Marie-madeleine De Rasky - Peonies In A White Chinese Vase

Superb and large oil on canvas representing a bouquet of flowers in a vase presented on a pedestal table in the heart of a living room with the view of a garden through a window in t...

Lovely oil on canvas representing a bouquet of flowers in pastel colors, predominantly pink. Signed lower right "L. LARTIGAU". Canvas in good condition presented without frame. Dime...

Painting, oil on canvas, depicting a magnificent bouquet of various flowers. Signed lower right "Sanders", this canvas is in very good condition and a generous size. Beautiful colors...

Very large format for this magnificent still life entitled "Copper, Poppies, Wheat, Bread and Fruit". Oil on canvas painted by the French artist Marie-Madeleine de RASKY. This painti...

Still Life Of Peonies Airoldi 1924 oil painting on canvas depicting a composition of flowers, of pink peonies within a vase, signed and dated lower right B. Ajroldi 1924. A flashy ...

* No US duty or taxes to pay on this item * A very beautiful 1930's French impressionist oil on canvas depicting peonies in a brown jug. The work is signed lower right and further s...

The category Antique Paintings Of Flowers, features a beautiful Oil Painting On Paper pasted on canvas, a floral still life 1800s, 19th century era. European painting of the 19th c...

White and Pink Peonies in Vase Charles Swyncop Brussels 1895 – 1970 Belgian Painter Signature: Signed top left Medium: Oil on canvas Dimensions: Image size 46 x 38 cm, frame size 64 x 56 cm Biography: Swyncop Charles was born in Brussels in 1895. Charles was a painter of landscapes, city views, seascapes, still lifes, flowers, children, genre scenes, figures (often Spanish beauties) and portraits. He was also illustrator and lithographer. Younger brother and pupil of Philippe Swyncop. He studied at the Academy of Brussels (1908-1917 and 1919-1920) with as teachers, J. Delville, H. Richir and Alfred Bastien. He also travelled to Rome and Venice. In Rome he studied iconography and the study of the great masters. Also found, like his brother, inspiration in Spain. Like his brother, he painted in a lighter genre. But, unlike his brother, he used subtle, spontaneous brushstrokes such as the French Fauvists. His colourful sea views are reminiscent of the works of Henri Matisse and André Derain. In 1920 Swyncop assisted his teacher Alfred Bastien with the panoramic painting “Panorama de l’Yser”. Other assistant painters were Charles Léonard and Jef Bonheur, also former pupils of Bastien. The work was done in what later became the mosque of the Cinquantenaire Park. From 1924 onwards, it was given a suitable panoramic building in Ostend. The canvas was severely damaged during the Second World War. Charles Swyncop took part in a group exhibition at ‘Maison d’Art Moderne’ in Brussels in 1920 together with Jean Colin, Philippe Swyncop, Arthur Navez, Samuel Milbauer, L. Bisschops, J. Payro and Jean-Jacques Gailliard. He received an honourable mention (third prize) on the Prize of Rome in 1920. In the years 1922-1923 he made study trips to Spain and Italy. There he made portraits of the local population. He regularly returned to Spain. Commissioned by the Ministry of Colonies, he painted decorative panels for the 1930 World Fair in Antwerp. Swyncop was a member of the group ‘La Lierre’ and took part in the annual exhibitions. Other members of ‘La Lierre’ included Alfred Bastien, Julius Brouwers, Louis Clesse, Henri De Clerck...