297 results for ""patti smith""

Digital gelatin silver print Signed, titled, dated, and numbered in pencil, verso 11 x 14 inches (Edition of 25 + 3 APs) 16 x 20 inches (Edition of 18 + 3 APs) This artwork is off...

Signed limited edition silver gelatin print of Morrissey by Kevin Cummins, taken standing in front of a sign reading ‘Penis Mightier Than The Sword’ during the Japanese leg of his ‘K...

Digital gelatin silver print Signed, titled, dated, and numbered in pencil, verso 11 x 14 inches (Edition of 25 + 3 APs) 16 x 20 inches (Edition of 18 + 3 APs) This artwork is off...

Debbie Harry of Blondie - London 1977 limited edition print by Brian Duffy. Debbie Harry of “Blondie” wearing a Patti Smith Group T-shirt shot...

Signed limited edition 20x24"" print of Willie Nelson taken in 1978 by Lynn Goldsmith. Limited edition number 5/20 Modern C-type print. Available for immediate shipping. Lynn Gold...

Desert Center (Stranger than Paradise) - 2000 Edition of 10, 48x60cm. Archival Print, based on the Polaroid. Mounted on dibond with matte UV-Protection. Signature label and Cert...

'The Girl In Union Square' shot Manhattan, 1984 by heralded New York downtown photographer, Fernando Natalici: The simplicity & grace of the anonymous passer-by rendered timeless by the snap of the camera. A window into a street photographer's decisive moment. A window into, not only the New York of 'then', but the beauty & chaos of everyday city life... Archival Inkjet Print. 13 x 19 inches (image: 12 x 18 inches). Hand signed from an edition of 20. Excellent condition. Obtained directly from artist. Seller is a primary dealer rep of the artist. New York based photographer Fernando Natalici is best known for his iconographic documentation of the downtown Manhattan art scene of the mid/late 70's and early 80's. Natalici’s portfolio includes sought after images of a young Patti Smith, Blondie, Talking Heads, Keith Haring, The Ramones and more. As an Art Director, Fernando has played a key role in creating memorable visuals for historic NY venues such as CBGB's, The Mudd Club, Area and Danceteria. Related Categories William Klein. Henri Cartier Bresson. Saul Leiter...

Signed limited edition silver gelatin print of Morrissey, former frontman of rock band The Smiths, wearing a plaster on his forehead, September 5, 1991. This Morrissey print by Kevi...

Signed limited edition 16x20" silver gelatin print of Iggy Pop, taken on stage during the tour to support the album ‘Lust for Life’ at the Manchester Apo...

Signed limited edition 16x20" silver gelatin print of Bernard Sumner by Kevin Cummins. This stunning shot of the New Order frontman was taken in New York Cit...

Signed limited edition silver gelatin print of Courtney Love by Kevin Cummins, taken in Zurich Switzerland, 1996. Edition 50 This print by Kevin Cummins...

Signed limited edition silver gelatin print of English singer and songwriter Morrissey, of English rock band, The Smiths, photographed in Dunham Massey, Greater Manchester on Septemb...

Signed limited edition 16x20" silver gelatin print of Courtney Love by celebrated British photographer, Kevin Cummins, taken in Zurich Switzerland, 1996....

Signed limited edition 20x24"" print of Blondie members, Chris Stein and Debbie Harry relaxing in a hammock on the rooftop of their New York City apartment in 1978 by Lynn Goldsmith....

RUN DMC at KIT KAT CLUB, New York City circa 1995 by heralded NY underground photographer Fernando Natalici. Notes Natalici: "I was taking pictures of DMC backstage prior to the show...

Fernando Natalici, "MTA Subway Voyeur" photograph, New York City, 2015: An artful and secretly explorative composition of everyday city life by heralded NY underground photographer, ...

This exquisite photogravure after Robert Mapplethorpe (1946–1989), titled Cross IV, from the folio A Season in Hell, originates from the 1986 edition published by The Limited Edition...

