Board Abstract Paintings

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Acrylic, ink, and collage on Yupo mounted on museum board. Framed. Barbara Strasen creates imagery plumbed from the depths of a fertile imagination and a trove of rich memories, in ...

Artist: Julien Dinou, Swiss (1895 - 1983) Title: Jeu de Taches Year: 1966 Medium: Oil on Board, Signed and dated Size: 20 x 26 inches; 50.8 x 66.04 cm Frame: 24...

Jam Spread [2021] original Acrylic on board Image size: H:40cm cm x W:40cm cm Complete Size of Unframed Work: H:2cm cm x W:40cm cm x D:2cmcm Sold Unframed Please note that insitu images are purely an indication of how a piece may look Warm pinks and orange with a shot of blue, evocative of my sunny morning walks along my favourite beach in Santa Teresa...

From the Hill by Georgie Dowling [2020] original oil paint on board Image size: H:20 cm x W:20 cm Complete Size of Unframed Work: H:20 cm x W:20 cm x D:4cm Sold Unframed Please ...

Jam Line [2021] original Acrylic on board Image size: H:40cm cm x W:40cm cm Complete Size of Unframed Work: H:2cm cm x W:40 x 40 cm cm x D:2cmcm Sold Unframed Please note that insitu images are purely an indication of how a piece may look Warm pinks and orange with a dash of blue, evocative of my sunny morning walks on my favourite beach in Santa Teresa...

Acrylic, ink, and collage on Yupo mounted on museum board. Framed. Barbara Strasen creates imagery plumbed from the depths of a fertile imagination and a trove of rich memories, in combination with signs, symbols and pictures inspired by advertising, TV, film, signage, billboards, magazines, medical texts...

"Two Divers with Blue Tree" is a lovely and calming work depicting two children in the midst of a colorful background with palm trees. The painting gives off a calm and relaxed vibe....

sea- original abstract paper acrylic painting Mixed technique on paper. Perfect state . The personality of the artist is reflected in different fields of art. His concern for the s...

Oil on board, 2 panels

Birds. 2003. Cardboard, author's technique, 19x27 cm Ivars Zaikins (1942-2017) Zaikins Ivars - an artist. He was born in 1942. During of the Soviet Union period, he worked as an ar...

Presenting a modern abstract composition with a textured impasto surface created by the Swedish artist, Sture Wikström (1921-1993). With its textured su...

American school abstract painting. Oil on board circa 1990.

Forest Cardboard, oil, 30x30 cm Lidija Auza (1914. 24. 02 Vitebsk, Belarus – 1989. 13. 12 Riga, Latvia) Painter She studied at the Art Academy of Latvia (1936-1938) and gradua...

This 19.5" x 28.75" x .75" acrylic painting on board by Transylvania-based artist Tundë Darvay is about the artist's personal experience with relearning how to live in harmony with n...

Daisy Cook British, b. 1965 Untitled, 2025 oil on board 60 x 40 cm 23 5/8 x 15 3/4 in Daisy Cook is a British painter of landscape and still life. Cook creates abstracted painti...

Spring landscape with house and trees A. Zviedris was a member of the Latvian Artists’ Union since 1945 and had more than 50 solo exhibitions in Latvia. He travelled extensively by y...

Cement & marble powder on foam panel. Structural and hanging frame on the back. Auville works with construction cement. Applying techniques used in the construction and ship buildin...

In the rain. 1990, cardboard, oil, 90x140 cm with minor defects Liga Purmale (1948) Was born on October 4, 1948 in Dundaga. She graduated from the secondary art school of Janis Rose...

Mom. Cardboard, oil, double sided, 50x48 cm Vladimir Borisovich Glushenkov (May 21, 1948, Riga - December 26, 2009, Riga.) - painter, graphic artist, poet, translator. Born in Riga...

