Portrait Drawings and Watercolors

"The Garden Within” 27.5x19.5in / 70x50cm Ultramarine tempera and ink on textured paper. Shipped rolled in a tube, from my studio in Bucharest, Romania, with DHL to the US and EMS ...

"Blue Tears” 27.5x19.5in / 70x50cm Ultramarine tempera and ink on textured paper. Shipped rolled in a tube, from my studio in Bucharest, Romania, with DHL to the US and EMS to Euro...

Medusa and Perseus part of my Neo Mythology series. Shipped rolled in a tube, well packed, from Europe, by DHL to the US and by EMS to Europe and rest of the world. Medusa and Pers...

Boleslaw Cybis (1895-1957). Unnamed Horses (Wild Horses), ca. 1930's. Conte on paper, sheet measures 20 x 23 inches. Signed by the artist some years after its creation in blue ink...

watercolour portrait of woman naked lady white cloves nu erotic art unique piece one-of-a-kind watercolour tempera on paper hand signed 51x41cm

1780's-1800 Fine English School Ink & Watercolor Galloping Horses Study Dynamic Racing Scene Late 18th / Early 19th Century English School circa 1780–1800 ink drawing with watercolou...

“Nocturne for a Feline Soul", tempera acrylic pencil on paper. Shipped rolled in a tube, well packed, from Fort Lauderdale, Florida. This particular piece is in my studio in Fort ...

“Girl in Love with Mask”, tempera acrylic pencil on paper. Check 1stDibs free shipping code for items over $500. Shipped rolled in a tube, well packed, from Europe, using DHL or Fed...

1780's-1800 Fine English School Ink & Watercolor Armoured Cavalier Carrying Lady on Horseback Romantic Scene Late 18th / Early 19th Century English School circa 1780–1800 ink drawing...

The artist has always liked divas and femmes-fatales. My grandmothers spoke often of these actresses and admired them openly as if they were real. They created a collective imaginati...

This 25" x 14" pastel pencil work on paper by Serbian artist Bojan Grof is number five of the "Woman's World" series, a series that explores the experiences of and societal impact on...

Ama Liyanage, a contemporary artist and printmaker, creates whimsical paintings from her home studio in Ontario, Canada. Each piece holds minuscule painted details waiting to be disc...

An illuminated page from a book likely in reference to palace life during Emperor Jahangir's reign over the Mughal Empire. circa 1750. Gouache and ink with heightening in gold on li...

A striking Art Deco gouache on cardboard depicting a stylish singer captured in a bold, graphic modernist idiom. The figure—rendered with short red hair, a chic black hat, striped tr...

'The Cabaret Dancer', crayon on art paper, by Kolomon Moore (circa 1930s). The Crazy Years (les Années Folles) of Paris in the 1920s hit an abrupt end in...

Centaur with Arch 100x70cm / 30x27in ink, graphite, tempera on paper large size, shipped rolled in a tube directly from the artist's studio. 1st Dibs offers free shipping up to $20...

An illuminated page from a book likely in reference to palace life during Emperor Jahangir's reign over the Mughal Empire. Circa 1750. Gouache and ink with gold heightening on cre...

“Hon. George King, 1788” by John Russell (1745-1806) Regarded as Britain’s foremost pastellist, John Russell is well known for his portraits of the wealthy middle class. In particul...

Emperor Jahangir in his harem surrounded by lotus blossoms; symbols of paradise itself. Circa 1690. Gouache and ink with gold heightening on cream laid paper, 8 1/2 x 6 1/4 inches (...

A joyful scene of lighthearted merriment in the palace of Jangahir Mahal Agra Circa 1750. Gouache and ink with gold heightening on light weight cream laid paper, 8 1/4 x 6 inches (2...

Very stylish, unique and original 1940's fashion design by French illustrator Geneviève Thomas. The painting, executed in gouache and pencil. The sketch is original, vintage and me...

