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Inspired by contemporary fashion, Nilraya Bundasak’s colorful textile paintings celebrate adornment and individuality through the application of fabric and embroidery to canvases of ...

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The artwork depicts a warm summer day in Montmartre, Paris. An older couple walks arm in arm across the street while people dining al fresco bask in the afterno...

Security Detail, 2020

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

"Moodâ€

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The gentle arrival of spring brings color to the landscape. Created with thick, layered acrylic strokes and expressive texture, the piece blends abstraction wit...

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A jazz rehearsal takes shape inside a weathered building. The musicians assemble beneath a lone overhead light spinning from a ceiling fan. They play with such ...

Cog (Naples) is a fired clay constructed and painted sculpture by Patricia Volk, dimensions are 34 × 50 × 50 cm (13.4 × 19.7 × 19.7 in). It is a unique signed piece and comes with a...

A fabulous example of 1960s geometric/op art, displaying all the fun, playfulness and vibrancy of the style. Op art, short for optical art, is a style of visual art that uses optical illusions. Typically, they give the viewer the impression of movement, hidden images and vibrating patterns. Its roots can be traced back to Cubism, Futurism, Constructivism and Dada. The maker of this stunning piece is Tony Gonnet (1909-2004) an artist close to those who shaped modern art and its history. Working in Casablanca in 1940 he met André Breton and Saint-Exupéry, who were both on their way to America. Unable to obtain a visa for himself, Gonnet returned to Paris in January of 1942. Living on Rue de Seine, he became one of the figures of Saint-Germain-des-Prés and numbered amongst his many friends Jean-Paul Sartre, Simone de Beauvoir, Jean Genet – who prefaced his first Parisian exhibition in 1952 – as well as Albert Camus, Simone Signoret, Boris Vian, Jacques and Pierre Prévert and many others. In 1941, in the ennui of Casablanca, Tony Gonnet had started to draw, and then paint, in a Surrealist style. In 1946 he abandoned figurative surrealism in favour of abstraction, making sole use from then on of geometric forms and shaded tones, in his own unique style. His works aim to achieve harmony of shapes and colours, and thus to bring joy. Tony Gonnet loved life, and said that each of his works was an offering made to it. With solo shows in major Paris galleries...

Awakened by comparison, 130x80 cm, oil, acrylic, coal, canvas

Roy Lichtenstein (after) Hardback monograph of drawings and prints autographed by artist, 1973 Hardback Monograph. Hand signed, inscribed and dated...

400% KAWS X Be@rbrick Original Fake Dissected (Grey) 2010 Painted Cast Vinyl Limited Edition of 500 Size: 28 × 12.7 × 10 cm Publisher: Medicom Toy x OriginalFake Come with the origin...

Antique Middle Eastern Judaic Birth Amulet Buckle with Kabbalistic Inscription. On woven silver chain. Most likely from Iran, Persia, (possibly from Afghanistan or Bukharian Jews) Ci...

Gene Davis Large Scale Lithograph on Archival paper Signed and numbered in pencil. Titled Yankee Doodle and executed in 1972. Original frame with plexiglass. Printed by Fine Creati...

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Artist Carey Parks illustrates a single hydrangea in a glass vase imposed on a background with a similar hue. Her impressionist style depicts the petals and l...

Seascape , 70x70cm, print on canvas Edition 20 pcs. A different print size can be made upon request.

In this captivating mid 18th century portrait, presented by Titan Fine Art, a young English lady is presented in a luminous white satin gown trimmed with intricate lace and blue ribb...

Abstract minimalist artist Jason DeMeo presents a collection of artworks designed to engage viewers in a meditative experience, drawing them closer to the enduring ideals of truth, b...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

I want to fly , 80x90 cm, oil on canvas

This vase is a delicate purple and was created by Ioan Nemtoi. The artist signed the vase. The vase has a black rim, gray lines throughout, and gray and orange speckles for decorativ...

Impasto-painted strokes of bright colors are the framework of artist Shiri Phillips’ abstract artworks. Her paintings are flooded with texture through the layering of acrylic paint i...

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Artist Benjamin Xu presents a geometric architectural scene that conveys a strong sense of shelter, stillness, and spatial harmony. The viewer is drawn into a d...

Edition of 50 copies. Copy number 41, signed by the author. Collection of etchings, each of them numbered and hand signed by the artist. Includes introduction in french by Alain Jou...

Le Dur Désir de Durer is an original Modern Rare book and written by Paul Éluard (Saint-Denis, 1895 – Charenton-le-Pont, 1952) and illustrated by Marc Chagall (Lëzna, 1887 – Saint-Pa...

