Meissen Deco Sculpture by Robert Ullmann

Pure, sculptural and timeless. This extraordinary Art Deco sculpture by German artist August Wilhelm Goebel (1883–1971) masterfully balances classical form and modernist restraint. ...

Ceramic Sign: Made in Austria Keramos 2051 19/M Wiener Keramos, later Keramos AG or Keramos KG , was a Viennese ceramics manufacturer that made a name for itself especially in the interwar period . In addition to their own designs, designs from the dissolved Wiener Werkstätte were also produced from 1932 onwards. In over 60 years of company history, around 3000 model designs have been produced by around 60 ceramists. Keramos also carried out commissions from the Wiener Werkstätte, such as vases by Dagobert Peche . History The origins of the Keramos company lie in two companies with the same name. The company Keramos – Invalid Society for Viennese Art Ceramics was founded at the end of 1919 on the initiative of the three ceramists Rudolf Wolf, Heinrich Wolf and Ludwig Rys, who had become invalids in World War I. Production started in September 1920. Art-ceramic lamps, figures, vases and boxes were produced. The company Keramos – Viennese art ceramics and porcelain manufactory was founded in 1920. Josef Hoffmann was a shareholder of Keramos for a long time, as was the sculptor Rudolf Podany, who was engaged from the start and created a large number of designs. From 1921 Anton Klieber was employed, who was also responsible for most of the models. Around 1924 both companies were merged and converted into an AG, commercial director became Otto Köller, the technical directors were the brothers Rudolf and Heinrich Wolf. "Some war invalid ceramists founded a workshop with the help of some artists, which was subsequently financed by the state and later enlarged with its participation and converted into a joint-stock company." The company's headquarters were in the Hofburg , Schwarze-Adler-Stiege, the factory in the 10th district of Vienna, Schleiergasse 17. Artistic collaborators at that time were Eduard Klablena , Otto Prutscher , Karl Perl , Karin Jarl-Sakellarios , IDA Schwetz- Lehmann and Grete Fucik-Fischmeister. On February 23, 1928, the triangular mark was entered in the trademark register. It was now also produced for the Wiener Werkstätte. Difficulties for the company arose from the Great Depression . Around 1932, 50 people were employed and a large number of models from Eduard Klabena and the dissolved Wiener Werkstätte were taken over. The works created by Keramos were labeled with their company brands until after 1941. From 1939 the economic situation of the company was better managed by taking over the production of ceramic winter welfare organization badges, the so-called WHW badges. Before 1941 the company is converted into a KG named Keramos, Wiener Kunstkeramik und Porzellanmanufaktur Brüder Wolf KG . Otto Köller was no longer active from this point on. After the end of World War II, Robert Obsieger recommended Robert Mathis as the new head of Keramos, who took over the management of the ceramics manufactory in 1945. In 1949 Mathis introduced a new company logo, which was used alongside the existing triangle mark, the so-called coat of arms mark. Anton Klieber and Rudolf Podany continued to work as ceramists, and new artists such as Josef Lorenzl and Stephan Dakon , both of whom had previously worked for Goldscheider , as well as Rudolf Chocholka, Karl Grössl and Ina Eisenbeisser were engaged. New models such as dancers, children's figures, animals and nudes were created, as well as the well-known wall masks, young people and poodles from the mid-1950s, which corresponded to the trend at the time. In addition, however, traditional designs such as Madonna statues and busts, saints and angels were still made. Utility ceramics such as crockery, vases, lamp bases, candle holders and flower pots also became an important branch of production, and cooperation with the German manufacturer Carstens at the beginning of the 1960s was just as lucrative. In the course of the 1960s, the sales markets for figurative ceramics became increasingly difficult. So until 1982, production was increasingly shifted to everyday ceramics, since ceramic figures were no longer modern due to changing tastes and the spirit of the times. Ultimately, the economic situation at Keramos became more and more difficult and Klaus Mathis, the son of Robert Mathis and then director, who succeeded his father at the helm of the company at the beginning of the 1970s, initiated the liquidation of the company at the end of 1982 . Staff The following artistic collaborators have worked for Keramos over the years: Hans Adametz , Franz Barwig the Elder , Franz Barwig the Younger , Andreas Beck, Hans Bolek, Angelo Bortolotti, Hertha Bucher , Rudolf Chocholka, Stephan Dakon , Ferdinand Doblinger, Eckstein, Franz Eggenberger , Ina Eisenbeisser, English, Stephan Erdös, Alois Feichtinger, Feyslitz, Hans Friedberger, Grete Fucik-Fischmeister, Kurt Goebel, Anton Grath, Karl Grössl, M. Günther, Otto Hafenrichter, Arnold Hartig , Friedrich Herkner, Trude Hillinger, Leopold Hohl, Hostasch, Karl Jamök, Karin Jarl-Sakellarios , Eduard Klablena, Klar, Anton Klieber, Maria Klinger, Josef Kostial, Josef Lorenzl , Wilhelm Otto Lugerth, Viktor Matula, Gusty Mundt-Amman, Novotny, Carl Perl, Rudolf Podany, Friedrich Pollak, Hugo Postl, Adolf Prischl, Otto Prutscher , Max Rieder , Elisabeth Rieger-Hofmann, Walter Ritter , Willibald Russ, Karl Sailer, Schönberg, Schwarz, Ida Schwetz-Lehmann , Sult, Robert Ullmann , Otto Weigand, IDA Weiss-Moricz, Rudolf Wolf. Exhibitions • Jubilee exhibition of the Wiener Kunstgewerbeverein, Austrian Museum , Vienna 1924. • Arts and Crafts Exhibition, Paris, 1925. • Exhibition of Austrian arts and crafts...

