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Medium: Found Objects
Andra Samelson, Pemarom, 2013-2022, 1300 + cds, Edition of 5, Abstract Sculpture
Andra Samelson, Pemarom, 2013-2022, 1300 + cds, Edition of 5, Abstract Sculpture

Andra Samelson, Pemarom, 2013-2022, 1300 + cds, Edition of 5, Abstract Sculpture

By Andra Samelson

Located in Darien, CT

The word in Tibetan for lotus is “Pema.” In Buddhism the lotus is a symbol of purity. The lotus is planted and rooted in the mud, but grows up through the water and into the vast sky...

Category

2010s Conceptual Art by Medium: Found Objects

Materials

Mirror, Plastic, Acrylic Polymer, Found Objects, Other Medium

“Untitled”
“Untitled”

Yvon Prevel“Untitled”, 1987

$680Sale Price|20% Off

“Untitled”

By Yvon Prevel

Located in Southampton, NY

Original mixed media painting by the French artist, Yvon Prevel. Composed of painted fabric applied to canvas on a wooden stretcher. Signed verso and dated 1987. Condition is excel...

Category

1980s Contemporary Art by Medium: Found Objects

Materials

Canvas, Found Objects, Oil

"Blind Spot" Abstract Relief with Numismatic Patterns Sculpture
"Blind Spot" Abstract Relief with Numismatic Patterns Sculpture

"Blind Spot" Abstract Relief with Numismatic Patterns Sculpture

Located in Soquel, CA

"Blind Spot" Abstract Relief Sculpture Carved sculpture and painting by Mickey "Kano" Kane (American, 20th century). This large-scale relief sculpture features a central circular sh...

Category

1990s Modern Art by Medium: Found Objects

Materials

Found Objects, Acrylic, Wood Panel, Handmade Paper, Resin

Hokusai Green XXVI - White + Green Abstract Mixed Media Painting on Found Pages
Hokusai Green XXVI - White + Green Abstract Mixed Media Painting on Found Pages

Hokusai Green XXVI - White + Green Abstract Mixed Media Painting on Found Pages

By Jane Skingley

Located in Kingsclere, GB

Jane Skingley British, b. 1963 Hokusai Green XXVI, 2025 mixed media on vintage book pages laid onto canvas 60 x 60 cm 23 5/8 x 23 5/8 in signed and titled verso Jane Skingley is rec...

Category

21st Century and Contemporary Art by Medium: Found Objects

Materials

Canvas, Found Objects, Mixed Media

"Drug Friend (Sententia Sectum)", Layered Paper Text Assemblage Framed
"Drug Friend (Sententia Sectum)", Layered Paper Text Assemblage Framed

"Drug Friend (Sententia Sectum)", Layered Paper Text Assemblage Framed

By Hyland Mather (X-O)

Located in Philadelphia, PA

"Drug Friend (Sententia Sectum)" is an original artwork by Hyland Mather made of layered paper assemblage with laser-cut text and found collage. It measures 12.5”h x 9”w framed, and ...

Category

21st Century and Contemporary Contemporary Art by Medium: Found Objects

Materials

Found Objects, Paper

"Modus Lumen 09", Illuminated Lost-Object Wall-Hanging Assemblage
"Modus Lumen 09", Illuminated Lost-Object Wall-Hanging Assemblage

"Modus Lumen 09", Illuminated Lost-Object Wall-Hanging Assemblage

By Hyland Mather (X-O)

Located in Philadelphia, PA

"Modus Lumen 01" is an original artwork by Hyland Mather made of illuminated lost-object assemblage with translucent acrylic, tape drawing, string, aerosol, and light. It measures ap...

Category

21st Century and Contemporary Contemporary Art by Medium: Found Objects

Materials

Thread, Found Objects, Wood, Pins, Acrylic

"Love Welcomes" More Than Beautiful Gross Domestic Product Interior Art
"Love Welcomes" More Than Beautiful Gross Domestic Product Interior Art

"Love Welcomes" More Than Beautiful Gross Domestic Product Interior Art

By Banksy

Located in Draper, UT

Each mat is a Unique hand-stitched using the fabric from life vests abandoned on the Mediterranean beaches. The mats were designed by the world-renowned artist, Banksy and fabricated...

Category

2010s Street Art Art by Medium: Found Objects

Materials

Fabric, Cord, Organic Material, Found Objects, Mixed Media, Mesh

Margaret Roleke, War and Religion, 2016, children's toys, enamel, wood, LEDs
Margaret Roleke, War and Religion, 2016, children's toys, enamel, wood, LEDs

Margaret Roleke, War and Religion, 2016, children's toys, enamel, wood, LEDs

By Margaret Roleke

Located in Darien, CT

In the body of work for “Child’s Play” Roleke has created diminutive worlds in which toys tell the story of consumption, consumerism, war, and the misuse of power and religion. The m...

Category

21st Century and Contemporary Pop Art Art by Medium: Found Objects

Materials

Enamel

“Pen Decline 1 - 2 - 3 in Black” (Archeology series) Computer Keyboard Sculpture
“Pen Decline 1 - 2 - 3 in Black” (Archeology series) Computer Keyboard Sculpture

“Pen Decline 1 - 2 - 3 in Black” (Archeology series) Computer Keyboard Sculpture

By Daniel Fiorda

Located in New York, NY

Daniel Fiorda in this new series of sculptures, continues in many ways the themes that have infused his previous work. For the last several years, Fiorda has dealt with technology, obsolescence, with the trail of discarded tech that humanity leaves behind and what it says about us. The new work takes this thematic one step further. These new wall pieces feature barely concealed found objects, almost fully engulfed by concrete, and yet still eerily discernible: industrial gears, computer keyboards, objects that evoke industrial post-digital eras. This piece is a set of 3 artworks...

Category

2010s Contemporary Art by Medium: Found Objects

Materials

Concrete

"Untitled" David Hare, Abstract Surrealist Sculpture, Found Objects, Bones, Dada
"Untitled" David Hare, Abstract Surrealist Sculpture, Found Objects, Bones, Dada

"Untitled" David Hare, Abstract Surrealist Sculpture, Found Objects, Bones, Dada

By David Hare

Located in New York, NY

David Hare Untitled, circa 1970s Mixed media 3 x 2 1/2 inches Provenance The artist Mercedes Matter, New York (gift from the above) Bill O'Reilly, New York (gift from the above) “...

