Jackson

Pablo Picasso's Vase deux anses hautes (1953) belongs to his celebrated Madoura ceramics period, when he transformed everyday pottery forms into vessels for a new kind of sculptural ...

'Tête de femme à la couronne de fleurs’ reflects the Picasso’s transformation of traditional ceramics into a medium of modern sculptural expression. In Picasso’s celebrated Vallauris...

A print by Russell Young. "Easy Rider (black+silver)" is a black and silver, contemporary Pop Art screenprint on canvas by UK artist Russell Young. The artwork is edition RY and is p...

Pablo Picasso's Jacqueline au Chevalet (1956) belongs to his revolutionary Madoura ceramics period, the two-decade span in Vallauris during which he produced more than 3,500 ceramic ...

"Untitled" is a cast metal sculpture made by Italian/American architect and urban planner, Paolo Soleri. The total size is 9 1/2 x 6 x 3 inches. The work is stamped by the artist. S...

"Der Hafen von Plit" is a drawing by Paul Klee. The drawing is signed lower left, "Klee". The framed piece measures 25 1/4 x 30 1/2 x 1 3/8 in. Paul Klee was one of the most import...

"Venetian Boats at Sotto Marino" is a painting by Edgar Alwin Payne. The painting is signed lower left, "Edgar Payne". The framed piece measures 31 1/2 x...

A print on canvas by Russell Young. "Elvis Heartbreak Hotel (Tennessee blue)" is a black and blue, contemporary Pop Art screenprint on linen with diamond dust by UK artist Russell Yo...

A painting by Jessie Arms Botke. "The White Peacock" is a wildlife impressionist painting, oil on canvas in a palette of whites, blues, and browns by...

A unique painting and screenprint on canvas by Russell Young. "Knockin on Heavens Door" is a contemporary Pop Art acrylic paint, oil based paint, and enamel artwork by UK artist Ru...

"Waterfall" is an abstract landscape natural pigments and platinum on Japanese mulberry paper mounted on board painting by Hiroshi Senju in 2021. The artwork is 36 x 46 inches and 36...

A painting by Irving Norman. "American Street Scene" is a macabre social surrealism city scape, oil on canvas in a bold palette of reds, blues, and yellows by artist Irving Norman. T...

A painting by Paul Grimm. "Stately Eucalypti" is a landscape painting, oil on board in an earth-tone palette by artist Paul Grimm. The artwork is signed in the lower left, "Paul Grimm". Paul Grimm (1891-1974) was an artist born to German parents in South Africa in 1891. As a small child, he moved with his parents to the United States. He reportedly was seen as having artistic talent as a child and, as an adult, attended a university-level art school in New York. Between 1910 and 1920, he reportedly went to South America for a few years before returning stateside and settling in southern California. Grimm gained much of his present-day fame by painting landscapes of southern California in the 1920s. Many works depict alluvial fans and desert vegetation in the eastern half of Riverside County. The San Jacinto Mountains appear frequently in his work. Most of the works are oil on canvas. A residence on Calle Palo Fierro in the Palm Springs Warm Sands Neighborhood was built for him in 1935. He had a studio on Palm Canyon Drive in Palm Springs from the 1950s until his death in 1974. Provenance: with George Stern Fine Arts...

A painting by Nathan Oliveira. "Nude Stepping from the Carpet" is a contemporary painting, oil on canvas in a palette of reds, greens, and beiges by Bay Area figurative artist Nathan Oliveira. The artwork is signed in the lower right, "N Oliveira 62". During the early years, Oliveira’s lone figures often suggest an existential angst similar to that of Giacometti, but there is also a weightlessness and a transcendent aura that envelopes these figures; they appear as elemental, universal and eternal projections of selfless consciousness better understood within the bodiless realm of metaphysics. These qualities would remain in his work throughout his long career, yet he would find other themes to explore — the natural world where the essential nature of birds and animals exist in equal profundity with their human counterparts, the transient world of evanescent perception when memory must reconstruct momentary experience, and later, the ‘site’ paintings and monoprints that suggest the abandoned remnants of a long-lost civilization or tribe uncovered at an archeological dig. Nathan Oliveira has left us with a legacy of art that will surely remain untarnished by time or changing trends. His work exists within a realm rarely achieved by artists striving in a similar mode of expression. Unclouded by ego or wayward sentiment, it is also in the warmth and humble nature...

A diamond dust screenprint by Russell Young. "Marilyn Superstar (wild crimson)" is a contemporary Pop Art print. A vibrant crimson acrylic, enamel, screenprint, and diamond dust on c...

A print on canvas by Russell Young. “Jim Morrison (atomic silver+milori blue)" is a contemporary Pop Art acrylic paint screenprint on canvas by UK artist, Russell Young. The artwork ...

