Raspberry Alabaster Feather Bundled Bear Fetish with Heart Line

Tasaf Katsina Hopi 1940s 10 inches H. x 4.50 inches W. x 3.75 inches D. Cottonwood root, mineral pigments, dyed horsehair, feathers. Very good original condition overall. An wonderful example of the Hopi Tasaf Katsina circa early to mid 1940s. Katsina dolls...

Pottery Canteen Acoma 1900 6 inches Height x 5.50 inches Diameter. Clay, mineral pigments, twined fiber cordage, corn cob. A wonderful example of an antique polychrome Acoma Pueblo...

Mata Ortiz polychrome pottery vessel Rito Talvera Quezada 1989 Hand-coiled low fire clay Pueblo Quezada, Mata Ortiz, Chihuahua, Mexico.

Polychrome pottery canteen Acoma 1920 Measures: 8 inches height x 6 inches diameter. Clay, mineral pigments, corn cob. A wonderful example of an antique polychrome Acoma Pueblo Pottery...

This gorgeous vintage fetish necklace is from the 70s. It features 47 carved gemstone animals. Measurements: 32 inches from end to end To give...

1995 Hopi Kachina Doll - Aholi on wood base Matte and Glazed in ceramic (heavy) Feather missing on one ear muff The perfect addition to any Kachina D...

Louis Naranjo "Story Teller Bear" with 4 Cubs figurative Cochiti Pueblo pottery with traditional Cochiti images. Bears' mouths open as if singing traditional songs. Fired clay. Circa...

A fantastic and somewhat playful mask by the Yup'ik (Yupik) aboriginal, indigenous people of South-Western & South Central Alaska. The Yup'ik people, who are related to the Inuit peoples, have a long history of ceremonial mask making. Yup'ik masks were originally and specifically designed by Shamans and made to be worn by these spiritual leaders in Winter tribal dances and sacred ceremonies. Traditionally, the masks were destroyed or discarded after use in these ceremonies. Very few of these masks survived. After Christian contact in the late 19th century, masked dancing was suppressed and the tradition all but died out. As more outsiders settled in Alaska at the turn of the century, masks were made by the Yup'ik people to sell or trade for necessary goods. It is likely that this mask was created some years later for this purpose. In the 20th century, Yup'ik mask had a profound influence on many renowned surrealist artists including, Max Ernst, Joan Miro, Leonora Carrington, Victor Brauner, and most notably Andre Breton who was an avid collector of Yup'ik masks. This fantastic anthropomorphic mask is carved of lighter wood, hand painted and decorated with pigment, and held together with natural fiber. The mask seems to represent some sort of smiling, benevolent spirit or character with its four eyes, bird beak, and cat-like ears. The mask is from a French collection. We were told that this mask, as well as others in the collection we have listed, was acquired originally in the 1950s-1960s in Alaska and the Yukon territory in Canada but as we have no way to verify or authenticate this. Please note we are listing the masks as decorative and not as actual tribal artifacts...