Dutch Mirrors

the frame with a series of molded convex (cushion) edges divided by bands of ebonized walnut. retaining antique mirrorplate

A finely carved diminutive pair of 18th Century Dutch ebonised ripple moulded octagonal mirrors. The heavily foxed mercury octagonal plates within a giltwood ripple moulded slip with...

This remarkable Dutch Louis XVI mirror from the late 18th century is a refined example of period craftsmanship, preserved in very good condition. The rectangular basswood frame is ad...

Simple frame with rounded carved and shaped frame. Mirror plate.

Large super early French Renaissance painted and gilt carved framed mirror. Very large architecturally framed painted and carved wall mirror with stylized gilt carved and black paint...

Excellent Dutch Baroque style mirror with a spectacular rectangular frame of ebonized wood and carved with curly mouldings. The taste for this type of mirrors began throughout the 17...

Having ebonized molded outer edge with robust walnut veneers in a raised cushion form with two additional ebonized moldings nearer the center, retaining antique mirrorplate

A large Dutch dark brown/black wall mirror from the 18th century with carved frame, protruding corners and geometric décor. Elevate your space with the timeless elegance of this large Dutch dark brown/black wall mirror from the 18th century. Crafted with exceptional artistry, this mirror boasts a carved frame that adds depth and dimension to its design. The linear silhouette of this mirror exudes a handsome presence, commanding attention in any room. The dark finish enhances its sophisticated appeal, while the protruding corners and geometric décor lend a touch of architectural charm. The frame is meticulously carved with alternating patterns, including wavy motifs, adding intricate detailing and visual interest. The craftsmanship and attention to detail are evident in every aspect of this piece, showcasing the skill and artistry of the 18th-century Dutch craftsmen. At the center of the frame, a rectangular mirror plate reflects light and creates a sense of spaciousness. The mirror plate exhibits traces of aging, which only enhance its authenticity and character, telling a story of its rich history. Hang this Dutch wall mirror...

Arched beveled mirror plate set in a conforming burl walnut frame.

Exceptional, museum quality, late-renaissance, english, ebonised pine and reverse painted wall mirror with its original plate & inlaid mirror pieces in the frame. -This is an exceptionally rare, early example of a luxury item combining reverse painting and gilding which subsequently became known as verre eglomise and inlaid mirror plate. -This mirror was conceived as a jewel most likely for the bedchamber or cabinet, the highest status interiors in the home, the deep green simulating the much prized emerald, the gilding and the expensive mirror plate reflecting the light and the latter the image of its owner and the interior also. -The tiered form enhances its gravitas. The two central motifs and the composition of the gilding suggesting falling blossom as well as the allusion to the emerald give it a naturalistic quality. - There is only one other known related mirror in the V&A museum, see last two images The original mirror plate surrounded by an ebonised moulding and an outer frame of green reverse painting imitating the emerald with gilded brushstrokes giving the appearance of falling blossom with inlaid sections of mirror plate in stylised diamond patterns. The tiered cresting with similar decorating including two larger naturalised inlaid motifs in mirror plate. In original condition. Provenance : Private Collection Related to : A mirror in the V&A Museum Measures: height 42.20 cm., 16.61 inches length 29.00 cm., 11.42 inches The technique of reverse-painting glass dates back to the pre-Roman era...

18th century Dutch Mirror Basswood Rococo Material: Basswood, glass, Mirror Design: Louis XV Style: Rococo, Antique, Louis XV, 18th century...

Coming from highly decorative techniques discovered and used in Antwerp in the mid-17th century for portrait frames, ebony ripple moldings were created to give a flicker of light, between the edge of a painting and its surround. They were first developed in the late 16th century, probably in south German cabinetmaking workshops. They were produced on a special milling machine...