Monument is a china ink drawing realized by Mino Maccari (1924-1989) in 1970s. Hand-signed on the lower margin. Good condition on a white paper. Mino Maccari (Siena, 1924-Rome, Ju...

Academic Study after Leonardo da Vinci’s Portrait of Isabella d’Este, circa 1870. Sanguine, black chalk and stumping on antique paper. Italian School, circa 1870. Dimensions: 47 × 3...

In Good Company is a china ink drawing realized by Mino Maccari (1924-1989) in 1960s. Hand-signed on the lower margin. Good condition on a little yellowed paper. Mino Maccari (Sie...

“Study for Neobule, 1894” by Sir Edward John Poynter (English, 1836-1919) This exquisite 1894 study by Sir Edward John Poynter (1836–1919) serves as a preparatory drawing for his pa...

Artist: Antonio Gonzalez Collado The Two Clowns (Les Deux Clowns) mixed media on paper signed artist studio stamp on the back dimensions (motif) 15...

Costume Design is an original modern artwork realized in 1970s by Erté (Romain de Tirtoff). Mixed colored gouache on paper. Hand signed on the lower m...

The artist has covered New York collections for over 16 years and has interviewed, as a journalist, several fashion designers and personalities for different publications. He loves t...

"Sea Centaur" Original art, signed 100x70cm / 30x27in ink, graphite, tempera on paper large size, shipped rolled in a tube directly from the artist's studio Antiquity is an endless ...

“Reclining Nude, c. 1930” by Louise Nevelson (1899-1988) This wonderful original ink drawing highlights Nevelson’s interest in the early 20th century avant-garde. Inspired by Picass...

Dining is a drawing realized by Paul Emile Colin in 1924. Carbon Pencil on ivory-colored paper Good conditions with slight foxing. The artwork is realized through deft expressive ...

Wicker Chair is an original pencil drawing on ivory-colorated paper, realized by Anonymous French Artist of the early 20th Century. In very good conditions. Not signed.

Juventus 1995-96 - Stretching Before the Match. Drawing by Silombria, 1996 Large pencil drawing on paper, signed and dated lower right: Silombria '96. Dimensions: H 101 cm × W 72 cm...

Barbra Streisand "Funny Girl" Film Costume Design Academy Award Oscars Orange Irene Sharaff (1910-1993) "Funny Girl" Costume Design, 1968 Film Sight: 14 x 8 3/4 inches Gouache, wat...

French School 19 th Century Portrait of a young man Signed (signature not deciphered) on the lower right Pencil, black chalk and heightenings of white and red chalks on paper Oval vi...

Vintage American ballet drawing on paper by artist Tina Mackler of Margot Fonteyn and Rudolf Nureyev performing Marguerite and Armand. Signed. Framed. Measuring: 14 by 15 inches over...

Giovanni Boldini (Italian, 1842-1931) Etude de femme au ruban noir Signed with atelier stamp (lower left), further inscribed, signed and dated by Emilia Boldini (the artist’s wife) `no 77 le_ atelier Boldini. Emilia Boldini Carbona 1931’ (on the reverse) Black crayon on paper 11.7/8 x 8.7/8 in. (30 x 22.5 cm.) Emilia’s inscription on the reverse from the year of his death. Giovanni Boldini was an Italian genre and portrait painter who lived and worked in Paris for most of his career. According to Time magazine, he was known as the "Master of Swish" because of his flowing style, exemplified by the confident strokes in this fine example. Boldini was born in Ferrara, the son of a painter of religious subjects, and in 1862 went to Florence for six years to study and pursue painting. He only infrequently attended classes at the Academy of Fine Arts, but in Florence, met other realist painters known as the Macchiaioli, who were Italian precursors to Impressionism. Their influence is seen in Boldini's landscapes which show his spontaneous response to nature, although it is for his portraits that he became best known. Moving to London, Boldini attained success as a portraitist, painting notable members of society including Lady Holland and the Duchess of Westminster...

