Set of Twelve Chinoiserie Figural Place Card Holders, China, 1920s–1930s

Swedish Art Deco bookends in bronze by Oscar Andersson for Ystad Metall. Bookends cast in Bronze. Made in Sweden, 1920s. The Birth of the nude Venus in a giant scallop shell. Both st...

These 12 Scandinavian Modern small bowls carries a sense of grace and elegance, inviting us to appreciate the beauty that can be found in the most delicate and intricate of creations...

Swedish Gustavian candleholders. Made late 18th century in Pewter, signed N. Height ~ 16,5cm. Ribbed columns on a bell shaped postament, with loose light cuffs and charmingly patinat...

An exceedingly rare set of six cups with saucers, whose beauty captures both the eye and the imagination. The hand-blown opaline glass cups are shaped as delicate tulip blossoms, the...

Important and rare silver figures of eight immortals Yangqinghe Jiuji marks, Late Qing dynasty. Each hollow figure portraying one of the immortals in an animated pose, with highly detailed facial features, four pierced with apertures for the insertion of facial hair, clad in finely chased robes, all but two with their characteristic attributes, their bases bearing either two seal marks reading Yangqinghe Jiuji gongyibu and Zhe'ning Hu Qiusheng zao, or three marks in regular script reading Yangqinghe Jiuji gongyibu, Shang and Sheng zuo, original hand-carved wood stands. Measures: 11 1/4in (28.5cm) high (tallest one). The earliest records of the silver atelier known as Yangqinghe date to 1775 in Shanghai...

Extraordinary Pair of Italianate Chinoiserie style figural stand comprised of gesso and carved wood in the form of a seated male and female bearing a dia...

A collection of twelve Chinese bronze censors of various dates, 18th-20th Century. All mounted as an installation on a display board with bespoke white painted metal brackets.

A fine set of a six court attendants as in the Forbidden City of Beijing, elegantly dressed in a Green & Red Daopao – a traditional men’s formal attire from the Ming Dynasty dated 1368-1643 A.D. – with glazed robes and Red Pigment remains in their hat and belts. They stand in an honorary posture atop a red plinth, some with orifices in their hands, where spirit objects were placed to comfort or satisfy the deceased. The heads are detachable, as often seen on the larger figures from this period. They are accompanied by a Certificate of Authenticity, and Certificate of Expertise by Jean-Yves Nathan - a leading authority specialized in Far East Archaeology from the CEDEA (The European Confederation of Art Experts). Burial figurines of graceful dancers, mystical beasts, and everyday objects reveal both how people in early China approached death and how they lived. Since people viewed the afterlife as an extension of worldly life, these figurines, called mingqi, sometimes referred as “spirit utensils” or “vessels of ghosts” disclose details of routine existence and provide insights into belief systems over a thousand-year period. The Ming dynasty was the ruling dynasty of China – then known as the Empire of the Great Ming – for 276 years (1368–1644 AD). Founded by Chu Yuan-chang, the rebel leader that was successful in removing the mongols from the throne. Chinese control was re-asserted in China and eastern Asia. Literature became more important, schools were created, and the justice system was reformed. The Ming dynasty is described by some as "one of the greatest eras of orderly government and social stability in human history,” was the last imperial dynasty in China ruled by ethnic Han Chinese. The practice of burying ceramic objects with the deceased went into decline from the 10th to the 14th Century AD. There was a revival in placing miniature representations of glazed terracotta objects such a furniture, food offerings, horses, miniature statues...