Percival Lafer "MP-81" Sofa, 1972

Percival Lafer “MP-41” Sofa for Lafer MP, wood and cognac leather, Brazil, 1972 The “MP-41” sofa by Percival Lafer embraces fluidity with a structure that appears weightless despite its solid wood frame. The absence of visible crossbars beneath the seat enhances this effect, allowing the thick, tufted cushions to seemingly float. The upholstery drapes over the structure like silk fabric on a sculpted form, a harmonious integration of material and frame. The butterfly-shaped joints refine the frame’s construction, tapering toward the center for a softened profile. The lateral tufting on the seat is not merely decorative—it creates a structured geometry that follows the contours of the body. The armrests, backrest, and seat merge into a single, uninterrupted form, maximizing ergonomic support. Leather straps secure the cushions to the frame, a signature Lafer detail that blends artisanal technique with industrial efficiency. The MP-41 prioritizes organic curves over strict geometric lines. The deep cognac leather, aged to a rich patina, enhances the warmth of the wood. The absence of ornamentation shifts focus to the raw materials, celebrating their natural textures and variations. Unlike Jean Gillon...

Ubald Klug DS-1025 "Terrazza" sofa for De Sede, brown leather, Switzerland, 1974. Ubald Klug designed this rare modular DS-1025 "Terrazza" sofa as a real living landscape. Each element recalls a terrace-like, stepped slope with different widths and depths. A valley or a mountain can appear depending on how the individual modules are assembled. The "Terrazza" was recreated thanks to the De Sede manufacturer and its ability to transform high-quality leather into seating furniture. This multi-layered upholstered relief invites people to sit or lie down, combining durability and comfort with a unique design. After training at the Art and Design College in Zurich, Ulbald Klug (1932) gained further experience in architectural practices in Zurich and Helsinki. Paris has been his sphere of activity since 1966, when he founded his architecture and interior design bureau. Klug proved himself successful at finding solutions to different challenges and developed non-conformist solutions - from furniture design, to concepts for urban installations, to architectural prototypes...