The Holy Family is an Original Red Pencil Drawing realized by Maurice Chabas (1862-1947). The artwork is in good condition, included a white cardbo...

A large, unique pencil drawing and collage by Tomas Lasansky from circa 1990. A portrait of the Apache leader who fought against Mexico in the historic Apache wars. Signed in lower r...

Early 19th Century, Portrait of a young man wearing glasses, gouache on paper 13 x 10.5 cm oval view In a vintage frame : 41.5 x 39 cm, accidents and lacks in the gilding but but...

Stephen Namara's work is a testament to technical mastery and emotional depth. His artistic execution showcases a level of skill that is both rare and commanding. His ability to rend...

Bernard Gussow 1881 -1957 Bernard Gussow was active/lived in New York, New Jersey / Russian Federation. Bernard Gussow is known for genre, landscape, figure, interior paintings. Ber...

This is a very exciting and very rare signed drawing by Amadeo Modigliani of Mme Anka Zberowska. Madame Zberwoska was the daughter of a Polish aristocrat who, with her husband, arri...

Ink and gouache with yellow heightening on fibrous, brown laid paper with a Jaipur Court Fee tax stamp in blue ink, 13 1/2 x 8 3/4 inches (343 x 222 mm). Toning, handling creases and...

This figurative portrait drawing titled "Jade" is an original artwork by Chambers Austelle made of acrylic, chalk pastel, wax pastel. This piece measures 12"h x 12"w. Chambers Austelle is a contemporary figurative painter and educator living and working in Charleston, SC. Austelle is best known for her compositions of vivid color and female subjects. The isolated environments challenge the viewer to question the way beauty and women are perceived in our culture. Austelle’s work has been exhibited nationally and exists in many private collections. She was awarded Best in Show at The City Gallery for “Piccolo Spoleto’s 2016 Juried Exhibition”, as well as Charlie Magazine’s “50 Most Progressive”. Most recently, she was the 2018 recipient of St. Thomas’ Artist...

Seductive Woman is a China ink Drawing realized by Mino Maccari (1924-1989) in the 1970s. Hand-signed on the lower margin. Good condition. Mino Maccari (Siena, 1924-Rome, June 16...

Emperor Jahangir depicted with his harem attendees aboard a pleasure cruise, the water filled with lotus blossoms; symbols of paradise itself. Circa 1750. Gouache and ink with gold ...

"Adam and Eve in Outer Space” 27.5x19.5in / 70x50cm Ultramarine tempera on textured blue gray paper. Shipped rolled in a tube, from my studio in Bucharest, Romania, with DHL to the ...

Academic Study of a Nun’s Head, Florentine School Late 18th – Early 19th Century Pencil on handmade cotton paper. Dimensions: 38.5 × 53.5 cm. Large study depicting the head of a v...

Emperor Jahangir and Empress Nur Jahan exchanging lotus blossoms; a symbol of beauty, purity, honesty, rebirth, self-regeneration, and enlightenment....

