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Smooth White Bronze Mystique Sideboard – Sculpted Credenza, Handmade
Smooth White Bronze Mystique Sideboard – Sculpted Credenza, Handmade
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Smooth White Bronze Mystique Credenza – Organic Carved Sideboard

$11,543per item
£8,700.75per item
€10,176.64per item
CA$16,338per item
A$16,634.45per item
CHF 9,579.94per item
MX$200,432.31per item
NOK 111,175.85per item
SEK 112,169.56per item
DKK 76,066.20per item
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About the Item

The Mystique Credenza in Smooth White Bronze has exterior faces that are entirely sculpted from solid pieces of teak, the abstract organic carving covering the full front and both sides in three-dimensional relief. The pattern is drawn from one of Stephanie Odegard's rug designs and translated directly into carved wood before the Smooth White Bronze metal cladding is applied over it. The result is a credenza surface unlike any other in the collection and unlike any other in the market. Each exterior face is sculpted by hand from solid teak before Smooth White Bronze metal sheets are pattern-cut and fitted over the carved surface. The organic three-dimensional relief requires the metal to follow compound forms; each section is secured with flush-set nails. Interior: teak veneer, adjustable shelves. Measures 80 by 18 by 30.5 inches. Four push-to-open doors, adjustable interior shelves. Functions as a credenza, sideboard, buffet, or media console. Available in all twelve standard finishes. Custom sizing available. Made entirely to order. Designed by Stephanie Odegard for the Stephanie Odegard Collection. The Mystique Credenza takes the organic abstract pattern of one of Stephanie Odegard's rug designs and builds it into the exterior faces of a credenza carved from solid teak and clad in metal. The piece is the most direct expression in the furniture collection of Stephanie Odegard's textile practice. Produced in Udaipur. Made to order, each piece may show slight variations that are a natural result of handmade metal-clad production. The Smooth White Bronze surface will gradually mellow in tone over time, which is part of the material's natural character. The images shown in this listing may be photographed in different lighting conditions or may include 3D illustrations created to represent the available finishes. We warmly encourage customers to request an individual sample or a complete sample set of all twelve finishes to experience the surface, tone, and character firsthand. Please note that moisture in the air, seasonal climate shifts, and the natural movement of wood over time may cause the metal surface to develop slight wrinkles or occasional bubbling. We use well-seasoned reclaimed teak and high-quality marine-grade MDF wherever technically possible to minimise these natural effects, but complete stability of metal cannot be guaranteed. All smooth finishes will show subtle tool marks. These are not defects but a natural and unavoidable result of hand-working and hand-polishing metal sheets. Our hammered finishes are recommended where a more textured, forgiving surface is preferred. None of our metal-clad pieces are sealed with a permanent protective coating. This allows the metal to age naturally and beautifully over time. We polish every piece carefully before packing. A clear PU coat can be applied on request. The antiqued white bronze finish will react with natural elements the fastest in the beginning, but it too will stop reacting and settle into a stable state like copper after 6-12 months. Since it is already antiqued and looks intentionally tarnished, this early reaction does not change the overall appearance. In that way, this surface is the most forgiving. The antiqued white bronze finish is done by applying an acidic chemical over the white bronze to recreate a natural patination. Like the aging of silver, copper, or brass, the final result and colour uniformity cannot be guaranteed. The goal of this finish is to achieve rainbow-like tones with dull, shiny, cloudy, and lightly streaked patches to give an illusion of antiquing. As a default practice, we offer a protective wipe-on PU coat only on this finish. If a designer prefers the natural, uncoated aging, we can leave it untreated just like the other finishes. A PU coat helps keep the surface looking the same as when shipped, but it does not create a fully uniform patina; natural variation will always remain part of this finish.

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