Tetard - 6pc French Art Deco (Gatsby Era) 950 Sterling Silver Tea Coffee Set

Direct from Paris: A magnificent 5pc., 19th century original French 950 sterling silver tea & coffee set by two of the world's premier French silversmiths the "House of Puiforcat", c...

Direct from a private mansion in Paris, a stunning 9-piece antique Victorian sterling silver tea set by one of Britain’s premier silversmiths “Savory and Sons” professionally refinished to near new condition and including 8 anti-tarnish storage wraps for easy storage – circa early 1800s. The annals of British silversmithing are replete with illustrious names, each contributing to an enduring legacy of artistry and opulence. Among these distinguished firms, Savory and Sons occupies a position of particular reverence. From its early 19th-century origins in the heart of the City of London to its eventual evolution into a larger commercial entity, the name Savory became synonymous with the pinnacle of quality, elegance, and refined taste. More than mere retailers or manufacturers, they were arbiters of style, purveyors of luxury to a clientele that included royalty, and creators of some of the most exquisite silver objects of the Victorian era. Savory - A Foundation of Quality and Craftsmanship: The story of Savory and Sons is one of entrepreneurial spirit, family partnership, and an unwavering commitment to excellence. The firm's origins can be traced to 1812, when Adey Bellamy Savory, a man of Huguenot descent—a heritage often associated with exceptional skill in the precious metal trades—established his business at 14 Cornhill in the City of London. Initially listed in directories under various specializations, from goldsmith to dealer in foreign coins, A.B. Savory was building a foundation as a purveyor of fine and curious goods. This early period was crucial for establishing the reputation for reliability and discernment that would become the firm's hallmark. A pivotal transformation occurred in 1833 when Adey Bellamy's sons, Joseph and Albert, were taken into partnership, and the firm's name was officially changed to A.B. Savory & Sons. This marked the beginning of its most celebrated era. The business model was sophisticated, operating on two fronts. They maintained a retail presence at various addresses on Cornhill, strategically positioned opposite the Bank of England, a locale that placed them at the very center of British commerce and affluence. Simultaneously, they operated a significant manufacturing enterprise, or "silver manufactory," at 5 Finsbury Place, South, and later at 15 Gee Street and 18 Red Lion Street in Clerkenwell, the historic heart of London's watchmaking and silversmithing trades. This vertical integration allowed Savory & Sons to exert unparalleled control over the quality of their wares, from the initial design concept to the final polish. The exceptional quality and craftsmanship associated with the Savory name was not solely the product of the founding family, but also of the master artisans they employed. A prime example is the silversmith William Smily and his sons. William Smily, who had been apprenticed to a spoon and fork maker, began working in Savory's Gee Street factory and eventually rose to become the works manager for A.B. Savory & Sons. It was Smily who registered his own maker's mark, which was used on silverware manufactured for the firm, often accompanied by the stamp "A.B. Savory & Sons". This practice of collaborating with and retaining craftsmen ensured that the silver bearing the Savory name was not merely retailed but was conceived and executed to the highest international standards. The "SS" mark, used by both William and later his son Samuel (who succeeded him as works manager), became an internal stamp of quality, signifying that a piece had been crafted under the watchful eye of a master. The detail lavished on even the most functional items is a testament to this culture of excellence. Royal Patronage and Public Accolades: For a firm like Savory and Sons, the ultimate validation of its status came in the form of royal patronage. Their location opposite the Bank of England and their reputation for supplying "the World's Elite," placed them in the direct orbit of the aristocracy and the royal household. To be a silversmith of choice for the upper echelons of society was, in effect, to operate under a de facto royal warrant, as taste and fashion flowed...

