Mid-Century Armchair in Red Velvet Upholstery

Easy chair, fabric, wood, Italy, 1950s. This lounge chair is both voluptuous and grand as it is comfortable. The chair embodies a semi-high wingback composed of curvaceous lines. Th...

Magda Sépová for TON, lounge chair, fiberglass, fabric, coated steel, Czechoslovakia, 1962 This armchair by Magda Sépová embraces the aesthetic sensibility that prevailed in the 195...

Studio APA for Lenzi, club chair model 'M538', fabric, metal, brass, Italy, 1960s This dynamic armchair originates from Italy and features a well-proportioned construction of sharp ...

Lounge chair, beech, fabric, metal nails, Europe, 1930s A striking lounge chair from the 1930s, characterized by its bold yet elegant silhouette and refined detailing. The softly ro...

Beautiful and comfortable vintage armchair styled after the designs of Adrian Pearsall. Vivid red upholstery is paired with rich wooden legs to...

The 1960s were a transformative era for design throughout Europe. In this period, furniture blended the streamlined elegance of modernism with the inviting charm of skilled craftsman...

We kindly suggest that you read the whole description, as with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Very comfortable and elegant upholstered armchair; the frame is very solid with sturdy legs made of polished and brushed brass; the seat is deliberately low but large and comfortable; the wide overall appearance has soft and pleasing lines, perfect for conveying a feeling of comfort and well-being. The armchair was made between 1960 and 1963 by an artisan workshop in Meda (Milan, Italy) that collaborated with several Lombard architects; for the creation of the armchair, the artisans were inspired by architect Marco Zanuso, following his design. Marco Zanuso (1916-2001) was among the greatest interpreters of the culture of the modern, as an architect, designer, and university lecturer; he was one of the first designers to take an interest in the problems of product industrialization, going beyond the aesthetic question to incorporate technological, industrial, distribution and communication variables. The form of an object intended for serial reproduction, according to Zanuso, is thus a synthesis of opportunities, experimentation, and innovations located in the concrete process that links creativity, production, and sociocultural context. His countless creations include the Lady armchair, and the Antropus armchair...

Armchair with foam padding, refurbished upholstery, not original to the period, and stained wood legs.