Category

1970s Surrealist Art by Medium: Found Objects

Materials

Paint, Found Objects, Mixed Media

Found objects sculpture by counterculture artist Marr Grounds
Found objects sculpture by counterculture artist Marr Grounds

Found objects sculpture by counterculture artist Marr Grounds

Located in Colfax, CA

Found art sculpture by Australian-American environmental and counterculture artist Marr Grounds. This work was likely created in the 1960s when Grounds was active at UC Berkeley, and...

Category

1960s Abstract Expressionist Art by Medium: Found Objects

Materials

Found Objects

Vestiges spectrales I (texture, organic, biophilic, sand, pastels, mix-media)
Vestiges spectrales I (texture, organic, biophilic, sand, pastels, mix-media)

Vestiges spectrales I (texture, organic, biophilic, sand, pastels, mix-media)

By Melisa Taylor Metzger

Located in Quebec, Quebec

Vestiges spectrales I is a large-scale mixed-media painting on canvas that conjures a ghostly seascape where traces of time and matter converge. Using collage, impasto, and embedded ...

Category

2010s Abstract Art by Medium: Found Objects

Materials

Acrylic Polymer, Found Objects, Oil, Acrylic

USA (The Sciences): Abstract Colored Pencil & Postage Stamp
USA (The Sciences): Abstract Colored Pencil & Postage Stamp

USA (The Sciences): Abstract Colored Pencil & Postage Stamp

By Andrea Moreau

Located in Hudson, NY

USA (The Sciences), 2019 : Abstract Colored Pencil & Postage Stamp by Andrea Moreau 11" X 11" paper size colored pencil and postage stamp on paper 15 x 15 x 1 inches framed This co...

Category

2010s Contemporary Art by Medium: Found Objects

Materials

Found Objects, Archival Paper, Color Pencil

Open Surgery

Open Surgery

By Kilroy Savage

Located in Jersey City, NJ

"Open Surgery," 2013. Found materials collage. Figurative, abstract, pattern, candle, anatomy, yellow, tan, green, red, purple, black, blue, and white. ...

Category

2010s Contemporary Art by Medium: Found Objects

Materials

Paper, Found Objects

Untitled
Untitled

Untitled

By Robert Mapplethorpe

Located in Toronto, Ontario

Robert Mapplethorpe's (1946-1989) place in the canon was earned from his incredible output of images that ranged from beautiful to brutal. Though known for his unrivalled output in...

Category

1960s Post-Modern Art by Medium: Found Objects

Materials

Found Objects, Pencil, Color Pencil

"Marginal Madonna" Abstract Relief with Rorschach Patterns Sculpture
"Marginal Madonna" Abstract Relief with Rorschach Patterns Sculpture

"Marginal Madonna" Abstract Relief with Rorschach Patterns Sculpture

Located in Soquel, CA

"Marginal Madonna" Abstract Relief Sculpture Carved sculpture and painting by Mickey "Kano" Kane (American, 20th century). This large-scale relief sculpture features The central fig...

Category

1990s Other Art Style Art by Medium: Found Objects

Materials

Resin, Found Objects, Acrylic, Wood Panel, Handmade Paper

Bronze Sculpture, Brass, Metal, Iron found objects by Indian Artist "In stock"
Bronze Sculpture, Brass, Metal, Iron found objects by Indian Artist "In stock"

Bronze Sculpture, Brass, Metal, Iron found objects by Indian Artist "In stock"

By Narayan Sinha

Located in Kolkata, West Bengal

Narayan Sinha - Ganesha - 30 x 14 x 4 inches Brass, Iron, Metal and Found Objects. The artist uses discarded materials such as automobile parts, utensils, latches, locks, keys, wood, nuts and metal scrap to create sculptures and installations that tell the story. Style : For sculptor, Narayan Sinha, art is all about celebrating beauty. Sinha is mostly known for his installations created with junk automobile parts, metal drums, fuel tanks of kerosene stoves...

Category

2010s Contemporary Art by Medium: Found Objects

Materials

Metal, Brass, Iron

Swans

Swans

By Kilroy Savage

Located in Jersey City, NJ

"Swans," 2013. Found materials collage. Figurative, abstract, pattern, swans, yellow, orange, red, purple, black, blue, and white.

Category

2010s Contemporary Art by Medium: Found Objects

Materials

Paper, Found Objects

“Pen Decline 1 - 2 - 3 in Grey” (Archeology series) Computer Keyboard Sculpture
“Pen Decline 1 - 2 - 3 in Grey” (Archeology series) Computer Keyboard Sculpture

“Pen Decline 1 - 2 - 3 in Grey” (Archeology series) Computer Keyboard Sculpture

By Daniel Fiorda

Located in New York, NY

Daniel Fiorda in this new series of sculptures, continues in many ways the themes that have infused his previous work. For the last several years, Fiorda has dealt with technology, obsolescence, with the trail of discarded tech that humanity leaves behind and what it says about us. The new work takes this thematic one step further. These new wall pieces feature barely concealed found objects, almost fully engulfed by concrete, and yet still eerily discernible: industrial gears, computer keyboards, objects that evoke industrial post-digital eras. This piece is a set of 3 artworks...

Category

2010s Contemporary Art by Medium: Found Objects

Materials

Concrete

Assembler Violeta N° 1 and N°2 Diptych Abstract Mixed Media Wall Sculpture
Assembler Violeta N° 1 and N°2 Diptych Abstract Mixed Media Wall Sculpture

Assembler Violeta N° 1 and N°2 Diptych Abstract Mixed Media Wall Sculpture

By Fanny Szyller Finkelman

Located in Miami Beach, FL

For many, rusty materials, pieces of glass or plastic fragments are not rubbish that should be left in the trash can.Finkelman's creative sensitivity has made these materials irrepla...