The Velvet Underground & Nico The Velvet Underground & Nico Produced by Andy Warhol, Unripened, 2007 Vinyl, LP Label: Not On Label (The Velvet Underground) Country: Sweden Cover art designed by Andy Warhol Dimensions: 12 x 12 inches (30.48 x 30.48). Both the record and cover are in very good overall vintage condition. Well suited for framing. Though The Velvet Underground existed for less than three years with its original members, it is considered to be not just the ‘ultimate New York band’ but also the most influential group ever. Artists who have acknowledged such influence include David Bowie, The Sex Pistols, Patti Smith, Joy Division and Nirvana. Witts places the band and its genesis in the cultural context of Manhattan’s beatnik bohemianism, its radical artistic environment, and the city’s negative reaction to California’s ‘Hippie’ counterculture. Lou Reed’s song factory background is also considered, while his Primitives (1964-5) and Velvet Underground songs (1965-70) are examined within the stylistic context of rock music. The band’s sound world is likewise considered in this light. John Cale’s experimental contribution is assessed, especially his work for LaMonte Young (The Theatre of Eternal Music) and what he carried from that experience into the Velvet’s sound. The visual artist Andy Warhol became the band’s manager and producer in 1965. He placed his ‘superstar’ Nico in the line-up (which already included a female drummer). The radical nature of the group’s Warhol period performances are examined, together with those aspects related to issues of gender, sexuality and drugs culture...

Digital gelatin silver print Signed, titled, dated, and numbered in pencil, verso 11 x 14 inches (Edition of 25 + 3 APs) 16 x 20 inches (Edition of 18 + 3 APs) This artwork is off...

Digital gelatin silver print Signed, titled, dated, and numbered in pencil, verso 14 x 11 inches (Edition of 25 + 3 APs) 20 x 16 inches (Edition of 18 + 3 APs) This artwork is off...

Digital gelatin silver print Signed, titled, dated, and numbered in pencil, verso 14 x 11 inches (Edition of 25 + 3 APs) 20 x 16 inches (Edition of 18 + 3 APs) This artwork is off...

New York Street Art photograph 2012: Chelsea Manhattan Street Art photographed in 2012 at the famed Comme Des Garcons, New York flagship store, b...

Debbie Harry photograph by Fernando Natalici: Cooler than cool... Debbie Harry, New York, 1977, photographed on the set of "The Foreigner" by celebrated New York underground photographer Fernando Natalici. The Foreigner (director Amos Poe 1977) - a seminal cinematic work at the height of the 1970's American underground - a film which has been documented in virtually every publication pertaining to the history of the late 70's New York Downtown Art scene. Digital C-Print on Kodak Lustre. 16 x 20 inches. Signed, titled & numbered from an edition of 20. Obtained directly from the artist. Excellent condition. About The Artist: New York based photographer Fernando Natalici is best known for his iconographic documentation of the downtown Manhattan art scene of the mid/late 70's and early 80's. Natalici’s portfolio includes sought after images of a young Patti Smith, Blondie, Talking Heads, Keith Haring, Jean-Michel Basquiat, The Ramones and more. As an Art Director, Fernando has played a key role in creating memorable visuals for historic NY venues such as CBGB's, The Mudd Club, Area and Danceteria. Fernando’s photo archive and art design were most recently featured in two highly regarded New York shows: “Area” at The Hole Gallery NYC (2014) & “Downtown New York Film” at The Museum of The Moving Image (2015). "The Foreigner" is a testament to the "punk" sensibility as manifested at CBGB during this time; the streets and lofts of SoHo and the Lower East Side art scene. Related Categories Deborah Harry...