Jim’s of Lambertville is proud to offer this artwork by: Vaclav Vytlacil (1892-1984) He was born to Czechoslovakian parents in 1892 in New York City. Living in Chicago as a youth, he took classes at the School of the Art Institute of Chicago, returning to New York when he was 20. From 1913 to 1916, he enjoyed a scholarship from the Art Students League, and worked with John C. Johansen (a portraitist whose expressive style resembled that of John Singer Sargent), and Anders Zorn. He accepted a teaching position at the Minneapolis School of Art in 1916, remaining there until 1921. This enabled him to travel to Europe to study Cézanne’s paintings and works of the Old Masters. He traveled to Paris, Prague, Dresden, Berlin, and Munich seeking the works of Titian, Cranach, Rembrandt, Veronese, and Holbein, which gave him new perspective. Vytlacil studied at the Royal Academy of Art in Munich, settling there in 1921. Fellow students were Ernest Thurn and Worth Ryder, who introduced him to famous abstractionist Hans Hofmann. He worked with Hofmann from about 1922 to 1926, as a student and teaching assistant. During the summer of 1928, after returning to the United States, Vytlacil gave lectures at the University of California, Berkeley, on modern European art. Soon thereafter, he became a member of the Art Students League faculty. After one year, he returned to Europe and successfully persuaded Hofmann to teach at the League as well. He spent about six years in Europe, studying the works of Matisse, Picasso, and Dufy. In 1935, he returned to New York and became a co-founder of the American Abstract Artists group in 1936. He later had teaching posts at Queens College in New York; the College of Arts and Crafts in Oakland, California; Black Mountain College in North Carolina; and the Art Students League. His paintings exhibit a clear inclination toward modernism. His still lives and interiors from the 1920s indicate an understanding of the art of Cézanne. In the 1930s, his works displayed two very different kinds of art at the same time. His cityscapes and landscapes combine Cubist-inspired spatial concerns with an expressionistic approach to line and color. Vytlacil also used old wood, metal, cork, and string in constructions, influenced by his friend and former student, Rupert Turnbull. He eventually ceased creating constructions as he considered them too limiting. The spatial challenges of painting were still his preference. During the 1940s and 1950s, his works indicated a sense of spontaneity not felt in his earlier work. He married Elizabeth Foster in Florence, Italy, in 1927 and they lived and worked in Positano, Italy for extended periods of time. Later on, they divided their time between homes in Sparkill, New York and Chilmark, Massachusetts, where Vyt, as he was affectionately called, taught at the Martha's Vineyard Art...

Deep horizon (Abstract Painting) Oil painting over pigmented cement on 2 foam panels with wood rail. Structural and hanging frame on the back. Auville works with construction cemen...

Large contemporary abstract painting combining acrylic, spray paint, collage and epoxy resin on panel, where vibrant pink tones, urban fragments and energetic gestures create a dynam...

I Heart Roller Skate Ryan Cronin Oil Paint on Board 40.5" x 48" When people look at his work Cronin wants them to feel an immediate impact, even if they’re not sure what hit them. T...

Oil on canvas mounted cardboard, Alla Kechedzhan is a Russian writer, artist, photographer born in 1971 who lives and works in Moscow, Russia. She is also the author of educational ...

Signed & Dated LR (Highly exhibited) The New York Times, Sunday October 30, 1949 by Howard Devree. "Both as teacher and as painter Vaclav Vytlacil has been a decided force in contem...

Double Rainbow Ryan Cronin Oil Paint on Board 48" x 48" When people look at his work Cronin wants them to feel an immediate impact, even if they’re not sure what hit them. The raw, ...

Painted sculpted cardboard Unique work Coming from the artist's studio

Exceptional early American abstract oil painting by California artist Helen Clark Oldfield. Helen Clark Oldfield, (1902–1981), was born in Santa Rosa, CA. She studied art and design...

“Warlock” is a striking 1950s abstract oil and metal foil on board painting by Colorado modernist George Cecil Carter. This powerful work exemplifies mid-20th-century Abstract Expressionism, with a dynamic palette of dark blue, gray, white, orange, and purple. The combination of textured metal foil and oil paint creates a compelling interplay of light, shadow, and surface, adding depth and a tactile dimension to the composition. Bold forms and rhythmic brushwork convey energy, emotion, and modernist sophistication. Signed by the artist in the lower right and titled and dated on the verso, the painting is presented in its original George Nix frame, with overall dimensions of 30 ¾ x 36 ¾ inches and an image size of 23 ¼ x 29 ¼ inches. Its scale and striking color make it an exceptional focal point for collectors of Abstract Expressionism, mid-century modern art, and Colorado regional modernism. Born in Woodward, Oklahoma, Carter had no formal art training but developed a distinctive style shaped by a diverse life that included work as a coal and gold miner and as a machinist at Schneebeck’s Industries in Colorado Springs. Mentored by Charles Bunnell at the Broadmoor Academy, Carter emerged as a leading figure in Colorado’s Abstract Expressionist movement, exhibiting nationally alongside contemporaries such as Al Wynne, Mary Chenoweth...

