Portrait Drawings and Watercolors

A striking Art Deco watercolor created after an original design by René Vincent (1879-1936), this lively golfing scene beautifully captures the wit, movement, and graphic sophisticat...

Hermann Prell (1854 Leipzig - 1922 Dresden-Loschwitz). Half-length portrait of a Pharisee, 1885. Sketch for the right-hand figure in the painting Judas Iscariot, 1886. Pencil drawing heightened with opaque white and black chalk on beige-grey wove paper (papier vélin), 34 x 27.8 cm (visible size), 52 x 45 cm (mount), signed, dated and inscribed "H. PRELL 1885 zu 'Judas'". Minor browning, collection stamp on the reverse. - In the shadow of betrayal - About the artwork This painting is the sketch for the head of the Pharisee offering the coins to Judas in one of Herrmann Prell's major works, the painting Betrayal of Judas, completed in 1886. The painting belongs to the Staatliche Kunstsammlungen Dresden and is illustrated in Adolf Rosenberg: Prell, Bielefeld and Leipzig 1901, p. 21 (Fig. 19). It is especially highlighted in Thieme-Becker (vol. 27, p. 376). Hermann Prell, Betrayal of Judas, 1886 The monumental head, which fills the picture and is distinguished by its ornamented robe, is almost a lost profile, which in the executed painting is justified by the Pharisee's turning towards Judas. Despite the fact that the sitter withdraws from the viewer by turning away, it was necessary to artistically elaborate the motivation for the purchase of one of Christ's disciples, which is why the drawing focuses on the expression of the face, while the 'accessories' are treated in a more summary manner. In characterising the face, Hermann Prell performs a balancing act: since the Pharisee, despite his destructive actions, is an actor in the history of salvation, the head must show a dignity appropriate to the event, but at the same time the physiognomy must also bear witness to the scheming attitude that led to the betrayal. To solve this dilemma, Prell draws on the traditional depictions of the heads of the apostles, shading the face to indicate the obdurate darkness of the spirit and moving the base of the nose slightly upwards while the mouth falls away, thus giving a physiognomic expression to the motivation of the action. The fatal drama of the betrayal is expressed in the monumentalisation of the head and in the thunderous white highlights that contrast with the darkness of the chalk. As a study, considered by the artist to be a work in itself, this drawing reveals the pictorial problems and brainstorming of monumental painting. About the artist In 1872 Prell, who was one of the most important exponents of monumental painting of his time, began studying painting with Theodor Grosse at the Dresden Academy of Art and continued with Carl Gussow at the Berlin Academy in 1876. Hans von Marées taught him in Rome in 1878. More influential on his work, however, were Arnold Böcklin and Max Klinger, with whom Prell had been friends since his student days and with whom he worked together on several occasions. Prell's first major work, which established his reputation as a monumental painter, were the frescoes in the banqueting hall of the Architektenhaus in Berlin in 1881/82, commissioned by the state and depicting the different periods of architecture. Prell then went to Italy for two years to study fresco painting. Other major commissions followed. These included monumental frescoes in the town halls of Worms (1884), Hildesheim (1882-92), Gdansk (1895) and Dresden, the staircase of the Silesian Museum of Fine Arts in Breslau (1893/94), the throne room of the German Embassy in Rome (1896-99) and the staircase of the Albertinum in Dresden (1900-1904). From 1886 Prell taught at the academy of arts in Berlin and in 1892 he was appointed professor at the academy of arts in Dresden. His students included Osmar Schindler and Hans Unger...

Late 18th Century pastel portrait on paper of a bearded gentleman. Presented under glass in a fine period gilded carved wood frame. A cha...

Ama Liyanage, a contemporary artist and printmaker, creates whimsical paintings from her home studio in Ontario, Canada. Each piece holds minuscule painted details waiting to be disc...

Portrait of Sophia Clifton, aged 33 years, dated January 29th 1841 watercolour on artist paper with wood panel backing, framed framed: 16 x 12 inches painting : 13.5 x 9.5 inches Pro...