Direct from Paris, a gorgeous 19th century Louis XVI, 8 pc. 950 sterling silver the / coffee set by one of France's premier silversmiths, Gustave Keller. The set is in like new condition and includes a large sterling silver serving tray and 7 anti-tarnish storage wraps for easy storage - Circa 1890s. The art of silversmithing has long been a hallmark of French craftsmanship, embodying the nation's rich cultural heritage and artistic excellence. Among the luminaries of this venerable tradition, Gustave Keller stands out as a paragon of skill, innovation, and elegance. Active during the late 19th and early 20th centuries, Keller's work epitomizes the fusion of technical mastery and aesthetic refinement that characterizes the finest French silverware. The Early Years: Gustave Keller was born in the mid-19th century, a period marked by significant social, political, and artistic transformations in France. The aftermath of the French Revolution and the rise of the bourgeoisie created a new market for luxury goods, including silverware. Keller emerged as a prominent figure in this milieu, establishing himself as a master silversmith whose work would grace the tables of royalty and aristocracy. Keller's apprenticed under some of the most esteemed silversmiths in Paris, the epicenter of French silversmithing. By the late 19th century, he had established his own workshop, where he produced a wide range of silver items, from tableware to decorative objects. His work quickly gained recognition for its exceptional quality and artistic merit, earning him a distinguished clientele and numerous accolades. Quality and Craftsmanship: The hallmark of Gustave Keller's work is its unparalleled quality and craftsmanship. Keller was a perfectionist, and his pieces reflect a meticulous attention to detail and a deep understanding of the properties of silver. He worked primarily in 950 sterling silver, a high-grade alloy containing 95% pure silver, which is renowned for its luster, durability, and workability. This choice of material allowed Keller to create pieces that were not only beautiful but also functional and long-lasting. Keller's craftsmanship is evident in every aspect of his work, from the precision of his engraving to the elegance of his designs. He was particularly known for his ability to blend traditional techniques with innovative approaches, resulting in pieces that were both timeless and contemporary. His tea sets, for example, often feature intricate floral motifs, delicate chasing, and finely detailed handles and spouts, all executed with a level of skill that is truly remarkable. One of the most striking aspects of Keller's work is his ability to imbue his pieces with a sense of movement and life. This is particularly evident in his Louis XVI model tea sets, where the curves and lines of the silverware seem to flow seamlessly, creating a harmonious and dynamic composition. The result is a collection of pieces that are not only functional but also works of art in their own right. Royal Patronage: Gustave Keller's reputation for excellence soon attracted the attention of royalty and aristocracy. His work was highly sought after by European nobility, who appreciated the combination of luxury and artistry that his pieces embodied. Among his most notable patrons were members of the French royal family, who commissioned Keller to create bespoke silverware for their palaces and estates. Keller's royal patronage was a testament to his status as one of the leading silversmiths of his time. His ability to cater to the tastes and preferences of his elite clientele, while maintaining the highest standards of craftsmanship, set him apart from his contemporaries. His work was not only a symbol of wealth and status but also a reflection of the cultural and artistic values of the French aristocracy. One of the most significant commissions Keller received was from the court of Louis XVI. The king, known for his appreciation of fine art and craftsmanship, was particularly fond of Keller's work and commissioned a series of tea sets in the Louis XVI style – like this magnificent set. These sets, which are among Keller's most celebrated creations, exemplify the elegance and sophistication of French silversmithing during this period. Awards and Accolades: Throughout his career, Gustave Keller received numerous awards and accolades, both in France and internationally. His work was regularly exhibited at prestigious events such as the Exposition Universelle in Paris, where it was met with critical acclaim. These exhibitions provided Keller with a platform to showcase his talent and to gain recognition from his peers and the public alike. One of the most significant honors Keller received was the Grand Prix at the 1900 Exposition Universelle in Paris. This award, which was the highest accolade at the event, was a testament to Keller's exceptional skill and artistry. It also cemented his reputation as one of the leading silversmiths of his generation. In addition to the Grand Prix, Keller received numerous other awards and medals throughout his career. These included the Gold Medal at the 1889 Exposition Universelle, the Silver Medal at the 1894 Exposition Internationale in Lyon, and the Legion of Honor, one of France's highest civilian awards. These accolades not only recognized Keller's contributions to the field of silversmithing but also highlighted the importance of French craftsmanship on the global stage. Keller's 950 Sterling Tea Sets...

Direct from Paris: Direct from private mansion in Paris, a magnificent 6 piece antique French sterling silver Empire style tea set by France’s premier silversmith “Puiforcat” – curr...

Reed And Barton Sterling Silver Four-Piece Tea And Coffee Service with a Tiffany & Co. Silver Plated Tray 1928, marked with Reed and Barton eagle symbols, Sterling, 650.b, the tray m...

Culled from a high quality collection of silver plate with the best and most unique pieces selected for this top of the line seven piece English tea service; this antique ensemble, w...

We are absolutely delighted to offer this Art Deco tea set by the International Silver Company in the “Trianon” pattern. Designed at t...

A gorgeous antique silverplate tea or coffee service set, including: tea pot, sugar, creamer, bowl, and large service tray. By Tiffany & Co. Tray is associated and is marked "Ascot Sheffield Design...