Rare Luxury Porcelain Hand Painted Service After Picasso, Dali, Matisse etc 1960

A very rare and very decorative Italian Majolica Vase. Hight 41 cm. The vase is decorated with four faces of God Ammon-epithet of Zeus, and two of Neptun...

This spectacular Art Nouveau Era Paravent/Screen is a true eye catcher and one of a kind piece of art full of fantasy and eccentric imagination. It has been designed and painted in ...

This remarkable antique ceramic jug, likely from the late 18th century stands as a testament to symbolic craftsmanship and cultural interweaving. Its white-glazed body, adorned with intricate blue hand-painted motifs, showcases a rich tapestry of imagery: two armored knights flank a central coat of arms crowned by a noble eagle, evoking themes of protection, authority, and divine oversight. A sphinx, emblematic of riddles and ancient wisdom, is also depicted- a nod to the Jewish people’s historical sojourn in Egypt and the enduring significance of that epoch in Jewish memory. A goat as representative of the Devil to make Adam and Eve to sin and take a forbidden fruit in Paradise. Clusters of various fruits embellish the design, symbolizing abundance and the promise of the land. Prominently featured are two Stars of David, affirming a deep connection to Jewish identity and heritage. The jug’s sculpted handle, fashioned as a coiled snake descending toward a human face-possibly representing Adam-recalls the Genesis narrative of the fall, the serpent, and the origins of humanity. This interplay of symbols suggests a narrative arc of struggle, survival, and spiritual endurance, potentially representing the journey of the Jewish people from Eden through exile and beyond. The jug’s substantial capacity-holding up to five liters of liquid-indicates its intended use for wine or water, both integral to daily life and ritual. Its distinctive shape, featuring a wavy, ornamental opening, hints at Mediterranean origins, likely Spain or Italy, where such design elements were prevalent in ceramic art of the period. This stylistic attribute, coupled with the painted date of 1527, adds another layer to its historical context. The year 1527 holds significance in Jewish history. In that year, Hayyim ben David Schwartz, a notable Jewish printer, obtained permission to print Hebrew books...

A rare and fascinating group of three drawings, beautifully presented together in modern frames with UV-protective glass and surrounded by high-quality black pasteboard mounts. This ...

Few 19th-century French faience services embody the elegance, artistic refinement and poetic spirit of the Japonisme movement as beautifully as Jules Vieillard Bordeaux’s celebrated “Nella” pattern. More than a dinner service, this remarkable ensemble is a hand-painted work of art, where every piece celebrates nature through an extraordinary variety of exotic birds, flowering branches, butterflies and delicate insects. No two plates are exactly alike, making each place setting a unique composition while preserving the perfect harmony of the whole. Founded in Bordeaux in 1845, the Jules Vieillard manufactory became one of France’s most prestigious ceramic producers. By the 1870s it employed nearly 1,300 craftsmen, ranking among the country’s leading faience manufacturers. Its artistic creations were celebrated at the great international exhibitions of the nineteenth century, including the Gold Medal awarded at the Paris Universal Exposition of 1878, a distinction that firmly established the international reputation of the Bordeaux factory. Created during this golden period, the “Nella” pattern is now regarded as one of the manufactory’s finest and rarest achievements. Inspired by the discovery of Japanese art in Europe during the second half of the nineteenth century, it perfectly reflects the new decorative language that transformed European ceramics. Every piece was individually moulded in fine faience, fired, then meticulously hand-painted by master decorators using coloured enamels before receiving its final transparent glaze and being fired once again. This demanding process ensured exceptional brilliance while allowing each painter complete artistic freedom. Rather than reproducing a single repetitive design, every plate was intentionally decorated with its own individual composition. Kingfishers, parrots and other exotic birds rest upon blossoming branches of prunus, peonies, irises and wild roses. Butterflies, dragonflies and tiny ladybirds animate the white ground with remarkable delicacy, creating the impression of a living garden. The asymmetrical compositions, generous areas of untouched white and graceful movement throughout the decoration perfectly express the refined aesthetic of French Japonisme. Complete “Nella” services have become extraordinarily scarce. Intended for everyday use within distinguished households, most examples were gradually dispersed or damaged over nearly one hundred and fifty years. Today, large coherent ensembles with their original serving pieces seldom appear on the international market. According to family history, this exceptional service remained for generations in an elegant maison de maître on the French Riviera before entering the antiques market. Unlike most surviving examples, which are composed predominantly of plates, this magnificent ensemble retains an unusually rich selection of original serving pieces together with its complete coffee service, making it equally desirable for collectors, designers and prestigious private residences. Composition — 83 Pieces * 27 Dinner Plates – Ø 25 cm (9.84 in) * 14 Soup Plates – Ø 25.5 cm (10.04 in) * 16 Dessert Plates – Ø 22.5 cm (8.86 in) * 1 Covered Soup Tureen * 2 Covered Vegetable Tureens * 1 Covered Serving Dish * 2 Large Oval Serving Platters * 1 Large Fish Platter * 1 Shell-Shaped Compotier * 2 Covered Sauce Boats with Attached Stands * 1 Covered Mustard Pot * 1 Coffee Pot * 1 Covered Sugar Bowl * 1 Milk Jug * 10 Coffee Cups * 11 Coffee Saucers Every piece bears the JVB factory mark beneath, while the principal serving pieces are additionally marked “Nella”, confirming the authenticity of this prestigious model. The overall condition is exceptional considering its age of approximately 150 years. The enamels retain remarkable freshness and brilliance, while the glaze remains beautifully preserved. Minor imperfections are limited to a few discreet hairlines, one deep serving dish displaying slight age-related darkening, one coffee saucer with noticeable staining and the expected traces of careful domestic use accumulated over generations. These small imperfections are entirely consistent with the age of the service and do not detract from its extraordinary visual impact. More than simply an antique dinner service...

A vibrant ceramic service by Robert Picault, one of the leading figures of the Vallauris pottery movement in the 1950s. This ensemble includes a rare tripod-lidded soup tureen, six o...

Discover the artistic brilliance of this exquisite vintage Rosenthal Studio Line dinnerware set, a true collector's piece designed by ...

French children's porcelain dinnerware consisting of a bowl, egg cup, pepper shaker, miniature sauce boat, and a small oval dish. Motifs of child...