passed away in 1999. The sculpture is signed and dated (1968) with Wilson's traditional imprint/stamp. Wilson's work has been exhibited at the York State Craft Fair, Ithaca College, NY; Northeast Craft Fair, Am. Craftmen's Council, Mount Snow...

Statue of a nude female by the American artist, Thomas Holland (1917-2004), signed and dated 1967. Born in Alameda, California, Holland studied at the California College of Arts and...

- Made in Czechoslovakia - Made of ceramic - Maker: Jitona - Good, original condition.

A very unusual, stylized sculpture of man by a Portugese sculptor Manuel Pereira da Silva. Made of pine, 1979. A note about the artist: "Manuel Pereira da Silva was born in Portelas, in 14 de Maio Street, Vila Nova de Gaia, on 7 December 1920. In October 1928, he started his education at Cabanões primary school. After he sat the 2nd level exams, at Palhacinhas school, his father enrolled him in the Faria Guimarães Industrial School (currently Soares dos Reis Artistic Secondary School), to take the joinery course. The following year, he changed to the Drawing course. After completing his secondary school studies, he enrolled in the School of Fine Arts in Porto, in 1939. Here, he studied under the supervision of Joaquim Lopes, Acácio Lino and Rodolfo Pinto Couto, and had as colleagues Arlindo Rocha, Júlio Resende, Eduardo Tavares, Isolino Vaz, Nadir Afonso and Fernando Azevedo, some of which were part of the "Grupo dos Independentes" (Group of Independents). He received two awards: the Teixeira Lopes Award and the Soares dos Reis award. His final thesis was on Nuno Álvares Pereira, and he obtained a final mark of 18 out of 20. In 1946, he left for Paris. He spent the following two years studying at the École des Beaux-Arts, shared the experience of the great masters at the Louvre, came into contact with the new artistic trends and attended open courses, where he learned, among others, the fresco mural painting technique, which was later used in the Santa Luzia Church, in Viana do CasteloIn his workshop in Afonso de Albuquerque Street, in Vila Nova de Gaia, he produced two types of works: realist sculptures, to meet the commissions he received, and more abstract and independent-type of sculptures, which can be found in many Portuguese and African cities, for instance, Viana do Castelo, Vila Nova de Gaia, Porto, Bolama, in Guinea – Bissau, and Luanda, in Angola. Baixo relevo de D. Pedro Pitões entre os Cruzados no Palácio da Justiça do PortoAmong the sculpture work he produced, we highlight the torsos of his friends Fernando de Araújo Lima, Adriano de Sá Figueiredo and Adelino Gomes; the monument to the Athlete (1973), erected in the Gândara Square, in Vila Nova de Gaia; the monument to the American general and statesman Ulysses Grant (1822-1847), in front of Bolama City Hall (1955); and the low relief work in Ançã stone, for the Audience Room of the 3rd Court Division of the Porto Court House, depicting D. Pedro Pitões near the Porto Cathedral summoning the crusaders to help Afonso Henriques in the conquest of Lisbon, dated 1961. Estátua de Ulysses Grant (1955)Manuel Pereira da Silva also produced a low relief in multi-coloured ceramics for the façade of a building in Luanda, dated 1960; the figure of the Lavrador (Farmer), in Gulpilhares; the fire-fighters in Avintes and Gondomar; the monument to the benefactor of Sandim, Fernando Couto; the monument in homage to furniture...

An elegant, yet simple hand-carved statue of a woman with her arms wrapping above her head, executed in richly patinated oak.

A great whimsical colorfully painted lifesize wood sculpture of a nude. The base has been re-painted black. It is signed on the leg Schumm, 1995. The artist's statement from a 2007 article follows; Fred Schumm does not view life through rose-colored glasses. He doesn't have to. Schumm, Rowan University's artist-in-residence, is a former U.S. Marine who lived through some of the most horrific battles of World War II. He served at Peleliu -- two months of carnage on a tiny Pacific atoll where 12,000 perished - and then four long months on the bloodied isle of Okinawa. Since then, Schumm, 82, has mostly tried to see life's beauty. It's sort of like how sunlight, warm but ordinary to the naked eye, is refracted into myriad, impossibly beautiful combinations of color when viewed through a kaleidoscope. And, like sunlight, he finds art everywhere. "Inspiration is all around but mostly I'm inspired by the ancients," Schumm said recently. "I love Prehistoric African carvings, the works of ancient Greeks, Japanese and Chinese. I especially love Eskimo work." The celebrated sculptor loves Eskimo work so much he once hitchhiked from his home state of Colorado to Alaska just to see native carvings. "I wanted to see the TOTEM poles," he said. "The Alaskan Indians were fantastic artists." Schumm, artist-in-residence since 2003, works with various hardwoods, stone, even metals. A studio in which he works at Westby Hall has pieces in various stages of completion, from an eight-foot-tall, stainless steel sculpture he calls "Aviary" to a solid, six-foot log of black locust...

1990s Wood Sculpture of a Biomorphic Body Wood Base Signed: Tiffany Ross on back of leg (as shown in pictures) Excellent finish