Neoclassical Revival Porcelain Essence Burner by Oggetti D'Arte, Italy

Incense burner in decorated ivory porcelain and pure gold decorations and flowers, golden metal in lost wax casting. A metal container has been created i...

Incense burner in decorated white porcelain, sky with clouds background and pure gold decorations and flowers, golden metal in lost wax casting. A metal container has been created in...

Incense burner in decorated light green porcelain and pure gold decorations, golden metal in lost wax casting. A metal container has been created inside the porcelain cup to burn the...

Incense burner in hand-decorated porcelain in ivory color, golden metal in lost wax casting. A metal container has been created inside the porcelain cup to burn the incense. Holes ha...

A beautiful, relatively large, German white porcelain jardinière / footed centerpiece vessel with gold Neoclassical design, circa late-19th century to early-20th century, Germany. Be...

This is a beautiful antique Italian Naples Capodimonte porcelain urn, late 19th Century in date and bearing the Naples Capodimonte blue painted crown s...

Classic Paris Porcelain Small Urn Bowl with Gold Details. Old Blue Sward mark on bottom and bronze metal bolt attaching the top a bottom pieces of the urn. Add some Classic French St...

A Very Fine and Impressive Bohemian 19th Century Vienna-Style Neoclassical Revival Style Pirkenhammer Porcelain Vase - Urn. The ovoid shaped finely painted all around body with allegorical scenes representing 'The Search for Love', with one side depicting a pensive maiden seated on a rock form by the seashore, the opposite side depicting a maiden, also seated by the seashore, being visited by a love-cupid (cherub or angel), flanked by a pair of finely detailed double-headed snake-form 24 carat gilt handles centered with mask terminals, raised on an attached circular gilt, cream and blue Celeste decorated plinth. Stamped with an underglaze black printed crossed hammers mark and further mark "O.P.C.N. / RAD" to the underside. The associated and later domed cobalt-blue, cream and gilt decorated porcelain cover-lid with a cream and gilt bud finial, not original to the vase. Signed "Al Eckardt". Circa: Bohemia, 1890-1894. The porcelain painter A. Louis Eckardt is mentioned by Waltraud Neuwirth, Porzellanmaler-Lexicon (1977), Vol. I, p.251 as working from the Prager Strasse in Dresden in 1894. The Bohemian Pirkenhammer factory was founded in 1803, and in the second half of the 19th century the factory was exporting to Vienna and London. The Prikenhammer marks on these vases show they were made after 1887, and it is therefore likely this vase can be dated between the time of the introduction of the mark for this Bohemian factory, and the time Eckhardt returned to Dresden in 1894. Eckhardt is also recorded as a painter of Berlin plaques. The Pirkenhammer porcelain factory was established in 1802 in Karlovy Vary using...