Mid 20th Century Pen & Ink Male Nude Study

This gorgeous minimalistic line drawing depicts a nude man with his back turned and legs crossed. The subtle addition of tan against a white background make for a tasteful fine art a...

Drawing on paper, Study of a Nude Man, 20th Century. Drawing, pencil on paper, study of a nude man, lying down, unsigned, 20th century.     Dimensions : h: 51cm , w: 50cm, d: 0,2cm...

Nude Woman is an Original Pen Drawing on Paper realized by an Unknown Artist in mid-20th century. No signature. The artwork is depicts through soft strokes with perfect hatchings i...

Elevate your art collection with this Vintage Boho Ink Drawing of a Nude Man on Paper, signed by the artist. This captivating piece combines bold, expressive lines with a bohemian fl...

Portrait Possibly Pastel and Pencil on Paper. Signed J.P. Gaston as Pictured. Vintage Condition Consistent with Age as Pictured. Dimensions. 17 1/2 W ; 1/8 D ; 23 H

Framed Male Nude Figure Drawing by William Delucchi, 1990 For Sale: A compelling and expressive monochrome ink or wash drawing of a nude male figure, attributed to artist William De...

Clearly created by a master, this pencil drawing of a nude male figure is signed and dated 1947. The diffused lines and areas of rubbed pencil and erasure give this drawing a comple...

Posing Male Nude is a drawing artwork realized by an Anonymous artist in the mid-20th century. Black ink on paper. Signed by the artist, illegible. Good conditions and aged.  

Although William Baziotes is justifiably famous for his Surrealist and Biomorphic paintings later in his career, his extraordinary talent is evident in his early works as well. This ...

Ink on paper, signed and dated '34 lower left Image size: 9 3/4 x 15 inches (24.75 x 24.5 cm) Mounted and framed A unique drawing, this work is typical of Brodzky's early nudes with its economy in the use of the line and the seemingly relaxed, informal pose of the model. The spontaneous feel of many of Brodsky's drawings does in a way indicate that the works, such as the present drawing, are purely sketches and studies. In fact, Brodsky was known for making perhaps twenty or thirty drawings at a sitting and of those he preserved perhaps only a handful, only those that 'pass his rigorous censorship sum up qualities resulting from the perfect collaboration of hand and eye and sensibility' (Forty Drawings by Horace Brodsky, by James Laver, 1935, p.15). Laver continued to write that 'Brodsky preferred a pose that showed the body from an unexpected angle, daringly foreshortened or with the weight of the various parts freed from the monotony of the standing pose. He liked to see his models from above, the limbs relaxed, and.... he made many of his drawings from a step-ladder drawn up close to the platform on which the model is lying'. Horace Brodsky Horace Ascher Brodzky (30 January 1885 – 11 February 1969) was an Australian-born artist and writer most of whose work was created in London and New York. His work included paintings, drawings and linocuts, of which he was an early pioneer. An associate in his early career of many leading artists working in Britain of his period, including Henri Gaudier-Brzeska, Mark Gertler, and members of the Vorticism movement, he ended his life relatively neglected. Brodzky was born in Kew, Melbourne in 1885 to the Australian journalist Maurice Brodzky (a Jewish immigrant to Australia from Poland), and his wife Flora, née Leon. In his youth he assisted his father in the production of the magazine Table Talk. Brodzky studied initially at the National Gallery School in Melbourne. In 1904 his father was bankrupted after exposing corruption, and Horace moved with his family to San Francisco. In 1908, Brodzky went to London where he studied during 1911 at the City and Guilds South London Technical Art School. He became an acquaintance and follower of Walter Sickert. Amongst his friends was Henri Gaudier-Brzeska who created in 1913 a portrait bust of Brodzky (now in the Tate Gallery, London), and whose biography he wrote in 1933. Brodzky is said to have been so engrossed in talk when he visited Gaudier-Brzeska's studio in the King's Road, that he missed the last bus to Herne Hill where he lived. Brodzky travelled to Italy with the poet John Gould Fletcher and this led to his first London exhibition, "Paintings and Sketches of Italian and Sicilian Scenes" (c. 1911), of which one painting was selected for the 1912 Venice Biennale. He was in fact the first Australian to be exhibited at the Biennale. In 1914 his work was exhibited along with that of other Jewish artists, including Mark Gertler and David Bomberg, in the Whitechapel Gallery. Brodzky became a member of The London Group. During this period he was a pioneer of the technique of linocut, in which medium he has been said to have "excelled". His early oils reveal the influence of both Gertler and Bomberg. Among his works of this period are portraits of Jacob Epstein and Jacob Kramer. In 1915 Brodzky moved to New York, with an introduction to the art patron John Quinn. There he worked as a poster artist and an arts journalist, and in 1917 helped Quinn organize a New York exhibition of Vorticist artists. In 1919 he married Bertha Greenfield; they were to have three sons. In 1920 Egmont Arens...