SoHo Fire Escapes, New York, 1984 by Fernando Natalici: The simplicity & grace of iconic New York architecture rendered timeless by the snap of the camera. A window into a street photographer's decisive moment. A window into, not only the New York of 'then', but the hidden poetry of urban architecture... Archival Inkjet Print. Approximately 12 x 18 inches (image size: approx 12 x 17in.). Hand signed from an edition of 20. Obtained directly from artist. Excellent condition. New York based photographer Fernando Natalici is best known for his iconographic documentation of the downtown Manhattan art scene of the mid/late 70's and early 80's. Natalici’s portfolio includes sought after images of a young Patti Smith, Blondie, Talking Heads, Keith Haring, The Ramones and more. As an Art Director, Fernando has played a key role in creating memorable visuals for historic NY venues such as CBGB's, The Mudd Club, Area and Danceteria. Soho Building Architecture, A Brief History The SoHo-Cast Iron Historic District comprises about 500 buildings, many of which are characterized by their cast-iron facades. Development of the district began in the late 18th century. The population surged after the War of 1812, and some homes from this era still remain. The latter half of the 19th century saw the district evolve into a center of commerce and entertainment, and the majority of the cast-iron buildings the district is known for were constructed during this period. The use of cast-iron allowed for ornate facades that were a much cheaper alternative to granite and marble. However, an increase of industrial production along with rising crime and “immorality” steadily drove residents out of the area. The district began to decline in the early 20th century, leaving many spaces vacant for decades and leading some to refer to the area as Hell’s Hundred Acres. 

It was not until the late 1960s that artists became attracted to the area because the large, unoccupied loft spaces made affordable studios. Many of those who moved into the area lived in their workspaces, even though it was illegal to do so, and the area was not sufficiently equipped for residential life, lacking basic necessities. At the same time, the entire landscape of SoHo was threatened by plans to build the Lower Manhattan Expressway (LOMEX) - a proposed ten-lane elevated highway that would require the demolition of much of SoHo and Little Italy. Artists in the area collaborated with other preservation advocates in the first, unsuccessful attempt to designate SoHo as a historic district for its architectural significance. Although that failed, they also formed Artists Against the Expressway and ultimately helped defeat the plans for LOMEX, which saved the architecture in the area. The “SoHo Effect” has become a model for repurposing an industrial district for mixed use, both commercial and residential, while preserving much of the existing structural integrity. Today SoHo is known for its unique cast-iron architecture, desirable loft living...

Fernando Natalici An expressive, grainy, and beautiful high-contrast exploration into the beauty of everyday city reflections. The simplicity & grace ...

These extraordinary photographs are part of the the Hotel Chelsea series. The Hotel Chelsea closed its doors for the first time in its iconic history of over one hundred years. Amer...

These extraordinary photographs are part of the the Hotel Chelsea series. The Hotel Chelsea closed its doors for the first time in its iconic history of over one hundred years. Amer...

These extraordinary photographs are part of the the Hotel Chelsea series. The Hotel Chelsea closed its doors for the first time in its iconic history of over one hundred years. Amer...

These extraordinary photographs are part of the the Hotel Chelsea series. The Hotel Chelsea closed its doors for the first time in its iconic history of over one hundred years. Amer...

These extraordinary photographs are part of the the Hotel Chelsea series. The Hotel Chelsea closed its doors for the first time in its iconic history of over one hundred years. Amer...

These extraordinary photographs are part of the the Hotel Chelsea series. The Hotel Chelsea closed its doors for the first time in its iconic history of over one hundred years. Amer...

These extraordinary photographs are part of the the Hotel Chelsea series. The Hotel Chelsea closed its doors for the first time in its iconic history of over one hundred years. Amer...

