Georgian Warwick Cruet by Samuel Wood

A monumental piece of history, this exquisite silver punch set was made for Czar Alexander III as a gift to British Captain Joseph Wiggins. Heavily decorated with rich engravings and proverbs in old Slavic lettering, this service is a grand symbol of celebration and a testament to the beauty of Russian Imperial silver. The punch set, a standalone treasure in its own right, was gifted by Czar Alexander III to Captain Wiggins in recognition of his pioneering expedition along the Enisei River. Driven by a desire to establish a sea route with Siberia, Captain Wiggins’ journey is notable for being the first successful endeavor by a British seaman in 300 years to extend commercial interests with the northern coasts of Russia. Even more notable is the presentation of this elaborate gift by the Russian government to a foreign national, particularly when the British government all but ignored Wiggins' efforts. In fact, the British government refused his modest request for surveying and observational instruments. Even so, the Czar was impressed, and chose to honor Wiggins with this exceptional punch service — as pictured and discussed in Henry Johnson’s book Captain Joseph Wiggins, written in 1907. The service was commissioned by the Czar from the House of Sazikov, the oldest silversmith and jewelry firm in Russia. Sazikov was established in 1793 by the merchant Pavel Sazikov, and became supplier to the Imperial Court in 1837. The firm, which maintained factories in Moscow and St. Petersburg, became renowned for its high quality silverware, silver sculptures, cloisonné enamels and statuettes with national motifs. The firm exhibited several cups and centerpieces at the Great Exhibition of 1851 in London, and from 1846, held the Imperial Warrant. The unique charm of this punch service lies not only in its craftsmanship and historical relevance, but also in the inclusion of old drinking...

This Old Sheffield silver plate epergne showcases a refined Georgian-period scalloped motif embellished with acorns and foliage. It rotates with ...

Silver Epergne Joseph Preedy Hallmarked London, 1801 It is a time-honored tradition to give a loved one a gift that, in size or grandeur, reflects the depth of affection and gratitu...

An outstanding pair of sterling silver candlesticks by English silversmith Alexander Johnston. Reflecting the mid-18th century Georgian taste for the Rococo style, these candlesticks feature deeply chased decoration, from shells and palms to acanthus and rosettes, as well as an engraved armorial on each pedestal. Their exuberant yet balanced design is characteristic of the sophisticated style brought to England by French Huguenot silversmiths in the 1700s. Alexander Johnston first entered his mark in 1747 and work such as his, as well as that of artists like the celebrated Paul de Lamerie, indicated the adoption of French forms in all of the decorative arts, from furniture to textiles, hailing the dramatic shift from the more restrained classical manner. Excellent condition. Hallmarked London, 1751 10 ¾” high Reference: English goldsmiths and their marks, 2nd ed., 1921, Sir Charles James Jackson.

Hallmarked in London in 1726 by Thomas Bamford I, this magnificent, George I, Antique Sterling Silver Warwick Cruet, comprises two oil bottles, two pepper pots and a sugar caster, all fitted to a scroll detailed frame which stands on four cast shell...

A George IV silver cruet stand by William Eaton, the rectangular shaped stand with reeded borders, on four lion-paw bracket-feet with acanthus decoration and scroll motifs, the centr...

Wonderful quality antique Georgian seven bottle cruet set, having a quality antique Georgian cruet set, with a silver plated ornate stand with a shaped carrying handle to the centre ...

Solid silver oil cruet, produced in France in Strasbourg between 1750 and 1796 as evidenced by the state marks. The shape is a boat, where 4 feet made with the casting technique have...