Edmund Bristow - British Painter 1787 - 1876 Victorian Nineteenth Century Rural Landscape Oil Painting of Horse and Cattle in a Meadow. An unsigned Oil on Canvas, mounted on stretch...

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Artist Benjamin Xu renders the familiar landscape of Venice, Italy, into an idealized, dreamlike painting by exploring color, form, and stillness. A stone moori...

This is an impressive Acrylic painting of a blooming lotus pond. The painting is painted in an expressionist style with freehand strokes and bright colors, bringing a lively and vibr...

Original color pencil on paper drawing Hand signed twice: Pencil signed, titled and dated on the back of sheet Also, pencil signed, titled and dated on the attached back board Proven...

Subha Basu - Alone in the Roof Tempera & Charcoal on Acid Free Paper, 9.5 x 10.5 inches, 2019 Born - 1982 at Kolkata. B.V.A from The Indian College of Art ...

mountain landscape , 70x70cm, print on canvas Edition 20 pcs. A different print size can be made upon request.

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

rawing inspiration from an immersive and impressionistic interpretation of nature, Canadian artist Vé Boisvert paints textural original artworks that capture the fleeting effects of ...

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Two barns rest on a quiet farm, surrounded by autumn colors. The overcast morning softens the warm tones across the rolling hills. The scene captures the serene...

KAWS Grey Companion, 2016. New and sealed in its original packaging. Published by Medicom Japan in conjunction with the exhibition, KAWS: Where The...

Melanie Sherman Vintage Moth X (Wall Piece/Dish (hand-painted) Porcelain, Glaze, Overglaze, Chinapaints, 24k German Gold Luster, Brass Wire (for hanging, can be removed) Year: 2025 S...

Arnaldo Pomodoro - "Scultura", with official Authentication card, 1982 Signed silver sculpture on chrome plated brass base, held in original wooden box and accompanying Authenticatio...

Seascape , 70x70cm, print on canvas Edition 20 pcs. A different print size can be made upon request.

A large scale oil painting - totally abstract, non representational. Largely pink, and blue, with pops of assorted colors peaking up from beneath. Thickly painted globs of paint are ...

? Rhapsody ? This extra-large original is a symphony of colour and movement—layers of gestural acrylic brushstrokes that flow like music across the canvas. Just as a rhapsody ...

Girl with bird ceramic by artist Howard Pierce. The bird is H2.75 inches, W 1.75 inches wide, D 2.75 inches. Not signed or dated.

AACOV AGAM — AMERICAN FLAG — 1976 Work created to commemorate the bicentennial of the United States. TECHNIQUE: Silkscreen on mirror / Agamograph EDITION: 22/75 Signed in pen DIMENSI...

Umbrellas 40x30 cm

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The beach in San Sebastian, Spain, is a chaotic paradise. People fill the sand and water, walking around to show off their stylish beachwear, and playing betwee...