These extraordinary photographs are part of the the Hotel Chelsea series. The Hotel Chelsea closed its doors for the first time in its iconic history of over one hundred years. American photographer Victoria Cohen exclusively photographed the hotel’s original interior before it’s closure for a redesign and complete renovation. Cohen’s photographic journey through this mesmerizing and extraordinary place, that possessed not only the contents of an era gone by but a palpable feeling of being transported to a time and place of this Bohemian Mecca. The result of which produced these evocative and ambitious collection of fine art tableaus. For three weeks everyday Cohen was not only photographing the rooms and halls, but experiencing a feeling of overwhelmed emotion walking the in the spaces that had been inhabited by legendary figures of the arts and culture such as Patti Smith, Robert Mapplethorpe, Jimi Hendrix, Leonard Cohen, Dylan Thomas, Andy Warhol and so many more that called these rooms home throughout its storied history. Uniquely, Cohen, with the personal insight and exceptional vision to see the extraordinary, was able to transcend the concept of an interior space as an environment filled with inanimate objects, and redefine the subject matter into individual portraits that evoke a feeling of intimacy. This prominent body of work casts the historic landmark through the lens of the twenty-first century, exhibiting it as it has never been seen before, and will never be seen again. In 2013, this monumental project was made into a world renowned fine art photography book entitled Hotel Chelsea, published by Pointed Leaf Press...

These extraordinary photographs are part of the the Hotel Chelsea series. The Hotel Chelsea closed its doors for the first time in its iconic history of over one hundred years. American photographer Victoria Cohen exclusively photographed the hotel’s original interior before it’s closure for a redesign and complete renovation. Cohen’s photographic journey through this mesmerizing and extraordinary place, that possessed not only the contents of an era gone by but a palpable feeling of being transported to a time and place of this Bohemian Mecca. The result of which produced these evocative and ambitious collection of fine art tableaus. For three weeks everyday Cohen was not only photographing the rooms and halls, but experiencing a feeling of overwhelmed emotion walking the in the spaces that had been inhabited by legendary figures of the arts and culture such as Patti Smith, Robert Mapplethorpe, Jimi Hendrix, Leonard Cohen, Dylan Thomas, Andy Warhol and so many more that called these rooms home throughout its storied history. Uniquely, Cohen, with the personal insight and exceptional vision to see the extraordinary, was able to transcend the concept of an interior space as an environment filled with inanimate objects, and redefine the subject matter into individual portraits that evoke a feeling of intimacy. This prominent body of work casts the historic landmark through the lens of the twenty-first century, exhibiting it as it has never been seen before, and will never be seen again. In 2013, this monumental project was made into a world renowned fine art photography book entitled Hotel Chelsea, published by Pointed Leaf Press...

These extraordinary photographs are part of the the Hotel Chelsea series. The Hotel Chelsea closed its doors for the first time in its iconic history of over one hundred years. Amer...

These extraordinary photographs are part of the the Hotel Chelsea series. The Hotel Chelsea closed its doors for the first time in its iconic history of over one hundred years. Amer...

These extraordinary photographs are part of the the Hotel Chelsea series. The Hotel Chelsea closed its doors for the first time in its iconic history of over one hundred years. Amer...

These extraordinary photographs are part of the the Hotel Chelsea series. The Hotel Chelsea closed its doors for the first time in its iconic history of over one hundred years. Amer...

These extraordinary photographs are part of the the Hotel Chelsea series. The Hotel Chelsea closed its doors for the first time in its iconic history of over one hundred years. Amer...

These extraordinary photographs are part of the the Hotel Chelsea series. The Hotel Chelsea closed its doors for the first time in its iconic history of over one hundred years. Amer...

These extraordinary photographs are part of the the Hotel Chelsea series. The Hotel Chelsea closed its doors for the first time in its iconic history of over one hundred years. Amer...

These extraordinary photographs are part of the the Hotel Chelsea series. The Hotel Chelsea closed its doors for the first time in its iconic history of over one hundred years. Amer...

These extraordinary photographs are part of the the Hotel Chelsea series. The Hotel Chelsea closed its doors for the first time in its iconic history of over one hundred years. Amer...

These extraordinary photographs are part of the the Hotel Chelsea series. The Hotel Chelsea closed its doors for the first time in its iconic history of over one hundred years. Amer...

Cooler than cool... Debbie Harry, New York, 1977, photographed on the set of "The Foreigner" by celebrated New York underground photographer Fernando Natalici. The Foreigner (direct...

Williamsburg Brooklyn New York Photograph: The historic Domino Sugar Factory in Williamsburg, Brooklyn photographed by celebrated New York street p...