URBAN BLOCKS Size: 48 x 63.5 cm (including frame) Oil on board A striking mid-century abstract cityscape rendered in a restrained muted palette, executed in oil onto board. The pai...

Professor George De Goya. PhD. MA. FRSA. Born In Budapest, 1915-1992, related to the Spanish artist Goya on his mother’s side. Educated in Budapest and France where he received a de...

Mid century modern abstract by artist Tommie (Thomas) Olson a student of Robert Preusser, when he was 16 and attending John Deagan High School in Houst...

An expressive palette knife oil painting depicting a section of the view from The Kymin of Sugarloaf mountain and the surrounding landscape. The thick, textured application of paint ...

Richly textured abstract composition by California artist Devon Brockopp-Hammer (American, b. 1986). Large bold swatches of white and yellow float against a blur background. Surround...

This one is signed. the second one is unsigned. Born in Paris in 1946 and raised in the heart of an idyllic French countryside near the Loire Valley, Jacques Lamy began painting at ...

Vivid multicolored abstract expressionist painting of the Berkeley hills in the style of John Marin by J.P Tipton Sr. (American, 20th Century), 2003. Pr...

Acrylic & pencil on cardboard Levan Mekhuzla is Georgian artist born in 1945 who lives and works in Tbilisi, Georgia. Architect by profession, he is member of Georgian Painters Unio...

This hand-painted piece by Lucchetta is part of the op art series where he is able to catch movement with his unique technique. Lucchetta is challenging himself. His precise stable h...

GEOMETRIC GATHERING Size: 43 x 72 cm (including frame) Oil on board A striking mid-century modernist semi-abstract figurative painting, executed in oil onto board and dated 1964. T...

Keith Purser b. 1944 Tides of Ilium, 2024 oil and sand on board 69.2 x 73.6 cm 27 1/4 x 29 in signed, dated and titled verso Keith Purser lives and works on the edge of the desert-l...

John Milnes-Smith 1912-1998 Abstract Composition, 1981 oil on board 33.5 x 42.5 cm 13 1/4 x 16 3/4 in signed with initials and dated John Milnes-Smith was a painter of abstracts. ...

Paul Klee 1879-1940 Swiss-German Kronen-Narr (Crown Fool) Signed "Klee" (lower right) Gouache and ink on newsprint on cardboard One of the most important artists of the 20th cent...

Untitled is an original colored artwork realized by the Belgian artist Martine Goeyens in 2018 Mixed colored acrylic painting on board. On the back, the label of the certificate of...

Phély’s practice is rooted in her dialogue with nature, an inexhaustible source of forms, textures, and rhythms. From her early experiments in clay, plaster, and bronze, she has move...

Igor Tulipanov was born in Leningrad Russia on January 12th 1939. His father was a master of gymnastics and was killed at the beginning of the second world war. He began his training...

Exploring the purity of the feminine form and the drama of French haute couture, artist Cindy Shaoul creates a dialogue between the figurative and the abstract. Her spirited composit...

Los Angeles street artist Gary John exploded onto the international art scene first during Art Basel Miami in 2013. John’s playfully bold work quickly gained attention and he was nam...

This vibrant work by noted 20th century American artist, Joel Durand, employs a bold palette and sophisticated approach in this dramatic and abstracted sti...

Ramon Dilley — Coastal View of Saint‑Tropez, Oil on Board Painting, 1985 A vibrant and atmospheric oil on board painting by Ramon Dilley (French, 1932–2020), capturing the luminous charm of Saint‑Tropez with the artist's signature blend of color, rhythm, and Mediterranean warmth. The composition unfolds across a hillside of red‑roofed houses descending toward the harbor, where sailboats rest against a backdrop of rolling hills and expressive skies. Dilley's confident brushwork and saturated palette infuse the scene with movement and sunlit vitality. The painting is presented in its original Montparnasse‑style gilded wood frame, richly carved and perfectly suited to the work's spirited Provençal character. The reverse bears the handwritten inscription "St‑Tropez, rue de la Citadelle, 6/1/85", anchoring the piece to a precise moment and place in the artist's career. A compelling addition for collectors of French modern painting and Mediterranean landscapes, this piece offers both decorative appeal and strong provenance. A highly decorative and collectible artwork for interiors seeking French Riviera charm, vintage coastal art...

