Mid Century Svend Åge Teakholz Sessel Sessel Glostrup

1 of 2 Mid century Danish Teak and Leather arm chair by Svend Age Eriksn for Glostrup from the 60s The chair is in very good condition Measurements: Height : 78 cm Width: 62 c...

A beautiful early example, freshly reupholstered in finest quality wool fabric, as closely as possible to the original color scheme of two shades of grey.

Classic armchair designed by Arne Vodder and produced by Sibast Møbelfabrik in the 1960s. Showcasing Vodder’s signature organic lines and refined Danish craftsmanship, this piece is ...

1960s, Danish design by Børge Mogensen for Fredericia Stolefabrik. Completely reupholstered armchair in quality furniture wool, renewed solid oak. Brand new upholstery and brand new ...

Børge Mogensen armchairs and side chairs for Soborg Mobler, 1954. Made from white oak, We have three side chairs in stock. Upholstery services availa...

1960s, Danish design by Kurt Olsen for Slagelse Møbelværk. Armchair model 230 in original good condition: no smells, no stains, and stable construction. Original yellow furniture vel...

This is a beautiful Peter Hvidt & Orla Mølgaard-Nielsen designed model “FD 144” easy chair, made in Denmark in 1953. It was produced by France & Daverkosen Denmark. This solid oak FD-144 Easy Chair by the designer duo, has distinctive, wide and imposing bent armrests. The darker teak wood on the armrests and legs emphasises the elegant lines of this chair. The back is supported with a series of slender spindles that stand out as the main design element of this model. The chair comes with two loose cushions that have been recently reupholstered in a premium bouclé fabric. Both cushions feature button tufting, giving a classic look. This chair is a Danish mid-century piece to its core, uniting functionality with and understated, yet interesting and elegant design. Condition: In good vintage condition. Wear consistent with age and use. Re-upholstered in premium bouclé fabric. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information. Dimensions: 25.4 in W x 28.55 in D x 33.08 in H; seat height 16.93 in 64.5 cm W x 72.5 cm D x 84 cm H; seat height 43 cm About the designer: Hvidt & Mølgaard were the founders of the Copenhagen-based, Danish design and architectural firm which existed from 1944 until 2009. Founded by Peter Hvidt (1916-1986) and Orla Mølgaard-Nielsen (1907-1993), the company was a pioneering force in Danish furniture design and industrialized production in the 1950s, creating furniture that was easy to mass-produce and economic to transport. Danish architect-designer Orla Mølgaard-Nielsen was born in 1907. His formative years were spent in Copenhagen, studying at the Aalborg Technical School and at the Art and Crafts School of the Design Museum. From 1931 until 1934, he continued his studies in furniture design at the Royal Danish Academy of Fine Arts under the instruction of Kaare Klint. Peter Hvidt was born in Copenhagen in 1916. He studied architecture and cabinetry at the School of Arts and Crafts in Copenhagen. Subsequently, he worked at various design firms before establishing his own studio in 1942. In 1944, Hvidt designed the Portex Chair...

A classic vintage armchair designed by Illum Wikkelsø and crafted by renowned cabinetmaker Niels Eilersen in Denmark during the 1960s. Constructed from beautiful elm wood and featuri...

A lovely and dynamically-proportioned lounge or easy chair attributed to Arne Hovmand-Olsen and manufactured by Mogens Kold Møbelfabrik (metal manufacturer's stamp to underside) in sculpted teak and original boucle wool upholstery. Deeply patinated teak lends visual contrast against the off-white upholstery. Completely original condition down the the seat straps and brass hardware. Sophisticated seat cushion and backrest mounting system consisting of custom brass spacers which create a suspended effect to the panels keeping the design very airy and light. Hovmand-Olsen’s designs span seating, tables, and secretaries, all of which are characteristically simple in form with clean lines, organic curves, and tapered legs. Like many of his Danish contemporaries, he favored the use of high-quality, beautifully grained woods like teak and rosewood. Notable designs include his Model 175 chair (1955)—which is often mistaken for N.O. Møller’s Model 77 chair...

Kurt Olsen 221 for Slagelse Mobelvaerk Lounge Wingback Chair. Recently recovered