Samuel Marx Chest of Drawers

Vintage Designer Chest of Drawers attributed to Frances Elkins. Circa 1945. Additional photos available upon request.

Capture the essence of traditional 18th century Italian craftsmanship with its sophisticated blend of walnut, maple, and cherry veneers. Each drawer front displays meticulously match...

Scandinavian mid century baroque revival chest of drawers circa 1950. Good quality mahogany veneered chest of drawers, very much in the baroque taste.  Shaped top with 4 block front...

Mid 20th century teak baroque inspired commode circa 1950. Danish made teak chest with shaped fronted drawers  very much in the baroque taste.  Fitted with 4 drawers of equal propor...

This large antique English chest of drawers dates from the early 19th century and features five drawers and beautiful detailing. It has developed a rich patina and appropriate signs ...

Mid-20th-century Italian chest of drawers. Beautifully crafted and In addition to its decorative features, this piece is carved and veneered with walnut, burl, rosewood, mahogany, m...

Elegant Biedermeier chest of drawers featuring four drawers and a distinctive pediment-shaped front, flanked by lateral half-columns. The top drawer slightly projects and rests on fi...

An 18th century Neo Classically inspired three drawer commode with figured walnut panels to the top front and sides, with crossbanding and inlays. The three long soft closing drawe...

An Italian neoclassic style mahogany dresser, the rectangular cross-banded top above three short frieze drawers and six further long graduated drawers, on splayed legs. Dimension...

Boston, Massachusetts Seven-drawer tall chest, circa 1825. Mahogany (secondary woods: mahogany, pine, and poplar) Measures: 45 5/8 in. high, 27 5/8 in. wide, 14 5/8 in. deep Inscribed (on six drawer locks): SECURE; (on seventh lock): CHUBB’S / PATENT / 57 St PAULS CHY / LONDON / CHUBB & SON / MAKERS TO / HER MAJESTY / 632284; (on one hinge): [BUR?] NE PATENT; (on master lock): 2 LEVER. Although some Boston furniture of the Neo-Classical period is elaborately decorated with ormolu mounts, brass moldings, and carved and gilded elements, other pieces are more simple and are said to reflect the “conservative” taste of many of Boston’s great families. The simplicity evident in these pieces is not an indication of a less-expensive line of furniture or a less-sophisticated patronage, but, like the so-called “Grecian Plain Style” of Duncan Phyfe’s furniture...