"Irises Roses Unite" Oil Painting by French Artist Natalya Mougenot Contemporary Floral Art on Cardboard (33x27x0.3 cm 13"x10.6"x0.1") This vibrant floral painting is part of her...

Artist Commentary: I was looking through my binoculars backwards and thought it looked like a tunnel to another realm. I picked up my camera and took several photos through the binoc...

Original work of the artist RUZ Acrylic on paper Perfect state RUZ, Rafael (Barcelona 1956) While contemplating the painting of Ruz, we are inclined to talk about real ‘psychodrama’...

Seymour Fogel Untitled Oil on illustration board construction 10 x 7 1/2 inches Provenance: Estate of the artist Charles and Faith McCracken Larry and Trish Heichel Private Collection Seymour Fogel was born in New York City on August 24, 1911. He studied at the Art Students League and at the National Academy of Design under George Bridgeman and Leon Kroll. When his formal studies were concluded in the early 1930s he served as an assistant to Diego Rivera who was then at work on his controversial Rockefeller Center mural. It was from Rivera that he learned the art of mural painting. Fogel was awarded several mural commissions during the 1930s by both the Works Progress Administration (WPA) and the Treasury Section of Fine Arts, among them his earliest murals at the Abraham Lincoln High School in Brooklyn, New York in 1936, a mural in the WPA Building at the 1939-1940 New York World's Fair, a highly controversial mural at the U.S. Post Office in Safford, Arizona (due to his focus on Apache culture) in 1941 and two murals in what was then the Social Security Building in Washington, D.C., also in 1941. Fogel's artistic circle at this time included Phillip Guston, Ben Shahn, Franz Kline, Rockwell Kent and Willem de Kooning. In 1946 Fogel accepted a teaching position at the University of Texas at Austin and became one of the founding artists of the Texas Modernist Movement. At this time he began to devote himself solely to abstract, non-representational art and executed what many consider to be the very first abstract mural in the State of Texas at the American National Bank in Austin in 1953. He pioneered the use of Ethyl Silicate as a mural medium. Other murals and public works of art done during this time (the late 1940s and 1950s) include the Baptist Student Center at the University of Texas (1949), the Petroleum Club in Houston (1951) and the First Christian Church, also in Houston (1956), whose innovative use of stained glass panels incorporated into the mural won Fogel a Silver Medal from the Architectural League of New York in 1958. Fogel relocated to the Connecticut-New York area in 1959. He continued the Abstract Expressionism he had begun exploring in Texas, and began experimenting with various texturing media for his paintings, the most enduring of which was sand. In 1966 he was awarded a mural at the U.S. Federal Building in Fort Worth, Texas. The work, entitled "The Challenge of Space", was a milestone in his artistic career and ushered in what has been termed the Transcendental/Atavistic period of his art, a style he pursued up to his death in 1984. Painted and raw wood sculpture...

Signed & dated 1940 lower left. Vaclav Vytlacil (1892-1984) He was born to Czechoslovakian parents in 1892 in New York City. Living in Chicago as a youth, he took classes at the S...

Paolo Minoli nasce a Cantù (Como) e si diploma “Maestro d’Arte” nel 1961 presso l’Istituto d’Arte di Cantù, dove insegna dal 1964 al 1978. A partire dagli anni Settanta sviluppa una ...

-Blue mountain colors- original abstract paper acrylic painting . Artwork by Spanish artist ISIDRO CAHUE. Acrylic on paper Perfect state The personality of the artist is reflected ...

This hand-painted piece by Lucchetta is part of the op art series where he is able to catch movement with his unique technique. Lucchetta is challenging himself. His precise stable h...

Domenick Capobianco (American, b. 1928), Double-Sided Chalkboard with Mixed Media Drawings, unsigned, in wood frame. 13.5" H x 13.5" W x 0.5" D. Provenance: From the Collection of th...

A vibrant post‑cubist and colorist abstract oil on board by A. Rigollot (France, 20th Century), titled Idole and signed lower right A. Rigollot – 1961. Rooted in the European coloris...