'Le Café', watercolour on paper, by Catherine Garros (circa 1990s). Many people's idea of heaven is being seated at an outdoor café somewhere in one o...

This is a fine detailed French Naturalistic portrait. Executed on November 2nd 1889 and signed PHL. In good condition. Signed and dated middle right. Provenance. Private collection. ...

A characterful graphite and watercolour sketch by Hungarian-born artist Imre Goth (1893-1982). Dated 1928 in the lower left corner, this portrait was likely drawn whilst the artist w...

Elizabeth Taylor Costume Design "Elephant Walk" 1954 Hollywood Film Large Oscars Edith Head (1897-1981) Elizabeth Taylor in "Elephant Walk" Sight: 24 x 18 inches Watercolor and penc...

An illuminated page from a book likely in reference to palace life during Emperor Jahangir's reign over the Mughal Empire. c 1690. Gouache and ink with heightening in gold on light ...

"Judy Garland" Legendary Film and Recording Star. Gay Icon. 20th Century Litho Al Hirschfeld (1903 - 2003) Judy Garland 20 x 15 inches (sight) Etching 26 1/2 x 14 3/4 inches Framed...

An exquisite watercolour by the Italian-born French artist Oreste Cortazzo (1836-1910). The scene depicts a romantic farewell between two lovers. Signed lower right. Smartly mounted ...

Jean La Forgue (French 1901-1975) watercolour on paper, unframed painting: 8.25 x 9 inches provenance: the artists estate, France condition: very good and sound condition; there are...

Magdalena Peszkowska born in 1980 in Gdańsk, Poland. Studied in Department of Painting at Academy of Fine Arts in Gdańsk (1999-2004). Diploma with special recognition in painting in 2004. The cycle of ‘Final Fantasy...

Portrait is a Watercolor and color Markes Drawing realized by Reynold Arnould (Le Havre 1919 - Parigi 1980). Good condition included a white cardboard passpartout (49x35 cm). No si...

French School 19 th Century Portrait of a young man Signed (signature not deciphered) on the lower right Pencil, black chalk and heightenings of white and red chalks on paper Oval vi...

A Handsome 1940s Portrait of a Seated Man by Chicago Modern Artist, Harold Haydon (Am. 1909-1994). A wonderfully executed line drawing dating from 1946 with great character; looks ...

Soldiers and Camp Followers by a Fireside, English School Figure Study Late 18th / Early 19th Century English School circa 1780–1800 Watercolour wash on artist paper, unframed Drawin...

This artwork is part of my “Interior” series – artworks created to bring lightness and beauty into your space. The series is designed to please the eye without overwhelming it, addi...

1780's-1800 Fine English School Ink & Watercolor Chaotic Cavalry Battle Scene Riders Horses and Cannon Study Late 18th / Early 19th Century English School circa 1780–1800 ink drawing...

The work is titled "Out There" by the artist Amílcar Rivera M. Amilcar is a multidisciplinary artist who graduated from the Faculty of Arts at Universidad Veracruzana in Mexico and...

'Portrait of a Reclining Woman', pencil on sketchbook paper, by French artist, Guillaume Dulac (circa 1920s). An artist known for his exquisite drawings - many are sketches for his l...