Sculptor: Jaroslav Palavský This elegant ceramic statuette of a female nude dates back to the 1930s and is the work of Czech artist Jaroslav Palavský. In this piece, the author mast...

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Essevi Torino Italian Porcelain Figurine This piece features a kneeling female figure, crafted in porcelain with a smooth, glossy finish. The overall shape is stylized, with flowing ...

Large French Art Deco Terracotta Sculpture by Ugo Cipriani (1887–1960), France 1920. An exceptional large-scale French Art Deco terracotta sculpture by renowned Italian-born sculptor Ugo Cipriani (1887–1960), depicting a graceful nude female figure in a dynamic kneeling pose. Rich in movement and emotion, this striking work perfectly captures the elegance, sensuality, and modernity that define the Art Deco period. Executed in terracotta, the sculpture displays warm natural tones and finely modeled anatomical details, highlighting Cipriani’s remarkable ability to convey both strength and femininity. The dramatic upward gaze and fluid composition create a powerful visual presence, making this piece an outstanding focal point for an Art Deco interior, sculpture collection, or curated design space. The sculpture is signed "U. Cipriani" on the base, confirming its authenticity. Dimensions: Height: 24 in (61 cm) Width: 20.9 in (53 cm) Depth: 7.5 in (19 cm) Born in Florence, Ugo Cipriani studied at the Florence Academy of Fine Arts and became known for his mastery of marble, bronze, alabaster, and terracotta. The son of sculptor Adolfo Cipriani, he developed a distinctive style influenced by the refined geometry and decorative elegance of the 1920s and 1930s. Among his notable achievements is the 1919 bronze monument dedicated to Guglielmo Oberdan in Florence. In 1935, Cipriani relocated to Paris as a political refugee, leaving Fascist Italy behind. He continued his artistic career in France, where he remained active until his death in 1960. A rare and highly decorative example of French Art Deco sculpture, this authentic Ugo Cipriani terracotta...

Georg Thylstrup for Royal Copenhagen. Rare Art Deco porcelain sculpture of a young nude woman. Blue painted. Model: 1871. Dating: Circa 1930. Juliane Marie mark. Perfect condition. ...

This charming ceramic statuette of a female nude dates back to the 1940s and represents a typical example of period sculpture, which emphasized the aesthetics of the human body and d...

Artist: Josef Rada This remarkable ceramic sculpture titled "Despair," created by Josef Rada, dates back to the 1920s and represents a fascinating example of Czech sculpture from th...

A beautiful porcelain nude lady byHugo Meisel (German, 1887 - 1966) for Schwarzburger Werkstatten. The glazed procelain is elegantly down. "Schwarzburger Werkstatten Fur Porzellank...