Edmund Blampied Pen Drawing of a Horse Matted and Framed in Gilt Frame

Framed Lithograph in black and white by artist, Marc Chagall, titled "The Offering" - Image area is 12" x 20 5/8", 1960 - M.291 "Lithographs of Chagall...

A wonderful reverse painted glass image. The image of a 17th C. female is wonderfully done and in very nice colors. The Frame is gilt and the image sits back, creating a shadow affec...

A beautiful sterling silver picture frame in the style of Ralph Lauren. The hammered surface is accented by subtle detailing at the center of each side, adding depth and visual inter...

Pair of wonderful Modern Paintings using Gouache and acrylic paint. The pieces are not signed, but are a great duo - the larger is 10"wide x 8.5 Tall, the smaller is 7.5 Wide x 8" t...

Dessin d'étude de cheval du XIXᵉ siècle, réalisée au crayon. Le rendu est fin et précis en ce qui concerne le dessin du cheval, tant sur le plan anatomique que dans la capture de l’a...

A striking framed antique horse etching by Georg Philipp Rugendas the Elder (1666-1742). The artist was known for his equestrian compositions and is represented in the collection of ...

French (late 19th century) pencil illustrations of equestrian performers on horseback in two panels titled "Double Equestrian" in a carved giltwood frame with white canvas matting. (...

This elegant framed horse print depicts “George Frederick,” a finely rendered equine portrait originally issued as Plate 18 in a 19th-century sporting or stud reference series. The composition showcases a richly colored chestnut horse in classical side profile, posed with lifted foreleg in the traditional stance favored for documenting prized bloodstock and conformation. The print is executed in warm brown and russet tones with subtle shading, emphasizing musculature, coat sheen, and anatomical precision. The artist’s approach reflects the golden age of British sporting art, where horses were treated with the same reverence as aristocratic portrait subjects. The work is presented in a decorative, patterned gilt frame with a repeating textile-like motif in gold and deep brown tones, likely a later 20th-century custom framing that complements the warmth of the image beautifully. A neutral mat with white inner liner provides balance and visual depth. The backing bears a label from Pirates Alley Picture Frames, Oklahoma City, indicating professional framing. This horse print is ideal for collectors of equestrian art, English sporting décor, or traditional library and study interiors. George Frederick This print references the horse George Frederick rather than the artist’s name, which is typical of 19th-century equestrian plates...