Portrait of Mary Hammond in Sumptuous Attire, Jewels and Lace c.1618-22 Circle of Cornelius Johnson (1593-1661) This portrait of a lady, presented by Titan Fine Art, is an exquisite example of early seventeenth-century portraiture, remarkable both for the lavishness of its subject’s attire and for the distinguished provenance that has accompanied it across four centuries that adds a rich layer of historical significance. It was once part of the notable collection of Sir William Temple, 1st Baronet (1628–1699) at Moor Park, a stately mansion in Hertfordshire. Temple was a diplomat, essayist, philosopher, and the patron of Jonathan Swift. He was a key participate at an important period in English history, helping not only to negotiate the Triple Alliance, but also the marriage between William of Orange and Princess Mary. His collection at Moor Park was well known in its day, reflecting both his cultivated taste in art and literature and his international connections. Its fabulous attire, rendered with almost microscopic attention, is not merely decorative but emblematic of a world in which visual display was a language of power. Its provenance, stretching from the English country house and Enlightenment scholarship to modernist circles, forms a microcosm of cultural exchange across four centuries. Thus, the portrait of Mary Hammond stands as both a masterpiece of early seventeenth-century craftsmanship and a witness to the grand narrative of collecting and connoisseurship—a testament to the enduring fascination of beauty, status, and history intertwined. By tradition the portrait depicts Mary Hammond (born c.1602), who was Sir William Temple’s mother, and the daughter of the royal physician who served James I, Dr John Hammond (c.1555–1617) and whose family owned Chertsey Abbey in Surrey. The woman appears between 18 and 25 years old, and Mary would be about 18–20 when the portrait was painted circa 1620, therefore this matches the apparent age of the sitter and the fashion perfectly. Mary stood at the intersection of learned/courtly and gentry worlds. On 22 June 1627 she married her first cousin (a common practice for consolidating family wealth and influence during that era.) Sir John Temple (1600-1677) at St Michael, Cornhill in the City of London. The couple resided nearby, at Blackfriars. Her marriage to Sir Temple placed her at the heart of the social and political circles that shaped British history. The couple had at least five children, and they became highly significant historical figures: The eldest son, Sir William Temple, 1st Baronet, became a distinguished diplomat, statesman, and essayist, famous for his role in the Triple Alliance and as a patron and mentor to the writer Jonathan Swift – our portrait was in his collection. Their daughter, Martha Temple, later Lady Giffard, was a notable figure in her own right. She became her brother William's first biographer and a respected letter-writer, providing a rare female perspective on the events and high society of the time. Another son, also named Sir John Temple, became Attorney General for Ireland and was involved in the turbulent politics surrounding the English Civil War and the Act of Settlement in Ireland. Mary died in November 1638 after giving birth to twins and was buried at Penshurst, Kent. The family's connection to Penshurst Place is a major point of interest as this historic manor was the seat of the Sidney family, a major aristocratic and literary dynasty. The portrait was in the collection of the Mary’s son, Sir William Temple. From there it descended to his daughter, and then to her nephew, the Reverend Nicholas Bacon of Spixworth Park, Norfolk (his mother was Dorothy Temple who died in 1758). Indeed, by this time, many Temple relics were in the collection at Spixworth including the engagement ring of the illustrious Dorothy Osborne, Lady Temple, wife of Sir William Temple. The portrait thus linked two prominent English families—the Temples and the Bacons—for generations. It is listed in a Spixworth Park inventory of 27 October 1910 by the local collector and art historian, Prince Duleep Singh. He described it with characteristic precision as: “No. 69. Lady Half Length, body and face turned towards the sinister, hazel eyes upwards to the dexter, red hair dressed low and over the ears, a jewelled coronet behind, pearl ear-rings tied with black strings. Dress: black, bodice cut low and square, with lace all round the opening and over shoulders, sleeves with double slashes showing red lining and lace under, falling thin pleated lace collar, black strings tied behind it, a jewel suspended on a black string round the neck, and a double row of agate and silver beads all round to the shoulders. M. In brown veined stone frame. Age 30. Date c.1620. It is called ‘Dutch portrait from Moor Park, mentioned by Nicholas Bacon of Coddenham and Shrubland as a very valuable painting.’ A few years later, when Robert Bacon Longe’s executors sold the contents of Spixworth Park (19–22 May 1912), the portrait appeared as lot 262, described as: “A very valuable half-length portrait on panel, ‘Dutch Lady, with deep lace collar and pearl and amethyst necklace, pendant, and ear-rings, and auburn hair, with coronet’ Early Dutch School 1620.” Following this sale the painting entered the collection of David and Constance Garnett, prominent literary figures of the early twentieth century, before being gifted to Andre Vladimervitch Tchernavin by 1949, and subsequently passed by him to the present owners in 1994. The two great houses associated with the painting, Moor Park and Spixworth Park, further underscore its pedigree. Moor Park, in Hertfordshire, was among the grandest country estates of seventeenth-century England—its gardens famously redesigned by Sir William Temple himself and later influencing landscape design across Europe. Sir William's Temple's secretary was Jonathan Swift, who lived at Moor Park between 1689 and 1699. Swift began to write "A Tale of the Tub" and "The Battle of the Books" at Moor Park. Spixworth Park, near Norwich, was an Elizabethan country house in Spixworth, Norfolk, located just north of the city of Norwich. It was home to successive generations of the Bacon family, one of Norfolk’s most distinguished dynasties (later, the Bacon Longe family), who were considerable land owners (owning Reymerston Hall, Norfolk, Hingham Hall, Norfolk, Dunston Hall, Norfolk, Abbot's Hall, Stowmarket, and Yelverton Hall, Norfolk). Spixworth Hall and the surrounding parkland remained in the Longe family for 257 years until 1952, when it was demolished. Rendered with meticulous precision and sumptuous detail, the painting depicts an elegantly dressed woman—her poise, costume, and jewels all communicating a message of wealth, refinement, and social rank. Every brushstroke conveys an artist deeply attuned to the textures of luxury and the nuances of feminine dignity. The sitter’s attire is nothing short of magnificent. Her bodice and sleeves are fashioned from the finest black silk or satin, the fabric absorbing and reflecting light in equal measure, suggesting both depth and lustre. Around her shoulders lies an opulent lace ruff—a deep, radiating lace collar worked in such intricate detail that it testifies to both the artist’s technical skill and the sitter’s extravagant taste. Lace of this quality, especially Venetian or Flemish bobbin lace, was one of the costliest materials available in early seventeenth-century Europe, its weight worth more than gold, and was a marker of prestige that rivalled jewels in value. The painter has taken great care to delineate every loop and scallop of the lace, achieving an almost tactile realism. Pale skin was also a desired beauty standard, sometimes accentuated with contrasting black ribbons or strings. Her jewels amplify this display of affluence. Matching earrings and a delicate coronet or jewelled hair ornament with a feather adorn her hair, which is styled in the modest yet fashionable manner of the time. These details are far from decorative excess—they serve as visual emblems of social standing, refinement, and lineage. Portraits of this kind were statements of both identity and aspiration, intended to project a family’s prosperity and moral virtue to posterity. The portrait was most likely painted in London around 1618-1622. The low-cut, décolletage-revealing neckline was fashionable in the courts of England and France during the late Elizabethan and Jacobean eras (c. 1590s-1610s), this style did not prevail in the public fashion of the Low Countries at this time. This style of lace ruff — delicate needle lace with geometric openwork — was fashionable from c.1615 to 1622, and the jewelled caul (hair net) and lace edging over a stiffened coif are consistent with high-status English women’s portraiture between 1610–1620. The puffed sleeve slash and the use of pink satin beneath black velvet belong squarely to the late Jacobean...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