125,000 Snow Geese migrating, painted in thick strokes of vibrating color. The experience reminded me of a Jackson Pollack Painting. Triptyc...

A painting by Nathan Oliveira. "Untitled" is a Bay Area Figurative Painting, oil on canvas in a brown and tan palette by American artist Nathan Oliveira. The artwork is signed in the lower right, "Oliveira 64”. A Californian whose work is of preeminent importance during the post war period, Oliveira is most often associated with Park, Diebenkorn and the other artists with whom he sketched early in his career. Yet it was not an oversight when Oakland Museum director Paul Mills chose not to include Oliveira in the 1957 exhibition “Contemporary Bay Area Figurative Painting.” All came to figuration by initiating a sophisticated dialogue with abstraction, yet it is Oliveira, the often characterized ambivalent loner among Bay Area artists whose work is most often compared to Alberto Giacometti, Francis Bacon, or Willem de Kooning with whom he shared walls and space at The Images of Man exhibition held in New York at the Museum of Modern Art in 1959. During the early years, Oliveira’s lone figures often suggested an existential angst similar to that of Giacometti, but there was also a weightlessness and a transcendent aura that envelopes these figures; they appear as elemental, universal and eternal projections of selfless consciousness better understood within the bodiless realm of metaphysics. These qualities would remain in his work throughout his long career, yet he would find other themes to explore — the natural world where the essential nature of birds and animals exist in equal profundity with their human counterparts, the transient world of evanescent perception when memory must reconstruct momentary experience, and later, the ‘site’ paintings and monoprints that suggest the abandoned remnants of a long-lost civilization or tribe uncovered at an archeological dig. Through and through, flesh to bones, and bones to dust Nathan Oliveira has left us with a legacy of art that will surely remain untarnished by time or changing trends. His work exists within a realm rarely achieved by artists striving in a similar mode of expression. Unclouded by ego or wayward sentiment, it is also in the warmth and humble nature...

A diamond dust screenprint by Russell Young. "Marilyn Desire Live (B+W)" is a contemporary Pop Art print. A black and white acrylic paint, enamel, and diamond dust screenprint on can...

Great Blue Herons and their offspring in a Rookery lit by the first morning light. :: Painting :: Contemporary :: This piece comes with an official certificate of authenticity signe...

A screenprint by Russell Young. "Elizabeth Taylor Portrait (priscilla pink+black)" is a contemporary Pop Art vibrant red and black screenprint on linen by UK artist, Russell Young. T...

A print by Russell Young. "Kurt Cobain (cream+suicide pink)" is a contemporary Pop Art acrylic paint, enamel, and screen print on linen with diamond dust by UK artist Russell Young. ...

Richard Serra's 'Cape Breton Horizontal Reversal No. 16' (2014) exemplifies the radical approach to works on paper that has run in parallel with his celebrated sculptural practice th...

"ASARABACA" is an abstract Post-War industrial weight aluminum sculpture created by John Chamberlain in 1973. The sculpture is 20 x 23 x 22 inches and weighs less than 50 lbs. Cham...

A painting by Irving Norman. "Bacchanal" is a macabre social surrealism painting, oil on canvas in a dark palette of reds, blues, and blacks by artist Irving Norman. The artwork is u...

A painting by Carl Morris. “Untitled” is an abstract expressionist painting, acrylic on canvas in reds and browns by American artist Carl Morris. The artwork is signed in the lower r...

A painting by Gertrude Partington Albright. "Below Twin Peaks" is a landscape painting, oil on canvas in an earth-tone palette by artist Gertrude Partington...

A sculpture by Seth Kaufman. "Lignum Spire" is a contemporary sculpture, bronze with green patina by American Conceptual artist Seth Kaufman. Seth Kaufman lives and works in Southern California. He teaches sculpture and design at Art Center College of Design in Pasadena, CA. Kaufman has had solo exhibitions at, Long Beach University Art Museum, Long Beach, CA; Finesilver Gallery, San Antonio, TX and Post Gallery, Los Angeles, CA. His works have been included in numerous two-person and group exhibitions such as, “Installations Inside/Out 20th Anniversary Exhibition,” Armory Center for the Arts, Pasadena, CA; “Natural Artifice,“ Torrance Art Museum, Torrance, CA; “Extreme Materials,” Memorial Art Museum, Rochester, NY; “Seth Kaufman – John Morris,” Anthony Meier...

"Untitled" is a painting by American artist David Smith. David Smith’s paintings from the 1930s rarely come to market, and when Untitled (Billiard Players) surfaced at a Christie’s auction in 2018, it created quite a stir, realizing an impressive price of $1.15 million. Painted around the same time, Untitled shares many similarities with Untitled (Billiard Players). Both paintings affirm Smith’s place among the American artists when ideas and style began to intermingle and coalesce around Picasso’s innovations. Uniquely positioned in temperament and ability, Smith was a man of considerable ambition whose direct-metal configurations would have much to do with achieving new ideas about abstraction. Yet all along, he insisted he was a painter, not a sculptor who painted. Paintings by Smith...