Boleslaw Cybis (1895-1957). Taos (Timeless Ritual), Indian Negro Series, 6 of 18. Conte on paper, sheet measures 18 x 23 inches. Small tear in sheet left margin. Evidence of alteration of image lower left where writing was probably removed before photographs require to create lithograph. The area has oxidized consequently. Signed by the artist some years after its creation in blue ink, lower left, ca. 1950's. the sheet is hinged at top margin, not glued down to backing board. Provenance: Cybis Archive. This original drawing was created in 1939-40 during an extensive visit to the Southwest US. The artist created 18 portraits and titled the series "Indian Negro Serie". Of the 18 images, 9 were selected to be included in a limited edition lithographic series some 30 years after creation. 1000 editions were printed. This is the original drawing upon which one of the images is based, and is thus unique. Of the 18 original drawings, 2 are owned by the polish government, 5 are in our collection and the other 11 are whereabouts unknown. The artist and his wife opened a porcelain factory in the 1950's, Cybis Studios. The only non-porcelain retail offering from the Cybis studio was a 1970s art issue called the Folio One. This was a limited edition reproduction series taken from nine conté drawings of Native Americans made by Boleslaw Cybis in 1939. Conté is the name of a type of crayon made of compressed charcoal or graphite mixed with wax or clay. The artist Georges Seurat was particularly fond of using conté for his drawings. Boleslaw Cybis was fascinated by the Native American (then typically referred to as American Indian) culture and peoples. This may seem odd when you consider that much of his ceramic-based works were distinctly Rococo and/or Old World European in style….a pretty stark contrast, I’d say! But Cybis was nothing if not eclectic in his tastes. The originals were reproduced as color lithographs, in an edition of 1000, in 1970. This meant “1000 of each individual print.” At present its original issue pricing is unknown, but a Spring 1972 dealer price list shows the full set of nine at $500. Individual prints could also be purchased at either $50 (for Comanche, Shoshone, or Apache) or $65 (for any of the other six)… representing a $40 savings when buying the entire folio at once versus singly. The Spring 1981 price list is the final one that shows the Folio One set for sale, still at the same price ($500) as it was a decade earlier. Individual prints are not available on that list. According to the 1979 Cybis catalog text “Each of the 12″ x 20″ prints is hand-numbered on heavy Beckett rag-content paper, with a specially designed validating hallmark in the lower right-hand corner, and carries an accompanying page with a brief tribal history.” The hallmark is blind-embossed, not surface printed. However, the Spring 1972 dealer price list cited above described the prints as being 17″ x 23″ in size. Checking past auction listings for the set, the actual prints are indeed 17″ x 23″, which means that the 12″ x 20″ size probably refers to the image area. The overall size of the set’s burlap-covered box is 18.5″ x 24.5″. These nine portraits represent seven different tribes: the Comanche, Shoshone, Taos, Apache, Hopi, Mohave, and Yuma. A bit of trivia is that only two of those tribes (Apache and Shoshone) were featured within the modern studio’s North American Indians porcelain...

Born in the canton of Friborg, Gilbert Pauli (1944 - 2020) lived in Geneva, where he devoted himself to painting and sculpture, a passion he developed since childhood. His favorite t...

19th century silhouette of a female , framed and glazed and in good condition with only minor signs of age as to be expected. 2nd image with flash to show highlights etc.. Apologie...

Fine English School Ink & Watercolor Falconer on Horseback Equestrian Study Late 18th / Early 19th Century English School circa 1780–1800 ink drawing with watercolour wash on artist ...

May Mott Smith (1879 - 1952) A Martinique Native in French Guiana, circa 1925 Watercolor on paper 24 x 20 inches Signed lower right; titled on the reverse “Martinique Native” is an ...

The artist has covered New York collections for over 16 years and has interviewed, as a journalist, several fashion designers and personalities for different publications. He loves t...

An illuminated page from a book likely in reference to palace life during Emperor Jahangir's reign over the Mughal Empire. Circa 1690. Gouache and ink with gold heightening on light...

This is a hand painted oil and mixed media artwork on canvas by internet sensation mad charcoal professionally framed He is represented by Krause Gallery...

Gustaf Tenggren (1896–1970) Sweden Trollkarlens urnyckel (The Sorcerer’s Clockwork Key), 1918 signed and dated lower right “G. Tenggren 1918” watercolour on paper unframed 25 × 23 ...

1780's-1800 Fine English School Ink & Watercolor Fantastical Scene Late 18th / Early 19th Century English School circa 1780–1800 ink drawing with watercolour wash on artist paper...

19th century French school Drawing Trois crayons on paper Alleged portrait of chapelain William Rounseville Alger (1822-1905) 25 x 20 cm (28 x 23 cm with the frame) Very good condit...

Conté crayon on paper Signed and dated, l.r. This artwork is offered by ClampArt, located in New York City. Mark Beard, born in 1956 in Salt Lake City, now lives in New York City. ...