Category

2010s Minimalist Art by Medium: Found Objects

Materials

Metal

Loren Eiferman, Nature Will Heal, 108 Pieces of Wood, 2016, Wood, Found Objects
Loren Eiferman, Nature Will Heal, 108 Pieces of Wood, 2016, Wood, Found Objects

Loren Eiferman, Nature Will Heal, 108 Pieces of Wood, 2016, Wood, Found Objects

By Loren Eiferman

Located in Darien, CT

Over many decades Loren Eiferman has created and mastered a unique technique of working with wood—her primary material. First, she begins with a drawing of an idea. Then she takes a daily walk in the woods surrounding her studio and collects tree limbs and long sticks that have fallen to the ground. She never chops down a living tree or uses green wood. Eiferman allows the wood time to cure in the studio to make sure it won’t check or crack. Next, she debarks the branch and looks for shapes found within each piece of wood. Using a Japanese hand saw, she cuts and connect these small shapes together using dowels and wood glue. Then, all the open joints get filled with a home made putty, which is then sanded so she can see the newly formed shapes. This process is until the new sculpture appears like the original line drawing but in space. She wants the work to appear as if it grew in nature, when in fact each sculpture is composed of over 100 small pieces of wood that are seamlessly jointed together. Her work can be called the ultimate recycling: taking the detritus of nature and giving it a new life. We have all at one point or another picked up a stick from the ground—touched the wood, peeled the bark off with our fingernails. Her work taps into that same primal desire of touching nature and being close to it. Trees connect us back to nature, back to this Earth. Her work has a meditative quality to it—a quiet, calming energy. Her influences are many; from looking at nature and plant life on this Earth to researching the heavenly bodies in the images beamed back from the Hubble Telescope. From studying ancient Buddhist mandalas and designs to delving deeper into quantum physics. And from researching mysterious manuscripts to studying the patterns inside our brains. For Invocation, we are exhibiting her newest body of work, inspired by the illustrations found in the Voynich Manuscript. This 250-page book, is believed to have been written in the early 15th century, of a mysterious origin and purpose. Written in an unknown language and currently housed at Yale University’s Beinecke Rare Book Library, the manuscript has eluded all attempts in the intervening centuries to decode or decipher its purpose and meaning. This enigmatic book is divided into 6 different sections (herbal, astronomical, biological, cosmological, pharmaceutical and recipes). Having discovered the images contained in this codex over the Internet, Eiferman felt an immediate, profound and inexplicable connection to this manuscript and its creator. The artist is currently transposing the “herbal” section of manuscript into sculptures. This section has drawings in it of plants and flowers that do not really exist in nature—past or present. These aren’t just pretty images of flowers—they also contain the wacky root systems and seemingly out of proportion leaves, stamens and pistils. Loren Eiferman was born in Brooklyn, NY. She received her BFA from SUNY Purchase. Her work has been exhibited extensively throughout the Tri-State region including gallery and museum exhibitions in the Hudson Valley and Connecticut. Her work is included in numerous corporate and private art collections. In 2014 she was awarded a NYC MTA Arts & Design art commission to produce steel railings...

Category

2010s Abstract Art by Medium: Found Objects

Materials

Wood, Found Objects

Jo Yarrington, Mute-Ability_Composition 4, 2019_acrylic, steel, player piano rol
Jo Yarrington, Mute-Ability_Composition 4, 2019_acrylic, steel, player piano rol

Jo Yarrington, Mute-Ability_Composition 4, 2019_acrylic, steel, player piano rol

By Jo Yarrington

Located in Darien, CT

Jo Yarrington’s photographs, prints, works on paper, glass sculptures and architecturally-based installations have been shown in exhibitions at the Aldrich Contemporary Art Museum, Yale University, Cornell University, the Museum of Glass, the DeCordova Museum and Sculpture Park, Artists Space, St. John the Divine Cathedral, Grounds for Sculpture, the Museum of American Glass and ODETTA, among others. International exhibitions have included Guangzhou Academy of Fine Arts Museum, Glasgow School of Art, Glasgow Cathedral, Glasgow University, Galeria Sala Uno and Centro de las Artes de Guanajuato. She represented the United States at the Sharjah Biennial, United Arab Emirates and participated in the Berlin Biennial. in 2010 she received the Bronze Prize, the Museum of Contemporary Art, Skopje, Macedonia. Yarrington is a recipient of artist grants and Fellowships from the Pollock Krasner Foundation, the New York Foundation for the Arts, the Pennsylvania Council on the Arts and the Connecticut Commission on Culture and Tourism. She has received Residency Fellowships from the MacDowell Colony, the Museum of Glass, the Museum of American Glass, the Bridge Virtual Residency/ SciArt Center, the Lucile Walton Fellow/Mountain Lake Biological Station, the Virginia Center for Creative Arts, the Anderson Center and the Ucross Foundation, among others. International grants and fellowships have included the Banff Center for Arts and Creativity/Canada, SIMS Residency/ Iceland, Cill Rialaig Artists Residency/Ireland, the Burren College of Art Residency/Ireland and the American Scandinavian Foundation. She is a Professor of Visual and Performing Arts at Fairfield University and lives and works in New York City. STATEMENT In site-specific exhibitions, public art commissions, collaborative and individual projects Jo Yarrington has used varied combinations of glass, waxed surfaces, found artifacts and experimental analog photography to investigate the way we perceive – searching for, experimenting with and developing throughout a sensory-based vernacular. Her mostly translucent materials function as physical framework and symbolic membrane. Light, both natural and ambient, provides a kinetic or time-based element to her work. Scale and the integration of architecture are also pivotal components. In the 6-part installation for the two-person exhibition Illuminated, Yarrington continues her interest in the connections between vision, sound and language. In Mute-ability: Compositions 1 – 6, her title for this light-based comprehensive work, she combines the words mute and malleability. The work focuses on found piano rolls, a music storage medium, originally conceived as coded notations or ‘note control data’ for music produced in pneumatic player pianos...

Category

2010s Conceptual Art by Medium: Found Objects

Materials

Steel

"The Artist's Floor" - Abstract Assemblage
"The Artist's Floor" - Abstract Assemblage

"The Artist's Floor" - Abstract Assemblage

By Michael Pauker

Located in Soquel, CA

Abstract expressionist assemblage with found objects typical of an artist's studio floor by Bay Area artist Michael Pauker (American, b. 1957). Applied paint brushes, caps and tubes of paint, a few letters, putty knife, with splashes of color on wood. Unsigned. From the collection of the artist's work. Unframed. Image size: 11.25"H x 25.75"W Bay Area artist and art educator Michael Pauker was born in New York in 1957 and knew he wanted to be an artist from the age of 15. He earned a Bachelor’s in Fine Arts at SUNY Purchase in his native state of New York. In 1989 he went on to earn an M.F.A at Mills College in Oakland and was awarded the City of Oakland Artist Fellowship in Painting. He has been a Bay Area resident since 1988. His work has been exhibited widely across the U.S., as well as in Japan and Costa Rica, and is included in the collection of the Fine Arts Museums of San Francisco. Exhibitions include: 2007 Contemporary Art Museum, San Jose, Costa Rica 2007 “The Ebay Art Project,” Works/San Jose, San Jose, CA 2003 “Found Imagery: The Art of Collage,” Fresno Art Museum,Fresno, CA 2003 “Cut, Copy, Paste,” De Saisset Museum, Santa Clara, CA 2003 “20th Annual Exhibition,” Berkeley Art Center, Berkeley, CA 2002 “40 by 40...

