Pair, McGuire Bamboo Wood Bouclé Fabric Upholstery Ottomans Mid-Century Modern

Like so many artists and designers, husband and wife John McGuire (1920–2013) and Elinor Stevenson (1914–2005) became masters in their trade by accident. For the founders of McGuire Furniture Company, well, furniture wasn’t actually in the plans.

The couple met just before the start of World War II (during which John was in the U.S. Navy and Elinor was a navigation instructor) and got married after it ended. They settled down in San Francisco where John held a couple of jobs — among them selling newspaper ads for the San Francisco Examiner while Elinor worked for Boeing Aircraft. Soon, an old Navy buddy of John’s asked him to help sell a bunch of rattan furniture and, needing the money, John agreed. His side business became so successful that John decided to quit his ad-sales job and work full-time in design.

In 1948, McGuire Furniture Company was born. Alongside the mid-century modern furniture designs then gaining popularity in the United States, John introduced an unconventional idea: traditional armchairs, stools and tables made of natural materials such as bamboo, which was strong yet could be rendered pliable when steamed, that were intended for the indoors rather than the front porch.

The brand’s first success was the now famous Director’s X-Chair by Leonard Linden. The military-campaign-style solid oak folding chair launched in 1956 and saw rattan binded with rawhide strips and a high-grade leather slug seat and back that eliminated the need for a plush cushion. Elinor, too, designed some of the brand’s popular pieces, such as 1968’s Cracked Ice chair. With its rattan oval back a dazzling celebration of geometric forms that give it its charming moniker, the Cracked Ice chair was an instant classic and is one of the brand’s most recognizable designs.

Today, McGuire and another American furniture manufacturer, Baker Furniture Company, comprise Baker Interiors Group. McGuire remains true to the founders’ ideals and commitment to crafting the kind of organic modern furnishings that are synonymous with the warm and relaxed feel of California design. The company has collaborated with interior designers Steven Volpe, Orlando Diaz-Azcuy and Nicole Hollis, and, as of 2019, its luxury furnishings share a 16,500-square-foot showroom with Baker’s in San Francisco. Some of the earliest McGuire Furniture Company designs are part of the permanent collection at the Cooper Hewitt, Smithsonian Design Museum in New York City.

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The eclectic furnishings of Maitland-Smith celebrate artisan skills in an age of machines. Hand-carved woodwork, inlaid marquetry, painted detailing, gilding and lost wax casting lend the company’s decorative accents an artistic flair. Focused on pieces that add a dynamic flourish to an interior by incorporating tactile materials like leather, seashell inlays and crushed eggshell, the manufacturer draws inspiration across centuries, from the curvy forms of the Louis XV period to the geometric angles of mid-century modernism.

Paul Maitland-Smith established the company in Hong Kong in 1979, after getting his start in London in the 1950s as an antique dealer who also sold reproduction furniture, something that would become a Maitland-Smith specialty. The manufacturer’s early reproductions of 17th- and 18th-century furniture included Chippendale dining chairs, and soon afterward, Maitland-Smith expanded into a range of decorative designs that often exuded a whimsical spirit, whether a coffee table shaped like a stack of books or a pair of decorative obelisks. Maitland-Smith’s signature sculptural table lamps in particular show off this playful sensibility, with one balancing a pen-shell shade on a monkey’s tail and another taking on the form of a miniature hot-air balloon.

Since its founding, Maitland-Smith’s sourcing has been based in Asia, and although Paul Maitland-Smith later sold the company that still bears his name and is now headquartered in North Carolina, the brand’s furnishings are still largely made in Cebu, Philippines.

Today, Maitland-Smith continues to innovate on its finely crafted offerings by collaborating with contemporary designers and studios such as Tony Duquette Studios (founded by set and costume designer Tony Duquette in 1941), Celerie Kemble and painter and textile designer Susan Hable Smith.

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