Hermann Prell (1854 Leipzig - 1922 Dresden-Loschwitz). Half-length portrait of a Pharisee, 1885. Sketch for the right-hand figure in the painting Judas Iscariot, 1886. Pencil drawing heightened with opaque white and black chalk on beige-grey wove paper (papier vélin), 34 x 27.8 cm (visible size), 52 x 45 cm (mount), signed, dated and inscribed "H. PRELL 1885 zu 'Judas'". Minor browning, collection stamp on the reverse. - In the shadow of betrayal - About the artwork This painting is the sketch for the head of the Pharisee offering the coins to Judas in one of Herrmann Prell's major works, the painting Betrayal of Judas, completed in 1886. The painting belongs to the Staatliche Kunstsammlungen Dresden and is illustrated in Adolf Rosenberg: Prell, Bielefeld and Leipzig 1901, p. 21 (Fig. 19). It is especially highlighted in Thieme-Becker (vol. 27, p. 376). Hermann Prell, Betrayal of Judas, 1886 The monumental head, which fills the picture and is distinguished by its ornamented robe, is almost a lost profile, which in the executed painting is justified by the Pharisee's turning towards Judas. Despite the fact that the sitter withdraws from the viewer by turning away, it was necessary to artistically elaborate the motivation for the purchase of one of Christ's disciples, which is why the drawing focuses on the expression of the face, while the 'accessories' are treated in a more summary manner. In characterising the face, Hermann Prell performs a balancing act: since the Pharisee, despite his destructive actions, is an actor in the history of salvation, the head must show a dignity appropriate to the event, but at the same time the physiognomy must also bear witness to the scheming attitude that led to the betrayal. To solve this dilemma, Prell draws on the traditional depictions of the heads of the apostles, shading the face to indicate the obdurate darkness of the spirit and moving the base of the nose slightly upwards while the mouth falls away, thus giving a physiognomic expression to the motivation of the action. The fatal drama of the betrayal is expressed in the monumentalisation of the head and in the thunderous white highlights that contrast with the darkness of the chalk. As a study, considered by the artist to be a work in itself, this drawing reveals the pictorial problems and brainstorming of monumental painting. About the artist In 1872 Prell, who was one of the most important exponents of monumental painting of his time, began studying painting with Theodor Grosse at the Dresden Academy of Art and continued with Carl Gussow at the Berlin Academy in 1876. Hans von Marées taught him in Rome in 1878. More influential on his work, however, were Arnold Böcklin and Max Klinger, with whom Prell had been friends since his student days and with whom he worked together on several occasions. Prell's first major work, which established his reputation as a monumental painter, were the frescoes in the banqueting hall of the Architektenhaus in Berlin in 1881/82, commissioned by the state and depicting the different periods of architecture. Prell then went to Italy for two years to study fresco painting. Other major commissions followed. These included monumental frescoes in the town halls of Worms (1884), Hildesheim (1882-92), Gdansk (1895) and Dresden, the staircase of the Silesian Museum of Fine Arts in Breslau (1893/94), the throne room of the German Embassy in Rome (1896-99) and the staircase of the Albertinum in Dresden (1900-1904). From 1886 Prell taught at the academy of arts in Berlin and in 1892 he was appointed professor at the academy of arts in Dresden. His students included Osmar Schindler and Hans Unger...

'Le Café', watercolour on paper, by Catherine Garros (circa 1990s). Many people's idea of heaven is being seated at an outdoor café somewhere in one o...

Gustaf Tenggren (1896–1970) Sweden Trollkarlens urnyckel (The Sorcerer’s Clockwork Key), 1918 signed and dated lower right “G. Tenggren 1918” watercolour on paper unframed 25 × 23 ...

A French art deco pastel portrait by Louis-Jean Beaupuy. The work is signed and dated bottom right. Presented in carved and gilded wood frame. Beaupuy has captured all the charm and...

A striking Art Deco watercolor created after an original design by René Vincent (1879-1936), this lively golfing scene beautifully captures the wit, movement, and graphic sophisticat...

Louis-Henri de RUDDER Presumed portrait of François BLANC Pastel Signed, inscribed, and dated in the lower right margin: "A Madame Edmond Blanc / de Rudder / 18.." (obscured by the f...

Fine English School Ink & Watercolor Mounted Cavalry Officer Equestrian Study Late 18th / Early 19th Century English School circa 1780–1800 ink and watercolour on artist paper, unfra...

"Guardian Angel” 27.5x19.5in / 70x50cm Pencil and sepia ink on watercolor paper. Shipped rolled in a tube, directly from the artist's studio. Shipping anywhere in the world. Registe...

This delightfully vivid 19th century portrait depicts Sophie Caroline Franquet. Unsigned. Original label verso. Beautifully presented behind glass in a decorative gilt frame. On pape...

Henry Ottmann (1877-1927) Bust-length portrait of a woman signed lower right pastel on paper 53 x 43 cm Framed 74 x 64 cm This bust portrait of a woman shows us another aspect o...