Richard Himmel Post Modern Corner Console/Desk, 1970

Bring vintage elegance into your home with this beautifully crafted two-tiered oak wooden drink table. Designed to fit perfectly into a corner, this space-saving piece offers both st...

Designed in 1953 by Jacques Guillon, the Cord Chair is a hallmark of mid-century modern design. Its form is defined by three U-shaped maple wood elements and a seat and backrest made...

Designed by French-born Michel Arnoult in the late 1950s, this armchair exemplifies the ingenuity of Brazilian mid-century modern design. Produced for the Alagoas Collection by Foren...

Immerse yourself in the optimistic futurism of the Space Age with this exceptional Mid-Century Modern table lamp. Standing approximately 2 feet tall, this German-designed masterpiece...

A show stopping console designed by Gene Jonson and Robert Marcius featuring two lacquered pedestals with brass mounts and painted details. Each pedestal retains the original Jonson ...

Wall-mounted console table, made of enameled metal, brass and back-treated glass.

Pietra Serena' Inca' Console by Angelo Mangiarotti for Skipper, Italy, 1978 The "Inca" range represents an advancement of the previously established "Eros" system, maintaining the ...

SCHWARZENBERG Hans Hollein 1981 Console in lacquered wood, glazed with gold leaf and covered with natural wood essence. Schwarzenberg, designed by Hans Hollein, winner of the Pritzker Prize (the “Nobel of architecture”), is astonishing due to its unusual form. The console with its slim pieces becomes immaterial, an idea, an abstraction. The constant interplay between functional performance and its denial through a disembodied presence have made this item a Memphis icon. First produced in 1981, Schwarzenberg is an inimitable console in lacquered wood glazed in gold leaf and covered with natural wood. The fulcrum of the design is the stepped top clad in pink briar, resting on slender cylindrical legs, which in turn rest on the black curves of the base. There is a very strong reference to the Austrian culture of the Secession; the materials, colors and forms link back to the great Viennese masters. As in the other objects produced by the Memphis group, the title is no coincidence. The console by Hans Hollein the only piece he created for Memphis was called Schwarzenberg in honor of the historic French...