The Couples is a Pen and watercolor Drawing realized by Mino Maccari (1924-1989) in the 1960s. Hand-signed at the top margin. Good conditions. Mino Maccari (Siena, 1924-Rome, Jun...

1780's-1800 Fine English School Ink & Watercolor Occult Ritual Scene with Figures and Demonic Forms Late 18th / Early 19th Century English School circa 1780–1800 ink drawing with wat...

Circle of Leonardo da Vinci (Vinci, 1452 – 1519, Clos-Lucé) First half of the 16th century Study of a Bearded Man in Profile, Facing Right Red chalk on paper 8 × 6 cm Unsigned Provenance: Private collection This delicate drawing belongs to the Lombard school and was created by an artist working under the influence of Leonardo da Vinci, very likely within his close circle. The profile recalls the Apostle at the far left of The Last Supper, and may even derive directly from Leonardo’s own compositional sketches for the mural (Gallerie dell’Accademia, Venice, inv. 254). While Leonardo’s version carries a profound religious and political message, this sheet reveals a more naturalistic interpretation. The precise outlines and the controlled hatching distinguish it from the master’s hand, yet the subtle modeling of the face in red chalk shows clear echoes of Leonardo’s refined technique. Comparable examples are preserved in the Royal Collection Trust, Windsor, including The Head of an Old Man Crowned with a Wreath of Laurels (recto) and The Head of an Old Man in Profile, both originally from Francesco Melzi...

Jean-Gabriel Domergue (1889–1962) was a renowned French painter and engraver, celebrated especially for his portraits of elegant women or, more precisely, a feminine figure in a styl...

A Fabulous, Surrealist 1946 Mid-Century Modern Abstract Portrait of a Young Man by Noted Chicago Artist, Harold Haydon (Am. 1909-1994). Titled "Introspective Stare", the drawing is ...

Graphite lead on paper Dimensions: 6 x 8 ¼ in. (15.4 x 21 cm) – framed 11 ¼ x 12 5/8 in. (28.5 x 33.2 cm) Studio sale stamp in the lower right corner (L. 838a) A certificate from th...

A fine work with masterful detail by an exceptional artist whose name is lost to history. European School, 17th century Ink and wash in black, sepia and grayish brown ink with white...

Joseph CORONT Vanosc (Ardèche), 1859 - Vanosc, 1934 Portrait of the artist's niece in 1902 Pastel 46 x 38.5 cm (58 x 51 cm with frame) Signed on the left "Coront" Beautiful antique g...

Boleslaw Cybis (1895-1957). Prancing Ram, ca. 1930's. Conte on paper, sheet measures 18 x 23 inches. Signed by the artist some years after its creation in blue ink, on verso botto...

Seductive Woman is a China ink Drawing realized by Mino Maccari (1924-1989) in the 1960s. Hand-signed on the lower margin. Good condition. Mino Maccari (Siena, 1924-Rome, June 16...

Italian School, 17th century Study for the Vision of Saint Anthony Red chalk on paper 247 x 185 mm Unsigned Provenance Private collection, Paris Collection of Count Alessandro Mag...

The infamous Rolling Stones tongue and lips are featured in this later unique hand-painted version by the artist based on his iconic 1970s design. In 1970, at the age of 25, John Pas...

Fine English School Ink & Watercolor Mounted Cavalry Officer Equestrian Study Late 18th / Early 19th Century English School circa 1780–1800 ink and watercolour on artist paper, unfra...

Fine English School Ink & Watercolor Military Cavalry with Fallen Horse Scene Late 18th / Early 19th Century English School circa 1780–1800 ink drawing with watercolour wash on artis...

Barbra Streisand "Funny Girl" Film Leopard Costume Design Academy Award Oscars Irene Sharaff (1910-1993) Funny Girl Costume Design, 1968 Film Sight: 14 x 9 inches Gouache, watercolo...

Original Judy Garland Get Happy Drawing. Legendary Star. Caricature. Not a Litho. Al Hirshfeld (1903-2003) Judy "All Star Variety" Garland at the Palace Ink on board, 1955 Sight: 16...

