Artwork by André Verroken for Hof van Cleve, Belgium, 1990s

Belgium; 1970's; Glass sculpture; Postmodern art; Michel Martens, a large glass sculpture with several punctuation marks, colored, frosted, and sandblasted glass. Signed by the artist on the bottom right corner. Belgium artist Michel Martens is famous for his impressive glass art. He created this postmodern piece of art in the 1970s. Martens (1921-2006) was a respected designer of stained glass windows and had an impressive career creating stained glass windows for churches. His credo was 'light is my material, glass my medium'. Martens was an autodidact and first taught himself the technique of stained windows. He designed an impressive 7000 meters stained glass between 1947 and 1989 for churches and monasteries. From 1968 onwards, Martens started to lose the church as a main client and therefore started to develop a practice in which he worked with mirrors that were also suitable for the private sector and private homes. With his radical and modern approach to glass art, Martens became part of the Post-war Abstract Modernist movement. Using mirrored glass opened up new perspectives for Martens. He even started using industrial glass as well, for his so-called 'Crazy Mirrors...

Designed by Belgian artist and architect Renaat Ramon, this abstract postmodern sculpture in lacquered steel was created in the 1990s as a functional yet artistic object. Its central...

Art; Artwork; Painting; Steel; E. Hennekens; Signed; Expressionist; Abstract and colorful painting on steel that dates back from the '70s. We have more artworks by E. Hennekens avai...

Wooden sculpture by German artist Bernd Lohaus showcased in his solo exhibition at Galerie Micheline Szwajcer in 1996 Antwerp. Lohaus, a luminary figure in Antwerp's avant-garde art ...

Mid-Century Modern Brutalist Wall-Mounted Sculpture, 1960s

A colorful painting by the Dutch Artist Clemens Briels, (1946-) Titled "Beauty and the Bird", dated 2000 and numbered 16/50 The work is acrylic on resin wall art...

Black & White Acrylic on Canvas. Painting by the portuguese artist Pedro Quintas

Bogaert's felt assemblages have a particularly soft and accessible appearance, which no other material he uses can match. At first glance they appear to be wooden objects, but the woolly surface makes it clear that they are felt. To date, only a few works of this format have been released. Bogaert's felt assemblies offer a special insight into the possibilities of this material. While felt is often seen as something functional and mundane, Bogaert managed to elevate it into a medium for artistic expression. The softness and accessibility of the felt contrast with the solid and sometimes robust shapes he created, creating an intriguing tension that invites the viewer to think more deeply about material and form. In summary, André Bogaert...