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Robert Brandard (1805–1862) Devon Landscape Oil On Board Sotheby's

$13,918.59per set
£10,000per set
€11,901.98per set
CA$19,161.30per set
A$19,491.09per set
CHF 11,129.69per set
MX$235,755.45per set
NOK 129,778.05per set
SEK 131,766.50per set
DKK 88,976.02per set

About the Item

Robert Brandard (1805–1862) Devon Landscape Oil On Board In A Gilt Frame. Painting supplied with cardboard framed black and white scene of the same artwork, with it's original inclusion at Sothebys. On the reverse "By Brandard" hand written. Robert Brandard (1805, in Birmingham – 7 January 1862, in London) was a British landscape engraver and landscapist. Brandard was the eldest son of Thomas Brandard (d. 1830), engraver and copperplate printer, of Barford Street, Deritend, Birmingham, and his wife, Ann. He went to London in 1824, and entered the studio of Edward Goodall, with whom he remained a year. He engraved some of the subjects for Brockedon's Passes of the Alps, Captain Batty's Saxony, Turner's England and Wales and English Rivers, and numerous plates for The Art Journal, after Turner, Stanfield, Callcott, Herring, and others. His most important engravings on a large scale were Turner's Crossing the Brook, "The Snow-storm", and ,The Bay of Baiae. He also published two volumes of etchings, chiefly landscapes, after his own designs. He occasionally exhibited small oil pictures at the British Institution, which were distinguished by a good feeling for nature and a healthy tone of colour. The watercolour "Rocks at Hastings" is in the Victoria and Albert Museum. His brother John Brandard was a lithograph artist who designed many illustrated title-pages for music.[1] His younger brother, Edward Paxman Brandard (1819–1898) was apprenticed to him while in Islington, London. Several plates by Edward also appeared in The Art Journal between 1853 and 1887.[2] Another engraver who studied with Robert Brandard was Joseph Clayton Bentley.[3]
  • Dimensions:
    Height: 7.09 in (18 cm)Width: 9.06 in (23 cm)Depth: 1.58 in (4 cm)
  • Sold As:
    Set of 2
  • Style:
    Victorian (Of the Period)
  • Materials and Techniques:
    Glass,Paint,Wood,Hand-Painted
  • Place of Origin:
    United Kingdom
  • Period:
    19th Century
  • Date of Manufacture:
    19th Century
  • Condition:
    Wear consistent with age and use. Minor losses. Minor fading. Structurally sound condition as shown, patina and wear in keeping with age and use throughout.
  • Seller Location:
    Reading, GB
  • Reference Number:
    Seller: KF FS1stDibs: LU8232247639832

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