CBGB, The Birthplace of Punk - captured by heralded New York underground photographer Fernando Natalici: Manhattan, c.1982 Archival Inkjet Print. Dimensions: 11 x 14 inches (full fr...

Sunday Coffee, New York, NY 1996 photographed by downtown New York art scene photographer, Fernando Natalici. Archival Inkjet Print, 11 x 14 inches. Hand signed on the verso from an edition of 50. Obtained directly from artist. Excellent condition. New York based photographer Fernando Natalici is best known for his iconographic documentation of the downtown Manhattan art scene of the mid/late 70's and early 80's. Natalici’s portfolio includes sought after images of a young Patti Smith, Blondie, Talking Heads, Keith Haring, The Ramones and more. As an Art Director, Fernando has played a key role in creating memorable visuals for historic NY venues such as CBGB's, The Mudd Club, Area and Danceteria. Fernando’s photo archive and art design were recently featured in two highly regarded New York shows: “Area” at The Hole Gallery NYC (2014) & “Downtown New York Film” at The Museum of The Moving Image (2015). Recent Publications & Exhibits Jim Jarmusch...

Debbie Harry photograph New York, 1977 by Fernando Natalici: Cooler than cool... Debbie Harry, New York, 1977, photographed on the set of "The Foreigner" by celebrated New York unde...

'The Door': Rare early Basquiat, Keith Haring Street Art Photo by Fernando Natalici: 'The Door,' photographed, New York c.1979/1980, represents one of only two known photographs featuring the early graffiti work of a young Jean-Michel Basquiat & Keith Haring together on one image (see upper right & left). Basquiat's tags appear in at least 3 places ('Salt', teepe & skull). The work combines the two most iconic Haring & Basquiat images of all: Haring's radiant baby & Basquiat’s crown; while also presenting the work of Whitney Biennial artist, David Wojnarowicz (Burning House mid upper left) & five time Brazilian Biennial artist Alex Vallauri (acrobat stencils across lower area). A true testament to the New York downtown art scene of the late 70's/early 80's. Archival Ink Jet Print. Dimensions: 18 x 22 inches including borders. Hand signed and numbered from an edition of 30. Excellent overall condition & print quality. Acquired directly from artist. Lot 180 Gallery is a primary authorized dealer rep of Fernando Natalici. About Fernando Natalici: New York based photographer Fernando Natalici is best known for his iconographic documentation of the downtown Manhattan art scene of the mid/late 70's and early 80's. Natalici’s portfolio includes sought after images of a young Patti Smith, Blondie, Talking Heads, Keith Haring, Jean-Michel Basquiat, The Ramones and more. As an Art Director, Fernando has played a key role in creating memorable visuals for historic NY venues such as CBGB's, The Mudd Club, Area and Danceteria. Fernando’s work was recently featured in the Jeffrey Deitch curated show “Area” at The Hole Gallery NYC, with his film stills from "Unmade Beds" & "The Foreigner"- two of the most significant underground films of the 1970’s New York Punk scene, recently exhibited at The Museum of The Moving Image. Related Categories Basquiat crown. Basquiat SAMO graffiti. Keith Haring street art. Early Basquiat. Basquiat Haring Crossing Lines. Keith Haring Baby.

'The Door': Rare early Basquiat, Keith Haring Street Art Photo Fernando Natalici’s, The Door, photographed, New York c.1979/1980, represents one of only two known photographs featur...

This photograph is an Edition of 50. All editions are signed by the photographer. Larger sizes may be available upon request.

