Blue and Green Ceramic Vase in the Style of Marcello Fantoni
Located in Montreal, QC
Blue and green ceramic glazed vase depicting a woman on a horse in the style of Marcello Fantoni.
Category
Vintage 1950s Italian Vases
Materials
Ceramic
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Contemporary Cuorecarpenito Green Petrol Blue Ceramic Vase Glossy Glazed
$662.02List Priceper item
About the Item
- Creator:CuoreCarpenito (Designer)
- Dimensions:Height: 15.36 in (39 cm)Width: 6.3 in (16 cm)Depth: 4.34 in (11 cm)
- Style:Modern (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:2021
- Production Type:New & Custom(Current Production)
- Estimated Production Time:Available Now
- Condition:
- Seller Location:Reggio Emilia, IT
- Reference Number:1stDibs: LU6169226944502
CUORECARPENITO
Claudia Carpenito is a ceramic artist with a past as a restorer and creator of cultural projects.
After training in the atelier of the sculptor Graziano Pompili and modeling courses with master potters, he carried out a personal research oriented towards abstraction, choosing to "dress" an object of common use, the vase, through this language. The vase understood as a pure concept, an archetypal form that returns in epochs and cultures, with its very precious load of symbols, legends and dreams.
Measuring herself with the material and transforming it into a sculpture, is what Claudia does and continues to do without stopping to learn, finding her own style made up of simple and geometric shapes that she loves to compose harmoniously.
Whether in terracotta or ceramic, his collections show the sensitivity developed by the artist after many years of working in contact with ancient and contemporary works of art, in which he was able to blend with medieval wooden sculptures, seventeenth-century paintings, multi-material works that have become the guidelines of the Cuorecarpenito brand.
The main study carried out in recent years was that of the creation of one's own alphabet where nothing was random but a long formal and chromatic research work on enamels, in which color was never intended as a decoration, but, on the contrary, enamel. it has become a structure and a founding element that reveals the truth of form.
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