1810s Paintings

Hand-painted in France, this handsome grisaille overdoor painting is from the neoclassical period, circa 1815. Grisaille is a monochromatic painting ...

A Timeless Depiction of the English Fox Hunt The early 19th-century fox hunting scene, attributed to Dean Wolstenholme Elder, is a stunning representation of the aristocratic traditi...

Pair of Early 19th Century Miniature Portraits in Flamed Birch Frames A charming and evocative pair of miniature portraits from the early 19th century, one of which is dated 1813. E...

This large and very nice Venice view is a charcoal. This is the amazing the way Venezia is reflected into the water. This is a work signed by François Stro...

Late 18th to Early 19th Century Portrait of a Sea Captain, by Charles Delin (Netherlands: 1756-1818), circa 1810, a fine period oil on canvas quarter-length portrait of Captain Mellens, an elegant gentleman in navy blue woolen double breasted sea coat, with high starched collar shirt and neck cloth, unsigned; retains an old collection label on the reverse identifying the artist and subject. The painting remains in fine condition, in its original carved and gilded frame. Although identified by name, we could not find any additional information on the sitter. The name and clothing indicates that the captain was American or English. The artist Charles Delin was highly regarded in his day and specialized in sea captain portraits...

An oval porcelain plaque painted by Saunier, with deers in a landscape and a hovel in the background. It is inserted in a giltwood frame with pal...

A charming 19th century oil on canvas painting by George Burrell Willcock R.A. (1811-1852). Entitled: "A Gypsy Encampment". Circa 1840. Showing figures camping in a wooded landscap...

Olio su tela, antico ritratto di una nave risalente alla prima metà del XIX secolo di provenienza inglese; lo sfondo è arricchito da un’altra nave più piccola, da due piccole imbarca...

A small German school oil on canvas portrait of Arthur Wellesley, 1st Duke of Wellington, circa 1815, in a later black and gilt frame. Depicts the sitter bust-length in scarlet milit...

A rediscovered small oil painting of a fishing boat leaving Calais Harbour by E W Cooke, depicting a fishing boat from Trouville battling stormy seas as it a...

Wimbledon-Furniture Wimbledon-Furniture is delighted to offer for sale this stunning oil painting portrait, signed to the bottom left Robert 5th Earl of Buckinghamshire 1814 and printed to the back “prepared by Roberson & Miller 51 Long Acre London” the painting is the circle of Sir William Beechey Please note the delivery fee listed is just a guide, it covers within the M25 only for the UK and local Europe only for international, if you would like an accurate quote please send me your postcode and I’ll provide you with the exact price A very attractive portrait of Robert seated at his desk in rather stately looking attire. The frame is the original gilt wood and quite an expensive piece on its own The condition is very good, it is over 200 years old so there will be touch ups and restorations that have occurred, there is no damage to note that I can see or feel Dimensions Height:- 112.5cm Width:- 92cm Depth:- 7cm This painting as mentioned is the circle of Sir William Beechey Sir William Beechey RA (12 December 1753 – 28 January 1839) was a leading English portraitist during the golden age of British painting. Early life Beechey was born at Burford, Oxfordshire, on 12 December 1753, the son of William Beechey, a solicitor, and his wife Hannah Read. Both parents died when he was still quite young, and he and his siblings were brought up by his uncle Samuel, a solicitor who lived in nearby Chipping Norton. The uncle was determined that the young Beechey should likewise follow a career in the law, and at an appropriate age he was entered as a clerk with a conveyancer near Stow-on-the-Wold. But as The Monthly Mirror later recorded in July 1798, he was: "Early foredoomed his [uncle's] soul to cross/ And paint a picture where he should engross." Beechey was admitted to the Royal Academy Schools in 1772, where he is thought to have studied under Johan Zoffany. He first exhibited at the Academy in 1776. His earliest surviving portraits are small-scale full-length and conversation pieces which are reminiscent of Zoffany. In 1782, he moved to Norwich, where he gained several commissions, including a portrait of Sir John...

We are delighted to offer for sale this lovely pair of rare hunting prints titled The Death and The Chase by T Sutherland Sculpt dated 1819 A very good looking and decorative pair...

In this listing you will find a painting done in style of Francesco Guardi Guardi. The painting depicts Dogana da Mar, located in Punta della Dogana - the triangular area of Venice, ...

Two oil on panel paintings of "Landscapes with cows", attributed to Jean-Michel Diebolt (1779-1824). Both paintings present mountainous landscapes with cows. The first painting repre...

These charming English School portraits show the subjects half-length by a desk, the surgeon with a skull at his elbow and his wife with an open writing box. Oil on canvas within a gilded frame and accompanied by five related letters. English, circa 1810. Footnote: Robert Prideaux died aged 36 in 1818 but in his short life he managed to rise rapidly through the ranks as a naval surgeon. The Naval Chronicle Vol. 19 (1808) records his appointment as a surgeon, aged only 26, on the cutter Sprightly and that he moved to the Lily by the end of the same year. In 1809, a member of the crew of the vessel Polyphemus was involved in a drunken incident that culminated in him being sick on the quarter-deck of the Lily whilst both vessels were docked at Port Royal in Jamaica. This led to a Court Martial appearance for one Joseph Fountain, the Master at Arms...