Yayoi Kusama Takashi Murakami Skateboard decks (2 works)

Japanese contemporary artist Takashi Murakami may be famous among collectors for the psychedelic flowers and chaotic cartoons that populate his prints and paintings, but artists likely know him as the theorist behind the contemporary art movement he calls “Superflat.”

Partially inspired by the Pop art of Andy Warhol, in which celebrity culture and mundane mass-produced items became the focus of bright and colorful works that both celebrated and criticized consumerism, Murakami’s Superflat encompasses painting, sculpture, digital design and more to present a subversive look at consumerism but is also an effort to blend fine art and lowbrow culture.

A multifaceted and remarkably influential artist as well as a compulsive art collector, Murakami has collaborated with brands such as Louis Vuitton, while one of his most famous Superflat works is the teddy bear on the cover of the Graduation album by American rapper Kanye West.

In 1993 Murakami earned his Ph.D. from Tokyo University of the Arts, where he was trained in nihonga, a style of painting that originated in the late 19th century by artists who worked to preserve and promote the conventions and processes associated with traditional Japanese art. While practicing nihonga, Murakami began to realize that his beliefs didn’t align with the tradition, so his art subsequently took on a satirical feel that embodied a critique of the movement. Before long, his style took a drastic turn, embracing otaku, a rising postwar cultural phenomenon among Japan’s younger crowd who loved anime and manga. (Otaku is also integral to Superflat.)

This is when Murakami’s most well-known character, Mr. DOB, was born. This anime-inspired icon, which Americans might interpret as a cross between Walt Disney’s Mickey Mouse and Lewis Carroll’s Cheshire Cat given its pronounced ears and broad and menacing grin, was part of the artist’s endeavor to elevate the otaku subculture but also to target mass consumerism. While Murakami conceived of Mr. DOB years ahead of his 2000-era Superflat theory, there is much common ground between the two. Not unlike his other creations, Murakami’s Mr. DOB is equal parts erotic, disturbing and cartoonish — an incisive mockery of the mingling of commerce and fine art so prevalent in Japanese popular culture.

Find original Takashi Murakami prints, sculptures and other art on 1stDibs. 

Widely inspirational and innovative artist Yayoi Kusama has a body of work that is exceptionally varied, ranging from graphic prints and paintings to polka-dot pumpkin sculptures, hypnotic collages, large-scale installations and fashion design.

Even if you don’t know her name, you’ve likely experienced Kusama’s art — or have seen it on Instagram. Her soft sculptures and dazzling “Infinity Mirrors” are the stuff of selfie-takers’ dreams, but Kusama’s impressive decades-long career certainly holds far more cachet than it does fodder for today’s aspiring social-media influencers.

Born in Matsumoto, Japan, in 1929, Kusama has worked with her signature polka dots since the age of 10, when she began to experience vivid hallucinations and claimed that patterns and dots were moving around her, swallowing up everything in view. She started to incorporate them into her paintings as a child. Kusama saw circular forms and nets on every surface and became especially fascinated with the pebbles that lined the bottom of the creek near her childhood home. Her family was sternly opposed to her art and her mother physically abused Kusama and discouraged her at a very early age. She has suffered psychological turmoil her whole life and is vocal about her mental illness. Today, Kusama is a voluntary resident at a psychiatric facility in Tokyo, and she calls her work “art medicine.”

At the Kyoto School of Arts and Crafts, Kusama trained in Nihonga, a traditional style of Japanese painting that originated during the Meiji period. On advice she solicited from painter Georgia O'Keeffe, a pioneer of modernism in America whom she greatly admired, she subsequently moved to New York City in 1958. There, Kusama flourished, creating prescient sculptures and large-scale monochrome paintings that bridged current styles with minimalism, which hadn’t yet achieved any kind of prominence as an art movement. She pushed boundaries with her “Accumulations” series, which saw her transforming found furniture pieces into sexualized objects, as well as with an avant-garde staging of theatrical orgies on the street — both stemming from her anxieties about sex as well as an endeavor to make a feminist statement about patriarchal authority and sexism.

Kusama was captivated by Surrealists as well as the Abstract Expressionists and greatly influenced the Pop artists who followed, befriending such icons as Donald Judd — who called her work “the best paintings being done” — and Andy Warhol, with whom she exhibited and later accused of stealing her ideas. Kusama moved with ease through artistic circles and made a point to draw attention to her “otherness” as a Japanese woman by wearing kimonos to her openings.

In 2021, Kusama brought her floral and vegetal sculptures to the New York Botanical Garden and her works can be found in the collections of many of the world’s top museums, including the Museum of Modern Art in New York, the Centre Pompidou in Paris and the National Museum of Modern Art in Tokyo. She famously collaborated with Louis Vuitton in 2012, and she created a 34-foot-tall balloon for the Macy’s Thanksgiving Day Parade in Manhattan in 2019, becoming the first female artist to design a work for the event. In addition to her visual artwork, Kusama is a writer, publishing poetry, novels and an autobiography.

Find a collection of Yayoi Kusama art on 1stDibs.