Desert Center (Stranger than Paradise) - 2000 Edition of 10, 20x20cm. Archival Print, based on a Polaroid. Mounted on dibond with matte UV-Protection. Signature label and Certificate. Artist Inventory No. 1986. Published in Stranger than Paradise, Hatje Cantz (monograph) Stefanie Schneider: A Discovery on Polaroid. An essay by Eugen Blume How is it that the photographic works of Stefanie Schneider do not allow anything other than one single association, namely that of America? Because they were taken in America itself? That fact alone would not yet be a compelling argument. Many photographs of America possess a reckless ambivalence which allows even the different country of their own particular creator to seem so similar as to be confused with America itself. Does this ambiguity have something to do with the ongoing, accelerating Americanization of the entire world? Or is it simply connected with our personal clichés which we attribute to a country the size of North America as valid expressions of its very essence, thereupon negligently allowing it not only to dwindle down into any size whatever, but also to expand to a great extent, from Germany by way of Luxembourg right through to Japan? Now it is certainly true that the figures of Thelma and Louise in the desert do not represent an American reality, not even after their resurrection as Radha and Max in the series 29 Palms from 1999. Strangely enough, it is nature which allows this utterly artificial scene to grow into an American verity. The harsh sunlight in the barren landscape establishes the fundamental tone out of which the women emerge in excessive hysteria from beneath their colored wigs. It is inherently absurd to celebrate the feminine aspect in the middle of a mercilessly inhospitable environment. The image of the two women is a monument of resistance, the meaningful assertion of a lifestyle which stands in contradiction to each and every convention. The pictorial structure and the captured movement along the edge of the format are a means of blending the glaring luminosity with the plot in a manner which perhaps functions successfully only in the “simple” instant technique of the Polaroid. Stefanie Schneider’s pictorial narratives are striking in their formal elegance. She utilizes the chemical faults of the Polaroids, their tendency towards overexposure and double-images as a sovereignly controlled means of artistic design. The defects become, as it were, metaphorical levels which plumb depths lying far beneath the surface. The overly bright colors and schlieren seek out the uncanny; they provide a counterweight to a narration that is deliberately kept superficial. They tell of an invisible strand. They illuminate, in the truest sense of the word, underground processes. Although we are familiar with a series featuring American flags which could not indicate the site of its narrations any more clearly, nevertheless there remains a fundamental doubt as to whether the initially described association with America is identical with that which we deem to be America in a geographical sense. Although I have in the meantime been in America several times, in both South and North America, deep down I remain uncertain as to whether the New World actually exists. Columbus’ error of continuing to believe, even when having arrived on land, that he was encountering the India which was the actual goal of his journey has burrowed down deep into the European unconscious as a cultural convention. Peter Bichsel’s amusing story “Amerika gibt es nicht” (There is no America) still remains today an undeniable truth: America’s northern half is a film, not a continent. Everything which signifies the U.S.A. – from the Indians, whose most noble savages were invented in Europe, all the way to September 11th and the subsequent war in Iraq, the aliens and the revival of the dinosaurs, the terminators as governors and presidents as actors and vice versa, the electric chairs, the godfather Marlon...

"Schnitzel Please!" This timeless, charming photo of a town favorite Dresden Dog, was captured by New York based photographer Fernando Natalici in Germany in 1999. Archival Inkjet ...

Andy Warhol by Fernando Natalici, New York 1978: This rare Andy Warhol portrait was shot at the Halston Spring Fashion Show, in New York City, 1978 by heralded downtown art scene pho...

Jazz great, Cecil Taylor by heralded NY underground photographer Fernando Natalici. An original darkroom print. Medium: Silver gelatin print circa 1988. Dimensions: 11 x 14 inches...

This photograph is an Edition of 50. All editions are signed by the photographer. Larger sizes may be available upon request.

Signed limited edition 16x20" silver gelatin print of David Bowie by Kevin Cummins, taken in a studio during rehearsals for the It’s My Life Tour with his band Tin Machine, Dublin, I...

Signed limited edition silver gelatin print of Morrissey performing at Jones Beach, Long Island, New York, during his 'Kill Uncle' tour, July 10, 1991. This Morrissey print by Kevi...

Unmade Beds, East Village, New York, 1976 by Fernando Natalici: Cooler than cool, "Unmade Beds" was photographed on the set of the Amos Poe directed film of the same title - a seminal work which has been documented in virtually every publication pertaining to the history of the late 70's New York Downtown Art scene. This swanky, historic photo...