French Louis XV Style Bronze Doré Marquetry Side Table, Circa 1870

A rare and elegant pair of French marquetry writing tables dating to circa 1860, each crafted with its own distinct reverse marquetry design, making the pair both complementary and u...

An Italian miniature table top commode chest with exotic inlaid woods. Circa 1780-1800. Very fine French polish.

An elegant French marquetry wood plateau, circa 1870, showcasing fine craftsmanship and refined design. The plateau features a beautifully carved serpentine-shaped front and sides, l...

Rare English table top fall front writing desk in burl walnut and blue eglomise painted oval panels. Ten panels inside painted with flowers and...

A very good quality 19th century French kingwood marquetry inlaid side table, having a hinged top, opening to reveal a compartmented interior. Sèvres style porcelain plaques inset to...

A very good quality late 19th century Louis XVI style side or dressing table, having wonderful inlaid marquetry to the top and frieze, depicting classical scrolls, faux wicker and fo...

This is an elegant 19th century French Louis XV-style mahogany side table featuring exceptional marquetry throughout. The circular top is richly inlaid with an intricate floral bouqu...

A Fine and Rare Louis XV Style Gilt-Bronze Mounted Marquetry Occasional Table. By Emmanuel Alfred (dit Alfred II) Beurdeley. Paris. The top with marquetry of precious fruitwoods and rare timbers depicting a central cartouche of two monkeys standing in a classical landscape, dressed as men playing a drum and a tambourine. The surrounding marquetry composed of rocaille framed trellis parquetry panels with ribbon-tied trophies. The shaped top surrounded by a three-quarter gilt-bronze gallery. The top slides back and the drawer opens to reveal a writing tray. The serpentine sides with cartouches with flower-filled marquetry. On cabriole legs headed by gilt-bronze rocaille clasps. Stamped ‘A. BEURDELEY A PARIS’. France, Circa 1885. Beautifully rendered by Beurdeley this ‘table Singeries’ is ennobled with the fullest frivolity of the rococo. The marquetry scene on the top derives from engravings published in Paris in the mid-eighteenth century entitled ‘Le Tambour de Basque’ and 'Le Tambourin’ by J. Guelard after designs by Christophe Huet (died 1759) from a series entitled ‘Singeries ou Différentes Actions de la Vie Humaine Representées par des Singes’. Elegantly framing the marquetry cartouche are three trophies set against a background ‘à mosaïque’, emblematic of war, the hunt, and gardening and pastoral pursuits. These designs are derived from a set of six engravings by Gilles Demarteau l’aîné (1722–1776), entitled ‘Plusieurs Trophées Dessinés et Gravés par Demarteau l’aîné’, published in Paris in the mid-18th century. The present writing table is almost identical to an 18th century table in the James A. de Rothschild collection at Waddesdon Manor (inv. 3472) which was purchased by Baron Ferdinand de Rothschild at the legendary auction of Prince Demidov’s Florentine Palazzo San Donato in 1880 (Lot 1554 — Très jolie table...