Cameo Pink Seaform with Black Lip Wrap (94.678.s1), 1994 Dale Chihuly (American, b. 1941) 14 x 32 x 18 inches Born in Tacoma, Washington, Dale Chihuly became the most famous ornate ...

This exquisite late seventeenth-century portrait is a beautifully preserved example of the small-scale courtly cabinet likeness: intimate in format, jewel-like in finish, and unusual...

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Red chiles are a great source of pride in New Mexico. In this still life, artist Duane Brown depicts the peppers as the Sandia Mountains, a range east of Albuqu...

Marine. Original tapestry RAVENTÓS Mª Assumpció – (San Sadurní d’Anoia, Barcelona 1930). Raventos trained at the elite Sant Jordi School of Fine Arts in Barcelona. Raventós expanded...

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Soft morning light bathes winter trees in a warm glow. A house peeks out from behind the branches, partially hidden within the landscape. Minimal detail is used...

This piece titled "Snake > Pong" is a one-of-a-kind original piece by Nicole Nikolich (Lace in the Moon) and is made from crocheted acrylic on MDF with 21 colors and 8,037 stitche...

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A laptop displays a scene from House of the Dragon, an HBO television series. A lone figure stands before a dragon named Vermithor. Warm lights glowing in the b...

The colorful abstract artworks of Romanian artist Alex Voinea are inspired by experiments with paint poured over vibrating surfaces, such as speakers at full volume. Alex Voinea coll...

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An impressionist scene captures a quiet moment as day transitions into night. The expansive sky commands with a rich palette of yellows, oranges, and purples. T...

Mark Acetelli’s oil and mixed media paintings awaken the viewer’s sense of exploration and adventure; they demand a new discovery. His artworks exhibit a chemistry of complexity and ...

Frank Stella's Moby-Dick: Words and Shapes (Hand signed and inscribed), 2000 Elegant, beautifully illustrated hardback monograph with dust jacket Hand signed, dated and inscribed by Frank Stella 10 1/4 × 8 3/4 × 1 1/4 inches Ink Inscription reads: for Ed & Rochelle Frank Stella '02 Book info: Published by The University of Michigan Press, 2000 Hardcover; 326 pages Publisher's Synopsis: One of the world's leading painters and printmakers, the artist Frank Stella spent over a decade creating a huge series of works linked with Herman Melville's classic novel Moby-Dick. The completed series consists of more than 135 pieces: large metal reliefs...

"This print is a comment on the relationship between corporate greed, fossil fuels, and the warming of the planet and collapsing ecosystems. Standard operating, pushed by players lik...

Capturing movement in acrylic and spray paint, Armen Ges experiments with optical illusions and perspective in his original abstract artworks. To create these intriguing visuals, Ges...

Christian Zervos. Pablo Picasso. Œuvres de 1895 à [1972]. Paris: Éditions Cahiers d'Art, 1949-1986. 33 volumes in 34 (volume 2 in two parts), small folio (325 x 252 mm.), numerous p...