'Mother and Child’ is a charcoal on paper by American pop artist, Andy Warhol. Works on paper such as this functioned as a laboratory for experimentation, allowing Warhol to explore ...

A painting by Fiona Rae. "Untitled (yellow, red + brown)" is a contemporary abstract painting, oil on canvas in a colorful palette of reds, blues, and browns by female artist Fiona R...

A mixed media work by Mary Corse. "Untitled" is a mixed media, acrylic and diamond dust on canvas in a palette of white, black, and red by American Post-war, female artist Mary Corse...

Jan van Goyen's 'River Scene with Cottages' (1638) dates to the year he was elected hoofdman of The Hague's Guild of Saint Luke, an honor he held again in 1640. By 1638 he had entere...

Jan van Goyen's 'Landscape with Figures by a Barn' (1637) was painted the year before he was elected hoofdman of The Hague's Guild of Saint Luke, an office that recognized a landscap...

Chagall was born in 1887 in Vitebsk, Belarus, into a Hasidic Jewish family. Animals were part of daily life — in the yard, the market, the street. They were not symbols then, they we...

Created in 1959, ‘Femme regardant par la fenêtre’ belongs to Picasso’s celebrated late period of color linocuts, produced primarily in Vallauris during the 1950s. These works repres...

A print by Russell Young depicting the band, the Beatles. "Beatlemania (diamond white)" is a black and white, contemporary Pop Art screenprint on linen with acrylic paint, oil based ...

A print by Josef Albers. "Formulation: Articulation" is a geometric abstract screen print in a green and yellow palette by Post War artist Josef Albers. The artwork is numbered 1981....

The Carmen portfolio occupies a particular place within this legacy. Based on Prosper Mérimée's 1845 novella, the same source that inspired Bizet's opera, Picasso's Carmen suite dist...

A print by Shepard Fairey. “Commanda” is a contemporary, popular culture offset print on paper in black, red, yellow, and white by American street artist Shepard Fairey. The artwork ...

“Forrest Corridor” is an oil on canvas painting by Plein Air painter, Kathryn Mapes Turner. The work is a somber, atmospheric, and visually stirring painting showing the artist’s vir...

A painting by Paul Grimm. "Rooted Silence" is a landscape painting, oil on board in an earth-tone palette by artist Paul Grimm. It is signed in the lower right, "Paul Grimm". Paul Grimm (1891-1974) was an artist born to German parents in South Africa in 1891. As a small child, he moved with his parents to the United States. He reportedly was seen as having artistic talent as a child and, as an adult, attended a university-level art school in New York. Between 1910 and 1920, he reportedly went to South America for a few years before returning stateside and settling in southern California. Grimm gained much of his present-day fame by painting landscapes of southern California in the 1920s. Many works depict alluvial fans and desert vegetation in the eastern half of Riverside County. The San Jacinto Mountains appear frequently in his work. Most of the works are oil on canvas. A residence on Calle Palo Fierro in the Palm Springs Warm Sands Neighborhood was built for him in 1935. He had a studio on Palm Canyon Drive in Palm Springs from the 1950s until his death in 1974. Provenance: with George Stern Fine Arts...

"Porter Series: Carte L'Europe (Shower Woman)" is a tapestry by South African artist William Kentridge. It is edition 1 of 5 (plus 2 APs) and signed verso "W. Kentridge". William Kentridge is a South African graphic artist, filmmaker, and theatre arts activist especially noted for a sequence of hand-drawn animated films he produced during the 1990s. The pungent humanism he revealed in these and other works echoed a larger European tradition of artists such as Honoré Daumier, Francisco de Goya, and William Hogarth. Kentridge, whose father was a noted antiapartheid lawyer, attended the University of Witwatersrand in Johannesburg (1973–76) and the now-defunct Johannesburg Art Foundation (1976–78). At various times in the 1970s and ’80s, he worked as an actor, playwright, set designer, and theatrical director, and he studied mime and theatre in Paris in the early 1980s. In 1992 he began an ongoing collaboration involving multimedia performances with Handspring Puppet Theatre (founded 1981) in Cape Town. As is clear from both his early training and his later artistic output, Kentridge’s interest in the visual arts was rooted in its connection with the theatrical arts. The narrative structure and character development in his films reflect this connection. While Kentridge pursued several avenues as an artist, at the centre of his work was a sequence of short animated films. To produce them, he made a rough charcoal drawing, photographed it, altered the drawing slightly, photographed it again, and so on. Kentridge’s original drawings are often completely effaced by their successors. Many of these films—including Johannesburg, 2nd Greatest City After Paris (1989) and Felix in Exile (1994)—follow the fortunes of the greedy capitalist Soho Eckstein and his alter ego, the sensitive and artistic Felix Teitelbaum. They present modern South Africa as reflective of the spiritual, ecological, and emotional crises of late capitalism. Kentridge later established himself as a consummate figure in the performing arts, particularly for his innovative stagings of the operas The Nose (2010) and Lulu (2015) at New York’s Metropolitan Opera and Wozzeck (2017) at the Salzburg Festival...

