Italian Folk Art Stradivarius Violin Plaque Crafted for Cosimo de Medici 1690

From an old New England collection of fine Arts & Crafts furnishings. A handsome original deeply carved , pyrography, and stained round platter work of art, circa 1920 Signed rever...

From an old New England collection of fine Arts & Crafts furnishings. Two large all original unique works of art, circa 1920 This is a beautiful set of two (2) hand incised and...

Unique Historical Work of Art Dated 1918 "L' Astronome (The Astronomer) by Fedinant Roybet. This is an original and one-of-a-kind artistic presentation- a superb pyrography incis...

From an important thirty year old New England collection of American Folk Art Pyrography Robert Ball Hughes (British-American, 1804-1868) This original period framed 1866 pyrography on wood panel was created after the painting by Sir John Gilbert (English, 1817-1897) with detailed description and dedication written on the back of the panel using the same technique. A photographed rubbing of the reverse dedication will be included and is part of this description (photo). Frame: 20 inches high and 28.5 inches wide; Site: 13.25 inches high and 22 inches wide This painting depicts the episode from Shakespeare’s Henry VI Part II Act III Scene V in which Sir John Falstaff inspects the recruits mustered by Justice Robert Shallow and his cousin Silence. Falstaff sits in a chair surrounded by his cronies whilst Bardolph leads Bullcalf forward. Hayman’s treatments of Falstaff reviewing recruits are perhaps among the most successful depictions of a theatrical scene in British painting. The tableau vibrates with the energy that he brought to his Vauxhall supper box scenes of games and dancing, and is filled with the humour and observation of his portraiture. Every figure is in motion and proclaims its own individuality. About Robert Ball Hughes (British-American, 1804-1868) Known as Ball Hughes and also using that as a signature, this man was a sculptor and wax-portrait artist. He was born in London, England, and died in Dorchester, Massachusetts. He studied and exhibited at the Royal Academy in London as well as at the Pennsylvania Academy of the Fine Arts and the National Academy of Design in New York City. He emigrated to New York in 1829, having earned much prestige in England. In New York, he received many commissions for portrait busts in bronze and wax. Among his subjects were John Trumbull, Alexander Hamilton, and Washington Irving. From 1838 to 1840, he worked in Philadelphia and from 1840, worked in Boston. In his final years, he began to produce pyrographic wood pictures (pyro engravings or "poker pictures"), including The Witches of MacBeth (c. 1840), Babylonian Lions (1856), Don Quixote in His Study (1863), The Trumpeter (1864), General Grant...

Italian mid-century modern picture with wooden decorated frame, 1960s Rectangular picture with wooden frame worked with repeated rounded decorations. The painting depicts two male fi...

Bavarian Votiv Tablet 19th century. Jesus at the scourge pillar, Oil on wood, dated 1840. Very nice original condition.

Italian marquetry wall decoration, a wooden panel inlaid in different colored fruitwoods, cherry, walnut, pearwood and boxwood, depicting an interior comic scenes, a genre scene with...

Oil on board painting by Pieter Jacobsz Codde, 1599 to 1678, a Dutch artist. The artwork represents an interior genre scene, a company drinking and playing cards. The artist's monogr...