Large Antique Terracotta Jar Lamps with Shade

An antique early 20th century terracotta olive jar from Turkey, hand-thrown and traditionally fired, now converted into a sculptural table lamp. The vessel is distinguished by its e...

An early 20th century Turkish terracotta storage jar, hand-thrown and traditionally fired, now converted into a table lamp. The form is defined by its broad shoulder, tapering body ...

An antique early 20th century terracotta olive jar from Turkey, hand-thrown and traditionally fired, now converted into a sculptural table lamp. The vessel is defined by its generou...

Sizes included in this description are with the shade. Period of the size of the vessel alone is eighteen inches in width and eighteen inches in height. The beautiful mottled surface...

This antique Anatolian clay storage pot, sourced from the heart of Turkey, is a striking example of traditional craftsmanship rooted in centuries-old rural life. Once used for storin...

An extra large antique early 20th century terracotta olive jar from Turkey, hand-thrown and traditionally fired, now converted into a monumental table lamp. This is a larger, more a...

An early 20th century Turkish terracotta olive oil jar, hand-thrown and traditionally fired, now converted into a table lamp. The form is defined by its rounded body, narrowing neck...

An antique early 20th century terracotta olive jar from Turkey, hand-thrown and traditionally fired, now converted into a sculptural table lamp. The form is clean and resolved — a b...

An early 20th-century Turkish olive oil jar, hand-thrown and traditionally fired, now converted into a table lamp. The form is defined by its twin handles, sloping shoulder and tape...

An early 20th century Anatolian terracotta oil jar from Western Turkey, hand-thrown and heavily fired, now converted into a sculptural table lamp. This vessel was used for storing olive oil or water, with its rounded body and narrowing base designed for practical, everyday use. The surface is defined by dense firing and natural pitting, with small cratered marks and irregular texture formed through direct exposure to flame in the kiln. Darkened areas sit against warmer terracotta tones, creating a layered surface with depth and variation. The patina has built gradually over time, giving the piece a more textured, almost granular quality compared to smoother examples. The proportions are simple and grounded, with a fuller mid-body and a gently tapering base, allowing the surface to take focus. Now reworked as a vintage terracotta lamp...