Category

21st Century and Contemporary Abstract Expressionist Art by Medium: Found Objects

Materials

Glass, Plastic, Paper, Found Objects, Wood Panel, Wood, Oil

Diptych Rainbow Landscape- cold wax, tissue paper, found object, and oil stick
Diptych Rainbow Landscape- cold wax, tissue paper, found object, and oil stick

Diptych Rainbow Landscape- cold wax, tissue paper, found object, and oil stick

By Majio

Located in Santa Cruz, CA

Diptych Rainbow Landscape- cold wax, tissue paper, found object, and oil stick over acrylic paint on panel, 2023, through a rainbow as a lens into the landscape. The many layers of l...

Category

2010s Contemporary Art by Medium: Found Objects

Materials

Found Objects, Wax, Oil, Acrylic, Tissue Paper

Class War: Mixed Media Artwork: Hand Embroidery on Vintage Photo
Class War: Mixed Media Artwork: Hand Embroidery on Vintage Photo

Class War: Mixed Media Artwork: Hand Embroidery on Vintage Photo

By Han Cao

Located in Philadelphia, PA

This piece titled "Class War" is an original piece by Han Cao and is made from hand embroidery on found vintage class photograph from 1958, with cotton and silk thread. This piece m...

Category

21st Century and Contemporary Contemporary Art by Medium: Found Objects

Materials

Thread, Found Objects, Photographic Paper

"No War But" Hidden Message in Cross Stitch Pattern on Vintage Photo
"No War But" Hidden Message in Cross Stitch Pattern on Vintage Photo

"No War But" Hidden Message in Cross Stitch Pattern on Vintage Photo

By Han Cao

Located in Philadelphia, PA

This piece titled "No War But is an original piece by Han Cao and is made from hand embroidery on found vintage class photograph from 1958, with cotton and silk thread. This piece m...

Category

21st Century and Contemporary Contemporary Art by Medium: Found Objects

Materials

Thread, Found Objects, Photographic Paper

Peter the Great, Mixed Media and Oil Paint on Canvas by Konstantin Bokov
Peter the Great, Mixed Media and Oil Paint on Canvas by Konstantin Bokov

Peter the Great, Mixed Media and Oil Paint on Canvas by Konstantin Bokov

By Konstantin Bokov

Located in Long Island City, NY

Artist: Konstantin Bokov, Ukrainian/American (1940 - ) Title: Peter The Great Year: 1985 Medium: Found Art Collage with Paint on Canvas, Signed and dated Size: 20 x 16 in. (50.8 x 40...

Category

1980s Contemporary Art by Medium: Found Objects

Materials

Canvas, Found Objects, Oil

"Pompeii, " Mixed Media Sculpture
"Pompeii, " Mixed Media Sculpture

"Pompeii, " Mixed Media Sculpture

By Michael Thompson

Located in Chicago, IL

Based in Chicago, IL, contemporary artist Michael Thompson creates unique kites, collages and mixed media works assembled from material fragments of past and present collected in his travels. In his ongoing series of memory jugs, Thompson adorns stoneware vessels with a kaleidoscope of ceramic shards, found objects, and pocket-sized trinkets he collected over the course of his life. Also known as forget-me-not jugs or spirit jars, memory jugs are African American folk art objects that honor a loved one who has recently passed. Small tokens and mementos of the deceased are gathered and affixed to the exterior of a jug or vase, an abundance of memories that celebrates a life lived to the fullest. Michael Thompson applies this tradition to his own practice, creating tactile assemblages of this and that. Formed in the manner of collage, each jug honors the lost memories of generations past and his own memories of personally discovering each item. With varied sources for materials including Kyoto, Turkey, and Mexico, a great number of the found shards are 18th and 19th century ceramics...

Category

21st Century and Contemporary Abstract Art by Medium: Found Objects

Materials

Stone

"Venerable Truth - Breathe" Mixed Media Artwork, Chinese, Framed, Post-Modern
"Venerable Truth - Breathe" Mixed Media Artwork, Chinese, Framed, Post-Modern

"Venerable Truth - Breathe" Mixed Media Artwork, Chinese, Framed, Post-Modern

Located in Sag Harbor, NY

"Venerable Truth - Breathe" is a mixed media sculpture by David Saunders. For this series of works, he collected imported cans discarded near his studio in Soho, NY and constructed c...

Category

21st Century and Contemporary Post-Modern Art by Medium: Found Objects

Materials

Enamel, Gold Leaf

Viral Structure
Viral Structure

Viral Structure

By Eric Rhein

Located in New York, NY

Eric Rhein “Viral Structure” 1999 Accompanied by a certificate of authenticity Wire, paper, and found objects 18 x 34 x 14 inches (45.7 x 86.4 x 35.6 cm) 61 x 38 x 18 inches (154...

Category

1990s Contemporary Art by Medium: Found Objects

Materials

Wire

Patricia Miranda, Florilegium Series, 2016, cochineal dyes, antique books, pearl
Patricia Miranda, Florilegium Series, 2016, cochineal dyes, antique books, pearl

Patricia Miranda, Florilegium Series, 2016, cochineal dyes, antique books, pearl

By Patricia Miranda

Located in Darien, CT

Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research. Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium. The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth. Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio. She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth. Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace. Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...

Category

2010s Feminist Art by Medium: Found Objects

Materials

Fabric, Thread, Plaster, Dye, Found Objects

"Global Refusers Sought, " Oil Pastel on Grocery Bag signed by Reginald K. Gee
"Global Refusers Sought, " Oil Pastel on Grocery Bag signed by Reginald K. Gee

"Global Refusers Sought, " Oil Pastel on Grocery Bag signed by Reginald K. Gee

By Reginald K. Gee

Located in Milwaukee, WI

"Global Refusers Sought" is an original oil pastel drawing on a grocery bag by Reginald K. Gee. The artist signed the piece lower left as well as signing and dating it on the back. I...

Category

1990s Contemporary Art by Medium: Found Objects

Materials

Oil Pastel, Found Objects

Trinket Net No. 3, John Garrett, 2023, Wall Hanging Installation Sculpture
Trinket Net No. 3, John Garrett, 2023, Wall Hanging Installation Sculpture

Trinket Net No. 3, John Garrett, 2023, Wall Hanging Installation Sculpture

By John Garrett

Located in St. Louis, MO

John Garrett was raised in southern New Mexico by parents who were both educators. They instilled in him an appreciation for the handmade with their collections of Native American a...

