Pair Bavarian Royal Chapel Altar Shrines Chromolithographs, Munich, 1874

Pair Bavarian Royal Chapel Decorative Objects Chromolithographs, Zettler Munich 1874 This elegant pair of chromolithographs, produced in Munich in 1874 by the renowned ecclesiastica...

Royal Bavarian Cruciform Works – Jeweled Cross Diptych, Munich 1874 Description: This refined diptych presents two monumental cruciform works from the royal treasury of the Reiche Kapelle (Royal Chapel) in the Munich Residenz, published in 1874 during the reign of King Ludwig II of Bavaria. Issued by the Munich firm of F. X. Zettler as part of the celebrated portfolio Ausgewählte Kunstwerke aus dem Schatze der Reichen Capelle in der königlichen Residenz zu München, these chromolithographs document the ceremonial splendor and craftsmanship of Bavaria’s court ecclesiastical art. This set is offered unframed, giving flexibility to select a frame that best suits the intended interior. The first plate depicts a richly jeweled crucifix, its surface densely ornamented with gemstones, enamel-like color, and intricate goldwork, centering the figure of Christ in a composition of solemn symmetry. The second plate illustrates a tall processional or altar shrine crowned with a cross finial, conceived as the architectural elevation and ceremonial housing of the cruciform symbol within liturgical space. Together, the two images form a complete visual and theological pairing: the Cross itself and its monumental presentation within the sacred interior. Both works are rendered as isolated objects against neutral grounds, emphasizing verticality, balance, and sculptural presence. Their consistent scale, palette, and compositional axis allow them to read as a deliberate diptych rather than two independent plates. Visually, the pairing is calm, authoritative, and highly architectural, making it particularly suited for interior designers seeking a strong yet restrained statement with historical depth. Produced using high-quality chromolithography, these plates exemplify the technical excellence of late 19th-century Bavarian art publishing. Diptychs from this series are uncommon on the market, and this pairing is offered here as a coherent ensemble rather than as individual sheets, reinforcing its intended visual and conceptual unity. Condition: Overall good antique condition. Some fraying, edge wear, and light discoloration to the outer margins of the paper, primarily affecting the blank text-bearing areas. Images remain clean and well-preserved with strong original color. Framing tips: This diptych frames best as a matched pair with generous ivory or soft warm-white mats to emphasize scale and symmetry. Dark walnut, ebonized wood, or subdued antiqued gilt frames complement the gold tones and jewel colors. Hang with a modest, even gutter between frames to reinforce the vertical dialogue between the two works. We sell these plates unframed. Technique: Chromolithograph Maker: F. X. Zettler, Munich, 1874 Keywords; Bavarian royal art, crucifix diptych, religious wall art pair, ecclesiastical diptych, Munich Residenz, Ludwig II Bavaria, German chromolithograph, 19th century religious art, jeweled cross, processional cross, altar cross, sacred architecture, church treasury art, historicist design, European devotional art, antique religious prints, museum wall pair, interior designer art, symmetrical wall art, architectural wall decor, cathedral art, German historicism, collectible art pair, royal chapel Munich, F. X. Zettler, Bavarian court art, statement wall art, vertical wall art...

A striking pair of original Victorian hand-colored engraved transfer lithograph prints, depicting two iconic interiors within the Tower of London: The Tower Horse Armoury and The Jew...

A hand-colored engraving of the interior The German Chapel, St. James Palace in London, England from 'The History of the Royal Residences of Windsor Castle, St. James Palace, Carlton House, Kensington Palace, Hampton Court, Buckingham House, and Frogmore', commissioned by the British Royal Family. The work is one of the finest depictions of interiors ever published. The engraving was created by Daniel Havel (1786-1826) after a painting by Charles Wild (1781-1835) and published by William Henry Pyne (1770–1843) in 1819. The print is presented in a gold-colored wood museum style frame and an elaborate light grey French mat with highlighted gold and royal blue bands. A certificate of authenticity from Trowbridge Gallery...