The Rectangular Console Table is 72 inches of Medium Hammered Copper metal in a parsons form: flat top, two vertical sides to the floor, no legs. The hammered texture covers each surface, and a smooth polished strip runs through the centre of the top and both sides, a design element that creates a line of reflection within the textured field. The piece measures 30 inches tall and 16 inches deep, exactly the proportion for placement in a hall or against the wall of a large room.
The wood structure is clad in Medium Hammered Copper metal fitted by hand. The craftsmen work two textures into the metal: Medium Hammered Copper hammering across the outer areas, and a smooth centre band polished separately and running continuously across all three surfaces. Corner joints are marked with flush-set nails. The piece is made entirely to order, and natural variation in the hammered surface is part of the character of the finished object.
Measures 72 by 16 by 30 inches. Functions as a hall table, console table, entry table, or sofa table. The no-leg parsons profile keeps the visual footprint minimal and the form clean from every angle. Available in medium and fine hammered finishes. Custom sizing available. Made entirely to order.
Designed by Alison Spear for Stephanie Odegard Collection. Alison Spear, AIA, is a Cornell and Columbia-trained architect with over thirty years of practice in New York. She designed this table during a visit to Rajasthan with Stephanie Odegard, working directly with the craftsmen on the two-texture hammering technique that distinguishes the piece. Produced in Udaipur.
Made to order, each piece may show slight variations that are a natural result of handmade metal-clad production. The Medium Hammered Copper surface will gradually mellow in tone over time, which is part of the material's natural character.
The images shown in this listing may be photographed in different lighting conditions or may include 3D illustrations created to represent the available finishes. We warmly encourage customers to request an individual sample or a complete sample set of all twelve finishes to experience the surface, tone, and character firsthand.
Please note that moisture in the air, seasonal climate shifts, and the natural movement of wood over time may cause the metal surface to develop slight wrinkles or occasional bubbling. We use well-seasoned reclaimed teak and high-quality marine-grade MDF wherever technically possible to minimise these natural effects, but complete stability of metal cannot be guaranteed.
None of our metal-clad pieces are sealed with a permanent protective coating. This allows the metal to age naturally and beautifully over time. We polish every piece carefully before packing. A clear PU coat can be applied on request.
The antiqued white bronze finish will react with natural elements the fastest in the beginning, but it too will stop reacting and settle into a stable state like copper after 6-12 months. Since it is already antiqued and looks intentionally tarnished, this early reaction does not change the overall appearance. In that way, this surface is the most forgiving.
The antiqued white bronze finish is done by applying an acidic chemical over the white bronze to recreate a natural patination. Like the aging of silver, copper, or brass, the final result and colour uniformity cannot be guaranteed. The goal of this finish is to achieve rainbow-like tones with dull, shiny, cloudy, and lightly streaked patches to give an illusion of antiquing.
As a default practice, we offer a protective wipe-on PU coat only on this finish. If a designer prefers the natural, uncoated aging, we can leave it untreated just like the other finishes. A PU coat helps keep the surface looking the same as when shipped, but it does not create a fully uniform patina; natural variation will always remain part of this finish.