Category

2010s Contemporary Art by Medium: Found Objects

Materials

Metal, Brass, Copper, Steel

"Rushmore Rocks" French Knot Embroidery on Vintage Postcard by Han Cao
"Rushmore Rocks" French Knot Embroidery on Vintage Postcard by Han Cao

"Rushmore Rocks" French Knot Embroidery on Vintage Postcard by Han Cao

By Han Cao

Located in Philadelphia, PA

This piece titled "Rushmore Rocks" is an original piece by Han Cao and is made from hand embroidery on a found vintage postcard from the 1940s, with cotton thread. This piece measur...

Category

21st Century and Contemporary Contemporary Art by Medium: Found Objects

Materials

Thread, Found Objects, Photographic Paper

"Shrine of Democracy" Figurative, Embroidery on Vintage Photo
"Shrine of Democracy" Figurative, Embroidery on Vintage Photo

"Shrine of Democracy" Figurative, Embroidery on Vintage Photo

By Han Cao

Located in Philadelphia, PA

This piece titled "Shrine of Democracy" is an original piece by Han Cao and is made from hand embroidery on found vintage postcard from the 1960s, with cotton thread. This piece mea...

Category

21st Century and Contemporary Contemporary Art by Medium: Found Objects

Materials

Thread, Found Objects, Photographic Paper

"Red, White and Blew (2025)" French Knot and Hand Embroidery on Vintage Postcard
"Red, White and Blew (2025)" French Knot and Hand Embroidery on Vintage Postcard

"Red, White and Blew (2025)" French Knot and Hand Embroidery on Vintage Postcard

By Han Cao

Located in Philadelphia, PA

This piece titled "Red, White and Blew (2025)" is an original piece by Han Cao and is made from hand embroidery on a found vintage postcard from the 1940s, with cotton thread. This ...

Category

21st Century and Contemporary Contemporary Art by Medium: Found Objects

Materials

Thread, Found Objects, Postcard

Richard Klein, Holiday Inn Beirut, 2017, Found and altered objects assemblage
Richard Klein, Holiday Inn Beirut, 2017, Found and altered objects assemblage

Richard Klein, Holiday Inn Beirut, 2017, Found and altered objects assemblage

By Richard Klein

Located in Darien, CT

In the mid 1990s Richard Klein started working with found glass objects, including bottles, drinking glasses, ashtrays, and eyeglasses. Initially, Klein rejected any object with commercial or advertising content, but in 2015 he became fascinated with the promotional content that was screen printed on ashtrays from the 1950s, 1960s and early 1970s. This period was before smoking was looked at as being primarily a negative habit, and iconic American businesses, including Howard Johnson’s, International House of Pancakes (iHop) and Holiday Inn, all produced promotional ashtrays printed with their graphic identity. By the time Klein became interested in these objects, the businesses had either ceased to exist, or had changed their logos, and many of their signature buildings, which where examples of classic, “Pop” roadside architecture, has been torn down or repurposed. The artist wanted to connect the glass objects with the business’s sites that were still recognizable and spoke of their history, so he began researching where original buildings still stood. Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects. This led him to as far south as Maryland and as far north as upstate New York from his home in Connecticut. In the case of Holiday Inn, it wasn’t their buildings, but their iconic illuminated sign that appeared on ashtrays, so he sought out a standing example of the sign he could photograph. As it turned out all had been removed years before from the hotels' properties and the only working example was indoors at the Henry Ford Museum in Dearborn, Michigan. He did, however, find out that there was one still standing, surprisingly, in Beruit, Lebanon. He found an image of it on the web and used it to make Holiday Inn (Beruit). In 1973 Holiday Inn changed their tagline from “The Nations Innkeeper” to “The World’s Innkeeper” as they expanded overseas, including the Mideast. For the hotel chain it was bad timing: the disastrous Lebanese civil war began in 1975. In the war, the different Lebanese militias involved in the conflict, including the Nasserites, Christian Phalangists, and the Lebanese National Movement engaged in what came to be called “The Battle of the Hotels” where they each occupied a major high-rise hotel in central Beruit. The Phalangists commanded the Holiday Inn, which they used to fire with both light arms and heavier weapons at the militias in neighboring hotels. Klein used the photo of the heavily damaged Holiday Inn sign as I thought it spoke in a curious, offhanded way about American cultural imperialism in juxtaposition with an ashtray that proclaimed Holiday Inn to be “The World’s Innkeeper.” In the work Holiday Inn (Nocturne) the artist utilized a found, 35mm slide of a Holiday Inn sign at night at an unknown location as the basis of the photograph in the work. Richard Klein is a Connecticut-based artist, independent curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Caren Golden Fine Art, New York; the John Michael Kohler Arts Center, Sheboygan, WI; Hales Gallery, London; Gavlak Gallery, Palm Beach, FL; deCordova Sculpture Park and Museum, Lincoln, MA; James Barron Art, Kent, CT; The Portland Institute of Contemporary Art (PICA), Portland, OR; Schoolhouse Gallery, Provincetown, MA; Stephan Stoyanov Gallery, NY; Katonah Museum of Art, Katonah, NY; Brattleboro Museum and Art Center, Brattleboro, VT; Ortega y Gasset Projects, Brooklyn, NY; Exhibit by Alberson Tulsa, OK; Incident Report/Flow Chart Foundation, Hudson, NY; ICEHOUSE Project Space, Sharon, CT; Kenise Barnes Fine Art in Kent, CT and with ODETTA Gallery at the Equity Gallery in New York City.. Reviews of his work have appeared in Two Coats of Paint, Whitehot Magazine, The New York Times, Sculpture Magazine, Art in America, and The New Yorker. In the summer of 2024 he will be the first Artist-In-Residence at Peck Ledge Light...

