Mid-Century Bertil V. Behrman Easy Chair Model 233 for AB Engens Fabriker

This rare lounge chair was designed by Bertil Behrmanand produced by Engens Möbelfabriker in Sweden, 1956. The model is numbered 233 and is part of the designer’s “Presens” series. T...

Rare easy chair designed by Børge Mogensen. Produced by Tage Kristensen & Co in Denmark.

Rare easy chair designed by Frits Henningsen. Produced by cabinetmaker Frits Henningsen in Denmark.

A timeless and historically important design by the architect Hvidt & Molgaard Nielsen which began production in 1950. This chair used revolutionary construction techniques by b...

A timeless and historically important design by the architect Hvidt & Molgaard Nielsen which began production in 1950. This chair used revolutionary construction techniques by b...

Vintage Midcentury Modern Scandinavian Design 'EVA' Easy Chair by Bruno Mathsson. Made in Sweden, 1960's period. Marked on the base. This lounge chair is made from bend beech wood an...

Peter Hvidt and Orla Mølgaard Nielsen are the Danish duo that designed this easy chair. The chair is called the Boomerang chair....

Very rare easy chair designed by Børge Mogensen. Produced by cabinetmaker Erhard Rasmussen in Denmark.

Scandinavian Modern solid teak lounge chair by Niels Koefoed with new black leather upholstery. Sleek sculptural back and gentle curves combined with angular frame creates a dynamic ...

A lovely and dynamically-proportioned lounge or easy chair attributed to Arne Hovmand-Olsen and manufactured by Mogens Kold Møbelfabrik (metal manufacturer's stamp to underside) in sculpted teak and original boucle wool upholstery. Deeply patinated teak lends visual contrast against the off-white upholstery. Completely original condition down the the seat straps and brass hardware. Sophisticated seat cushion and backrest mounting system consisting of custom brass spacers which create a suspended effect to the panels keeping the design very airy and light. Hovmand-Olsen’s designs span seating, tables, and secretaries, all of which are characteristically simple in form with clean lines, organic curves, and tapered legs. Like many of his Danish contemporaries, he favored the use of high-quality, beautifully grained woods like teak and rosewood. Notable designs include his Model 175 chair (1955)—which is often mistaken for N.O. Møller’s Model 77 chair...