Seated Young Woman Portrait Pastel Drawing Expressionist Figurative Artwork Artist: Rafael Duran Benet (1931-2015) Title: Seated Young Woman Medium: Pastel on paper Dimensions: 24.4 × 16.5 in (62 × 42 cm) Frame Dimensions: 32.3 × 24.4 in (82 × 62 cm) Signature: Signed and dated lower left, 1979 Period: 1970s Style: Post-Impressionist / Expressionist Subject: Female Portrait / Seated Woman Origin: Catalonia, Spain Frame: Original gilt wooden frame included Condition: Good vintage condition. Light age-related wear to the frame consistent with age. Description An evocative pastel portrait by celebrated Catalan painter...

A finely detailed silhouette of a Victorian clergyman. Frederick Frith (1819-1871) The Reverend James Metze, bust length, turned to the right, wearing coat and cravat Inscribed to t...

Original colored crayons and pastel drawing on paper. Hand signed and dated on front by David Hockney. Artwork size 16.75 x 14inches. Frame size approx 27 x 24 inches. Provenance: Annely Juda Fine Art; Richard Gray Gallery. Artwork in excellent condition. All reasonable offers will be considered. About the Artist: David Hockney is one of the most influential British artists of the 20th century. Perhaps best known for his serial paintings of swimming pools, portraits of friends, and verdant landscapes, the artist’s oeuvre ranges from collaged photography and opera posters to Cubist-inspired abstractions and plein-air paintings of the English countryside. Often returning to a certain motif again and again, he probes the manifold ways one can see an image or a space. Hockney’s exploration of photography’s effect on painting and everyday life is evinced in his hallmark work A Bigger Splash (1967). “In art, new ways of seeing mean new ways of feeling; you can't divorce the two, as, we are now aware, you cannot have time without space and space without time,” he has explained. Born on July 9, 1937 in Bradford, United Kingdom, Hockney attended the Royal College of Art in London alongside R.B. Kitaj. At school, he studied under both Francis Bacon and Peter Blake, but also credits Pablo Picasso and Henri Matisse for influencing his distinctive and varied style. In 1963, the artist traveled to Southern California for the first time and fell in love with the bright sunshine and easygoing lifestyle. Since then, he has alternated living and working between Yorkshire, United Kingdom, and Los Angeles, CA. In November 2018, his 1972 painting...

Despite the tears and repairs, this remains an absolutely wonderful drawing, by a famous Southern artist. Many of you clicking on this are probably doing so because you know of Ellsworth Woodward, who with his brother William Woodward around the turn of the 20th century sparked an arts renaissance in the South, the arts and culture in general having been mostly moribund since the dispiriting defeat experienced in the Civil War. I won't bog you down with lots of detail here since all you have to do is Google his name to bring up a wealth of information about him. He is most famous for his leadership of the arts program at Newcomb College in New Orleans, and its famous Newcomb Pottery...

Fine English School Ink & Watercolor Cavalry Pursuit Scene with Mounted Figures Late 18th / Early 19th Century English School circa 1780–1800 ink drawing with watercolour wash on art...

Obsessive, meticulous, almost monastic, Kramer immerses us in a universe of graphic and sculptural repetitions. His drawings on kraft paper glued with rabbit glue recall both ancient...

Attributed to Giovanni Boldini (1842–1931) Studies of Women: Cabaret Dancers, Horsewoman, and Female Profiles Circa 1900 Ink wash and brown wash on paper, 28.5 x 19.5 cm Unsigned I...

Cadence Charcoal on paper Artwork size: 24 x 46.5 inches / 60 x 118 cm Framed size: 27.5 × 52 inches / 70 × 132 cm Float framed in white behind anti-reflect art glass. This contempo...

Diana Ross. Original Design for a Mattel Doll. Fashion. Motown Superstar. Diva. Bob Mackie (1939 - ) Diana Ross 16 1/2 x 11 inches Mixed media on paper Signed lower left, Titled upp...

Charcoal and watercolour on paper 67cm × 49cm (72cm × 49cm framed) An émigré from Argentina in the early 1950s who settled in Paris with her partner Yvonne Bilis-Régnier, exhibited ...