Category

2010s Assemblage Art by Medium: Found Objects

Materials

Metal

In the Nick of Time: African American collage painting w/ found objects & figure
In the Nick of Time: African American collage painting w/ found objects & figure

In the Nick of Time: African American collage painting w/ found objects & figure

By Richard J. Watson

Located in Bryn Mawr, PA

"In The Nick Of Time" is an abstract collage / painting created from acrylic and found objects on leather mounted on round MDF panel. The work itself is 20" diameter, framed to 23" diameter in a wide, dark brown round wooden frame with two bronze painted rings. It includes several photograph of figures. It is signed and dated along the lower edge. PROVENANCE: Exhibited in "Portals + Revelations: Richard J. Watson," the African American Museum in Philadelphia, Oct 2021 - Mar 2022. "Most of my works are supported by memories of the past and suggested realities. Issues of social politics, ancestral references, and astral projections are presented with fragmented elements of 'real life' collaged and collapsed, as dreams are prone to do. If connections are made, all the better. I feel that life should remind us of our dreams." - Richard J. Watson Richard J. Watson is an icon in the Philadelphia art world. Much of his work relates to his experiences as a Black African American man. He is a graduate of Pennsylvania Academy of the Fine Arts (1968), has taught at his alma mater, and has served in the Exhibitions Department at the African American Museum in Philadelphia since the 1980s. He has been exhibiting his work for decades, and has an extensive bibliography. His work is held in the Petrucci Family Foundation Collection of African American Art; the Pennsylvania Academy of the Fine Arts; the Uniworld Corporation; Sony; the Federal Reserve Bank; the City of Philadelphia; Sprint; the Church of the Advocate; the poet Dr. Sonia Sanchez; and the Woodmere Museum...

Category

2010s Abstract Art by Medium: Found Objects

Materials

Found Objects, Acrylic, Panel, Leather, Fiberboard

"The Analysand" Large-Scale Contemporary Abstract Found Object Assemblage
"The Analysand" Large-Scale Contemporary Abstract Found Object Assemblage

"The Analysand" Large-Scale Contemporary Abstract Found Object Assemblage

By Michael Pauker

Located in Soquel, CA

Contemporary large-scale abstract assemblage oil painting with various paint brushes, paint tube, and other found objects affixed to the surface of the canvas with a brown and black ...

Category

Early 2000s Contemporary Art by Medium: Found Objects

Materials

Canvas, Found Objects, Oil

"His Name Was Writ in Acrylic Paint" - Abstract Assemblage
"His Name Was Writ in Acrylic Paint" - Abstract Assemblage

"His Name Was Writ in Acrylic Paint" - Abstract Assemblage

By Michael Pauker

Located in Soquel, CA

Abstract expressionist oil painting with assembled objects by Bay Area artist Michael Pauker (American, b. 1957). Splashes of gold paint are applied to a wood panel, with a few bits of burnt umber. Several objects - including a paint tube, cotton balls, and a miniature painting - are attached to the panel. Signed "Michael Pauker", titled "His Name Was Writ in Acrylic Paint", and dated "2017" on verso. There is a note from the artist that this is the top of a two-part piece, but the whereabouts of the bottom half are unknown. Unframed. Image size: 20"H x 24"W Bay Area artist and art educator Michael Pauker was born in New York in 1957 and knew he wanted to be an artist from the age of 15. He earned a Bachelor’s in Fine Arts at SUNY Purchase in his native state of New York. In 1989 he went on to earn an M.F.A at Mills College in Oakland and was awarded the City of Oakland Artist Fellowship in Painting. He has been a Bay Area resident since 1988. His work has been exhibited widely across the U.S., as well as in Japan and Costa Rica, and is included in the collection of the Fine Arts Museums of San Francisco. Exhibitions include: 2007 Contemporary Art Museum, San Jose, Costa Rica 2007 “The Ebay Art Project,” Works/San Jose, San Jose, CA 2003 “Found Imagery: The Art of Collage,” Fresno Art Museum,Fresno, CA 2003 “Cut, Copy, Paste,” De Saisset Museum, Santa Clara, CA 2003 “20th Annual Exhibition,” Berkeley Art Center, Berkeley, CA 2002 “40 by 40...

Category

21st Century and Contemporary Abstract Expressionist Art by Medium: Found Objects

Materials

Glass, Plastic, Paper, Found Objects, Cotton, Wood Panel

Richard Klein, Holiday Inn Nocturne, 2020, Found and altered objects assemblage
Richard Klein, Holiday Inn Nocturne, 2020, Found and altered objects assemblage

Richard Klein, Holiday Inn Nocturne, 2020, Found and altered objects assemblage

By Richard Klein

Located in Darien, CT

In the mid 1990s Richard Klein started working with found glass objects, including bottles, drinking glasses, ashtrays, and eyeglasses. Initially, Klein rejected any object with commercial or advertising content, but in 2015 he became fascinated with the promotional content that was screen printed on ashtrays from the 1950s, 1960s and early 1970s. This period was before smoking was looked at as being primarily a negative habit, and iconic American businesses, including Howard Johnson’s, International House of Pancakes (iHop) and Holiday Inn, all produced promotional ashtrays printed with their graphic identity. By the time Klein became interested in these objects, the businesses had either ceased to exist, or had changed their logos, and many of their signature buildings, which where examples of classic, “Pop” roadside architecture, has been torn down or repurposed. The artist wanted to connect the glass objects with the business’s sites that were still recognizable and spoke of their history, so he began researching where original buildings still stood. Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects. This led him to as far south as Maryland and as far north as upstate New York from his home in Connecticut. In the case of Holiday Inn, it wasn’t their buildings, but their iconic illuminated sign that appeared on ashtrays, so he sought out a standing example of the sign he could photograph. As it turned out all had been removed years before from the hotels' properties and the only working example was indoors at the Henry Ford Museum in Dearborn, Michigan. He did, however, find out that there was one still standing, surprisingly, in Beruit, Lebanon. He found an image of it on the web and used it to make Holiday Inn (Beruit). In 1973 Holiday Inn changed their tagline from “The Nations Innkeeper” to “The World’s Innkeeper” as they expanded overseas, including the Mideast. For the hotel chain it was bad timing: the disastrous Lebanese civil war began in 1975. In the war, the different Lebanese militias involved in the conflict, including the Nasserites, Christian Phalangists, and the Lebanese National Movement engaged in what came to be called “The Battle of the Hotels” where they each occupied a major high-rise hotel in central Beruit. The Phalangists commanded the Holiday Inn, which they used to fire with both light arms and heavier weapons at the militias in neighboring hotels. Klein used the photo of the heavily damaged Holiday Inn sign as I thought it spoke in a curious, offhanded way about American cultural imperialism in juxtaposition with an ashtray that proclaimed Holiday Inn to be “The World’s Innkeeper.” In the work Holiday Inn (Nocturne) the artist utilized a found, 35mm slide of a Holiday Inn sign at night at an unknown location as the basis of the photograph in the work. Richard Klein is a Connecticut-based artist, independent curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Caren Golden Fine Art, New York; the John Michael Kohler Arts Center, Sheboygan, WI; Hales Gallery, London; Gavlak Gallery, Palm Beach, FL; deCordova Sculpture Park and Museum, Lincoln, MA; James Barron Art, Kent, CT; The Portland Institute of Contemporary Art (PICA), Portland, OR; Schoolhouse Gallery, Provincetown, MA; Stephan Stoyanov Gallery, NY; Katonah Museum of Art, Katonah, NY; Brattleboro Museum and Art Center, Brattleboro, VT; Ortega y Gasset Projects, Brooklyn, NY; Exhibit by Alberson Tulsa, OK; Incident Report/Flow Chart Foundation, Hudson, NY; ICEHOUSE Project Space, Sharon, CT; Kenise Barnes Fine Art in Kent, CT and with ODETTA Gallery at the Equity Gallery in New York City.. Reviews of his work have appeared in Two Coats of Paint, Whitehot Magazine, The New York Times, Sculpture Magazine, Art in America, and The New Yorker. In the summer of 2024 he will be the first Artist-In-Residence at Peck Ledge Light...