A print by Russell Young. "Brando Bike (dark blue+black)" is a vibrant blue and black, contemporary Pop Art screenprint on linen by UK artist Russell Young. The artwork is edition RY...

A unique print by Russell Young. "Mick Jagger Sympathy for the Devil (cloud pink)" is a striking portrait of Mick Jagger in light pink, black, and grey. A contemporary Pop Art screen...

Grizzly Bear and Raven :: Painting :: Contemporary :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: Yes :: Signed: No :: :: Ca...

A print by Shepard Fairey. “Alto Arizona” is a contemporary, popular culture screenprint in black, red, and white by American street artist Shepard Fairey. The artwork is signed iin pencil, lower right, "Shepard Fairey 10", lower middle, "EAY 10" (Ernesto Yerena...

"Stelae No. 5" is a painting by Bay Area Figurative artist Nathan Oliveira. The painting is signed and dated lower right, "Oliveira 98". The framed piece measures 67 1/2 x 55 3/4 x 2 in. A Californian whose work is of preeminent importance during the post war period, Oliveira is most often associated with Park, Diebenkorn and the other artists with whom he sketched early in his career. Yet it was not an oversight when Oakland Museum director Paul Mills chose not to include Oliveira in the 1957 exhibition “Contemporary Bay Area Figurative Painting.” All came to figuration by initiating a sophisticated dialogue with abstraction, yet it is Oliveira, the often characterized ambivalent loner among Bay Area artists whose work is most often compared to Alberto Giacometti, Francis Bacon, or Willem de Kooning with whom he shared walls and space at The Images of Man exhibition held in New York at the Museum of Modern Art in 1959. During the early years, Oliveira’s lone figures often suggested an existential angst similar to that of Giacometti, but there was also a weightlessness and a transcendent aura that envelopes these figures; they appear as elemental, universal and eternal projections of selfless consciousness better understood within the bodiless realm of metaphysics. These qualities would remain in his work throughout his long career, yet he would find other themes to explore — the natural world where the essential nature of birds and animals exist in equal profundity with their human counterparts, the transient world of evanescent perception when memory must reconstruct momentary experience, and later, the ‘site’ paintings and monoprints that suggest the abandoned remnants of a long-lost civilization or tribe uncovered at an archeological dig. Through and through, flesh to bones, and bones to dust Nathan Oliveira has left us with a legacy of art that will surely remain untarnished by time or changing trends. His work exists within a realm rarely achieved by artists striving in a similar mode of expression. Unclouded by ego or wayward sentiment, it is also in the warmth and humble nature...

A mixed media artwork by Jim Dine. A silverpoint and acrylic on 2 joined canvases, wood, knife, and string in artist's frame work by Post War artist Jim Dine. "Double Silver Point Robes" depicts the outline of two robes in silverpoint on a white acrylic painted ground. Jim Dine's use of his favorite bathrobe, a frequent image in his works, is a self portrait which connects an everyday object and imbues it with meaning. This Robe painting was part of the first exhibition of Robe paintings at Sidney Janis...

A painting by Tony de los Reyes. "Border Compression #1" is an abstract colorfield painting, oil and dye on linen by artist Tony de los Reyes. The artwork is signed on the verso, "Bo...

A mixed media piece by Donna Huanca. "Gatorade" is a contemporary plaster and 3D paint on canvas in a palette of white by process-oriented, American artis...

Vincent van Gogh's 'The New Church and Old Houses in the Hague' (1882–1883) stands among his earliest oils, painted just weeks after he resumed working in the medium in August 1882. ...

Jean-Michel Basquiat, Andy Warhol, and Francesco Clemente's 'Horizontal Painting (1984)’ is one of only fifteen paintings produced in their celebrated three-way collaboration. Concei...

"In the Wheatfield (Girl Standing in a Wheat Field)" is a painting by Winslow Homer. The painting is signed, lower left, "Homer 1873". The framed piece measures 29 3/4 x 21 5/8 x 2 7/8 in. During the early 1870s, Winslow Homer frequently painted scenes of country living near a small farm hamlet renowned for generations for its remarkable stands of wheat, situated between the Hudson River and the Catskills in New York state. Today Hurley is far more famous for inspiring one of Homer’s greatest works, Snap the Whip...