Gerald Thurston for Lightolier, Triennale Floor Lamp. 1960s

As the leading designer at Lightolier during the postwar building and design boom, Gerald Thurston created his clever lighting — sleek floor lamps, table lamps and desk lamps — to suit the American lifestyles of 1950s and 1960s. His designs were at the forefront of the mid-century modern lighting revolution — like much of the visionary work being done at the time in furniture and interiors, Thurston’s fixtures are both elegant and totally innovative, reflecting the exploration of new ideas and new technology that consumed designers of the era.

Thurston eventually led a stellar team of international lighting designers at Lightolier. He was important to the pioneering East Coast–based electric lighting company, and rumor has it that because he sketched every design on craft paper, the manufacturer insured his right hand for one million American dollars.

While enrolled in the School of the Art Institute of Chicago during the 1930s, where he earned his degree in industrial design, Thurston worked as a freelance designer for the Zenith Radio Corporation. Once he graduated, he found a position at the New Metal Craft Company. There he designed custom lighting fixtures and decorative objects for architects and interior designers.

Lightolier enticed Thurston to join them in approximately 1950. That same year, New York’s Museum of Modern Art featured a green floor lamp of his in their Good Design Exhibition of 1950. The sculptural lamps that Thurston created for Lightolier are representative of his interest in Scandinavian modernist lighting as well as the revolutionary designs produced by postwar Italian companies such as Arredoluce and Arteluce. (Lightolier partnered with the latter, and Thurston found inspiration in the work of Arteluce founder Gino Sarfatti.)

During Thurston’s decades-long tenure with Lightolier, he became internationally known for his many designs. His modernist fixtures are characterized by clean lines, vibrant colors and an appealing meld of metals and rich woods. His slender-legged Lightolier Tripod floor lamp, introduced in the 1960s, garnered widespread acclaim, while his whimsical Cricket lamp, with its arthropodan shade and slim brass frame, is wholly versatile — it can be hung as a sconce or positioned on a desk and offers direct or diffused light.

On 1stDibs, find vintage Gerald Thurston lighting, decorative objects and more.

Roman Erlikh is a professional woodworker with over 20 years’ experience. Roman Erlikh Studio creates bespoke and limited edition contemporary furniture and art objects. His first furniture collections were inspired by traditional Art Deco and Biedermeier styles interpreted through a modern lifestyle demands. Stepping away from merely utilitarian view of everyday objects, his recent collections are filled with meaningful textual context while incorporating traditional and modern woodworking techniques. Roman is using practical function as a common denominator to create emotionally charged art objects, blurring the boundary between art and function. While appreciating possibilities of ordinary materials, Roman is developing new mixed media multilayered composite varnishes and utilizes decorative gilding and mica veneer to actively engage ambient light, giving an additional aspect to relation of his objects to their environment. The decision to work in custom format was based on environmental concerns and opposition to culture of mass production and pure consumerism. The choice of materials was heavily influenced by sustainability and environmental concerns. All objects are made locally in the Brooklyn Navy Yard workshop. Elimination of storage and transportation needs for mass-produced furniture in lieu of creating a custom made objects on demand allows us to reduce waste of materials and energy.