Category

2010s Assemblage Art by Medium: Found Objects

Materials

Metal

Richard Klein, McDonalds (El Nino), 2024, Found and altered objects assemblage
Richard Klein, McDonalds (El Nino), 2024, Found and altered objects assemblage

Richard Klein, McDonalds (El Nino), 2024, Found and altered objects assemblage

By Richard Klein

Located in Darien, CT

In the mid 1990s Richard Klein started working with found glass objects, including bottles, drinking glasses, ashtrays, and eyeglasses. Initially, Klein rejected any object with commercial or advertising content, but in 2015 he became fascinated with the promotional content that was screen printed on ashtrays from the 1950s, 1960s and early 1970s. This period was before smoking was looked at as being primarily a negative habit, and iconic American businesses, including Howard Johnson’s, International House of Pancakes (iHop) and Holiday Inn, all produced promotional ashtrays printed with their graphic identity. By the time Klein became interested in these objects, the businesses had either ceased to exist, or had changed their logos, and many of their signature buildings, which where examples of classic, “Pop” roadside architecture, has been torn down or repurposed. The artist wanted to connect the glass objects with the business’s sites that were still recognizable and spoke of their history, so he began researching where original buildings still stood. Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects. This led him to as far south as Maryland and as far north as upstate New York from his home in Connecticut. In the case of Holiday Inn, it wasn’t their buildings, but their iconic illuminated sign that appeared on ashtrays, so he sought out a standing example of the sign he could photograph. As it turned out all had been removed years before from the hotels' properties and the only working example was indoors at the Henry Ford Museum in Dearborn, Michigan. He did, however, find out that there was one still standing, surprisingly, in Beruit, Lebanon. He found an image of it on the web and used it to make Holiday Inn (Beruit). In 1973 Holiday Inn changed their tagline from “The Nations Innkeeper” to “The World’s Innkeeper” as they expanded overseas, including the Mideast. For the hotel chain it was bad timing: the disastrous Lebanese civil war began in 1975. In the war, the different Lebanese militias involved in the conflict, including the Nasserites, Christian Phalangists, and the Lebanese National Movement engaged in what came to be called “The Battle of the Hotels” where they each occupied a major high-rise hotel in central Beruit. The Phalangists commanded the Holiday Inn, which they used to fire with both light arms and heavier weapons at the militias in neighboring hotels. Klein used the photo of the heavily damaged Holiday Inn sign as I thought it spoke in a curious, offhanded way about American cultural imperialism in juxtaposition with an ashtray that proclaimed Holiday Inn to be “The World’s Innkeeper.” In the work Holiday Inn (Nocturne) the artist utilized a found, 35mm slide of a Holiday Inn sign at night at an unknown location as the basis of the photograph in the work. Richard Klein is a Connecticut-based artist, independent curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Caren Golden Fine Art, New York; the John Michael Kohler Arts Center, Sheboygan, WI; Hales Gallery, London; Gavlak Gallery, Palm Beach, FL; deCordova Sculpture Park and Museum, Lincoln, MA; James Barron Art, Kent, CT; The Portland Institute of Contemporary Art (PICA), Portland, OR; Schoolhouse Gallery, Provincetown, MA; Stephan Stoyanov Gallery, NY; Katonah Museum of Art, Katonah, NY; Brattleboro Museum and Art Center, Brattleboro, VT; Ortega y Gasset Projects, Brooklyn, NY; Exhibit by Alberson Tulsa, OK; Incident Report/Flow Chart Foundation, Hudson, NY; ICEHOUSE Project Space, Sharon, CT; Kenise Barnes Fine Art in Kent, CT and with ODETTA Gallery at the Equity Gallery in New York City.. Reviews of his work have appeared in Two Coats of Paint, Whitehot Magazine, The New York Times, Sculpture Magazine, Art in America, and The New Yorker. In the summer of 2024 he will be the first Artist-In-Residence at Peck Ledge Light...

Category

2010s Assemblage Art by Medium: Found Objects

Materials

Metal

Richard Klein, iHop II, 2018, Found and altered objects assemblage
Richard Klein, iHop II, 2018, Found and altered objects assemblage

