Erik Jørgensen EJ 315/2 Two-Seat Sofa, Mahogany Frame, Tan Leather

Erik Jørgensen three-seat new upholstered with cognac pure anilin leather. Frame of oak. Model EJ 315/3, made by Erik Jørgensen.

Erik Jørgensen two-seat sofa new upholstered with cognac pure aniline leather. Frame of black painted beech. Model EJ 315/2, made by Erik Jørgensen.

Erik Jørgensen three-seat new upholstered with vintage tan anilin leather. Frame of black lacquered wood. Model EJ 315/3, made by Erik Jørgensen.

Erik Jørgensen three-seat new upholstered with cognac pure full grain anilin leather. Frame of beech. Model EJ 315/3, made by Erik Jørgensen.

Erik Jørgensen Delphi sofa model EJ 450 designed by Hannes Wettstein in cognac leather with frame in brushed aluminium. Modern Scandinavian design. — Origin: Denmark — Designer: Han...

Three-seater sofa model 5011 in original leather and eight-legged ash base. Produced by Rud. Rasmussen Cabinetmakers, Denmark. Minor marks on the frame, patina to the leather. Shown at the Copenhagen Cabinetmakers’ Guild exhibition in 1935. Kaare Klint is widely recognized as the father of Danish modern design. It is hard to overstate his influence. He developed an entirely new analytical approach to furniture design that his students at the Danish Academy of Art would emulate for years to come, yet was also inspired by historic designs from various cultures, modernizing and re-interpreting classic pieces for new generations. Literature: Gorm Harkær, Klintiana: “Kaare Klint”, vol.2, pg 94. Shipping services: Ask for our competitive shipping quote. Kaare Klint (1888-1954) is regarded as the founding father of Danish Modernim. As an architect, furniture designer and leading professor at the Department of Furniture Design at the Royal Danish Academy of Fine Arts, Copenhagen, Klint established the principles of modern Danish furniture by combining a profound appreciation of traditional construction techniques with a modernist emphasis on function and a rejection of ornaments. Klint’s design was always based on relentless research; he never compromised. Every piece had to fulfill its purpose, be completely clear in its construction with dimensions and proportions corresponding to the human body and display materials and craftsmanship of the highest quality. Logic, often using a mathematical system of measures, and a constructive way of thinking were the foundation of Klint’s philosophy of furniture design. Like many of his contemporaries, counting Le Corbusier and Walter Gropius, he advocated standardization and functional requirements and dismissed the use of all ornamentation. But Klint realized his vision in wood and leather, using traditional craftsmen and working methods and often finding inspiration in historical models. In this way, he charted the course for an alternative Nordic Functionalism that idealized the workshop and the collaboration between furniture architects and cabinetmakers as opposed to the factory. Kaare Klint’s first major work was a collaboration with his mentor, the architect Carl Petersen. In 1914 they were commissioned to design furniture and fixtures for Faaborg Art Museum. One of the highlights to emerge from this commission was the Faaborg chair, a light and elegant chair with clear references to classical furniture. The construction and proportions of an 18th century English Chippendale...

Kaare Klint for Rud. Rasmussens Snedkerier, sofa, model ‘4118’, leather, mahogany, Denmark, design 1930, production 1970s Kaare Klint originally designed the present three-seat sofa...

Jacob Kjaer, sofa, original Niger leather, brass, stained mahogany, Denmark, 1930s Exemplifying the quintessential essence of Danish design of the thirties, this rare sofa by Jacob...