Percival Lafer “MP-41” Armchair for Lafer MP, 1972

Percival Lafer “MP-211” Armchair for Lafer S.A., leather and wood, Brazil, 1961 The MP-211 is built on a structural logic that doubles as ornament. A wood frame of blade-like uprigh...

Percival Lafer “MP-41” armchairs for Lafer MP, wood and cognac leather, Brazil, 1972 The “MP-41” armchairs by Percival Lafer embrace fluidity with a structure that appears weightless despite their solid wood frames. The absence of visible crossbars beneath the seat enhances this effect, allowing the thick, tufted cushions to seemingly float. The upholstery drapes over the structure like silk fabric on a sculpted form, a harmonious integration of material and frame. The butterfly-shaped joints refine the frame’s construction, tapering toward the center for a softened profile. The lateral tufting on the seat is not merely decorative—it creates a structured geometry that follows the contours of the body. The armrests, backrest, and seat merge into a single, uninterrupted form, maximizing ergonomic support. Leather straps secure the cushions to the frame, a signature Lafer detail that blends artisanal technique with industrial efficiency. The MP-41 prioritizes organic curves over strict geometric lines. The deep cognac leather, aged to a rich patina, enhances the warmth of the wood. The absence of ornamentation shifts focus to the raw materials, celebrating their natural textures and variations. Unlike Jean Gillon...

Percival Lafer “MP-41” Sofa for Lafer MP, wood and cognac leather, Brazil, 1972 The “MP-41” sofa by Percival Lafer embraces fluidity with a structure that appears weightless despite its solid wood frame. The absence of visible crossbars beneath the seat enhances this effect, allowing the thick, tufted cushions to seemingly float. The upholstery drapes over the structure like silk fabric on a sculpted form, a harmonious integration of material and frame. The butterfly-shaped joints refine the frame’s construction, tapering toward the center for a softened profile. The lateral tufting on the seat is not merely decorative—it creates a structured geometry that follows the contours of the body. The armrests, backrest, and seat merge into a single, uninterrupted form, maximizing ergonomic support. Leather straps secure the cushions to the frame, a signature Lafer detail that blends artisanal technique with industrial efficiency. The MP-41 prioritizes organic curves over strict geometric lines. The deep cognac leather, aged to a rich patina, enhances the warmth of the wood. The absence of ornamentation shifts focus to the raw materials, celebrating their natural textures and variations. Unlike Jean Gillon...

Percival Lafer “MP-211” Armchairs for Lafer S.A., leather and wood, 1961, Brazil, set of 2 The MP-211 is built on a structural logic that doubles as ornament. A wood frame of blade-...

Mid-century modern design by Percival Lafer manufactured by his industry, Lafer Pair of MP-91 armchairs with solid jatobá wood frame, wedge fitting system, monobloc body of injected...

“Amiral” Armchair by Eric Merthen for Ire Möbler, Sweden, 1960s. A distinguished example of Scandinavian modern design, featuring a sculptural solid wood frame paired with sumptuous ...

Designed by Carlo Fongaro (1915–1986) for Probjeto in the 1970s, the Dinamarquesa armchair reflects the dialogue between European modernism and Brazilian material culture that define...

The De Sede DS-125 armchair, designed by Gerd Lange in 1978, is a prime example of Swiss craftsmanship and premium quality. Upholstered in thick 3–5 mm black neck leather with distin...