Richard Klein, iHop II, 2018, Found and altered objects assemblage

By Richard Klein

Located in Darien, CT

In the mid 1990s Richard Klein started working with found glass objects, including bottles, drinking glasses, ashtrays, and eyeglasses. Initially, Klein rejected any object with commercial or advertising content, but in 2015 he became fascinated with the promotional content that was screen printed on ashtrays from the 1950s, 1960s and early 1970s. This period was before smoking was looked at as being primarily a negative habit, and iconic American businesses, including Howard Johnson’s, International House of Pancakes (iHop) and Holiday Inn, all produced promotional ashtrays printed with their graphic identity. By the time Klein became interested in these objects, the businesses had either ceased to exist, or had changed their logos, and many of their signature buildings, which where examples of classic, “Pop” roadside architecture, has been torn down or repurposed. The artist wanted to connect the glass objects with the business’s sites that were still recognizable and spoke of their history, so he began researching where original buildings still stood. Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects. This led him to as far south as Maryland and as far north as upstate New York from his home in Connecticut. In the case of Holiday Inn, it wasn’t their buildings, but their iconic illuminated sign that appeared on ashtrays, so he sought out a standing example of the sign he could photograph. As it turned out all had been removed years before from the hotels' properties and the only working example was indoors at the Henry Ford Museum in Dearborn, Michigan. He did, however, find out that there was one still standing, surprisingly, in Beruit, Lebanon. He found an image of it on the web and used it to make Holiday Inn (Beruit). In 1973 Holiday Inn changed their tagline from “The Nations Innkeeper” to “The World’s Innkeeper” as they expanded overseas, including the Mideast. For the hotel chain it was bad timing: the disastrous Lebanese civil war began in 1975. In the war, the different Lebanese militias involved in the conflict, including the Nasserites, Christian Phalangists, and the Lebanese National Movement engaged in what came to be called “The Battle of the Hotels” where they each occupied a major high-rise hotel in central Beruit. The Phalangists commanded the Holiday Inn, which they used to fire with both light arms and heavier weapons at the militias in neighboring hotels. Klein used the photo of the heavily damaged Holiday Inn sign as I thought it spoke in a curious, offhanded way about American cultural imperialism in juxtaposition with an ashtray that proclaimed Holiday Inn to be “The World’s Innkeeper.” In the work Holiday Inn (Nocturne) the artist utilized a found, 35mm slide of a Holiday Inn sign at night at an unknown location as the basis of the photograph in the work. Richard Klein is a Connecticut-based artist, independent curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Caren Golden Fine Art, New York; the John Michael Kohler Arts Center, Sheboygan, WI; Hales Gallery, London; Gavlak Gallery, Palm Beach, FL; deCordova Sculpture Park and Museum, Lincoln, MA; James Barron Art, Kent, CT; The Portland Institute of Contemporary Art (PICA), Portland, OR; Schoolhouse Gallery, Provincetown, MA; Stephan Stoyanov Gallery, NY; Katonah Museum of Art, Katonah, NY; Brattleboro Museum and Art Center, Brattleboro, VT; Ortega y Gasset Projects, Brooklyn, NY; Exhibit by Alberson Tulsa, OK; Incident Report/Flow Chart Foundation, Hudson, NY; ICEHOUSE Project Space, Sharon, CT; Kenise Barnes Fine Art in Kent, CT and with ODETTA Gallery at the Equity Gallery in New York City.. Reviews of his work have appeared in Two Coats of Paint, Whitehot Magazine, The New York Times, Sculpture Magazine, Art in America, and The New Yorker. In the summer of 2024 he will be the first Artist-In-Residence at Peck Ledge Light...

Category

2010s Assemblage Art by Medium: Found Objects

Materials

Metal

Richard Klein, American Glassware, 2010-2024, Found and altered objects
Richard Klein, American Glassware, 2010-2024, Found and altered objects

Richard Klein, American Glassware, 2010-2024, Found and altered objects

By Richard Klein

Located in Darien, CT

In the mid 1990s Richard Klein started working with found glass objects, including bottles, drinking glasses, ashtrays, and eyeglasses. Initially, Klein rejected any object with commercial or advertising content, but in 2015 he became fascinated with the promotional content that was screen printed on ashtrays from the 1950s, 1960s and early 1970s. This period was before smoking was looked at as being primarily a negative habit, and iconic American businesses, including Howard Johnson’s, International House of Pancakes (iHop) and Holiday Inn, all produced promotional ashtrays printed with their graphic identity. By the time Klein became interested in these objects, the businesses had either ceased to exist, or had changed their logos, and many of their signature buildings, which where examples of classic, “Pop” roadside architecture, has been torn down or repurposed. The artist wanted to connect the glass objects with the business’s sites that were still recognizable and spoke of their history, so he began researching where original buildings still stood. Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects. This led him to as far south as Maryland and as far north as upstate New York from his home in Connecticut. American Glassware (2010-present) which is presented in a small, wall-mounted vitrine. American Glassware is composed of three glass objects: a “souvenir” Walden Pond ashtray made by me as a multiple; a real souvenir ashtray from the 1964-65 New York World’s Fair; and an authentic “Happy Face” drinking glass from the same era. They are all nestled in crumpled, vintage newspaper from 1967, and are presented together in a dilapidated cardboard box, as if they have been found in someone’s attic or basement. Once again, in a similar manner to the Glass House Ashtray, versions of his Walden Pond ashtray (Walden Pond Souvenir) have been injected into the collectable stream of tag sales and flea markets, creating a souvenir that never existed. The ashtray is screenprinted with an image of Thoreau’s cabin on Walden Pond as pictured on the title page of his book Walden, or Life in the Woods (1854). (The original illustration was created by Thoreau’s sister, Sophia.) Walden Pond Souvenir was originally produced for the 2010 exhibition Renovating Walden at the Tufts University Art Gallery in Medford, MA. Richard Klein is a Connecticut-based artist, independent curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Caren Golden Fine Art, New York; the John Michael Kohler Arts Center, Sheboygan, WI; Hales Gallery, London; Gavlak Gallery, Palm Beach, FL; deCordova Sculpture Park and Museum, Lincoln, MA; James Barron Art, Kent, CT; The Portland Institute of Contemporary Art (PICA), Portland, OR; Schoolhouse Gallery, Provincetown, MA; Stephan Stoyanov Gallery, NY; Katonah Museum of Art, Katonah, NY; Brattleboro Museum and Art Center, Brattleboro, VT; Ortega y Gasset Projects, Brooklyn, NY; Exhibit by Alberson Tulsa, OK; Incident Report/Flow Chart Foundation, Hudson, NY; ICEHOUSE Project Space, Sharon, CT; Kenise Barnes Fine Art in Kent, CT and with ODETTA Gallery at the Equity Gallery in New York City.. Reviews of his work have appeared in Two Coats of Paint, Whitehot Magazine, The New York Times, Sculpture Magazine, Art in America, and The New Yorker. In the summer of 2024 he will be the first Artist-In-Residence at Peck Ledge Light...

Category

2010s Assemblage Art by Medium: Found Objects

Materials

Metal

Bayou

Bayou

By Eric Rhein

Located in New York, NY

Eric Rhein “Bayou” 2010 Signed, verso Gelatin silver print, sterling silver, bronze, and found objects 25 x 21 x 4 inches (63.5 x 53.3 x 10.2 cm), framed This work is offered by...

Category

2010s Contemporary Art by Medium: Found Objects

Materials

Silver, Bronze

Found Objects art for sale on 1stDibs.

Find a wide variety of authentic Found Objects art available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add art created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange, green, purple and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Reginald K. Gee, Katie VanVliet, Melisa Taylor Metzger, and Kat Flyn. Frequently made by artists working in the Contemporary, Abstract, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Found Objects art, so small editions measuring 0.01 inches across are also available