Baroque Figurative Paintings

Figures in an Italianate Landscape Flemish, late 17th century oil on canvas, 11.5 x 18 inches condition: the painting, for its age is in very good and decorative condition. Obvious a...

Tobias & The Angel Flemish Baroque Old Master, circa 1600 circle of Paul Brill (Flemish 1554-1626) oil painting on canvas, 43.5 x 59.25 inches condition: very good, restored and read...

Mattia Traverso (Genoa 1885 - Genoa 1956) - Large Banquet Scene with Putti and Nymphs. 102 x 161 cm (without frame) - 123 x 181 cm (with frame). Oil on canvas, in a carved and gild...

An impressive 19th-century copy of "The Little Fruit-Seller", after Bartolome Esteban Murillo (Spanish, 1617 - 1682), by an unknown artist (1...

The Poor Poet German School, early 20th century after the original painting by Carl Spitzweg (c.1839) inscribed verso oil on board, framed framed: 15.5 x 17.5 inches board: 12 x 15 i...

17th Century Italian Religious Painting on Glass Beautiful and important oil painting on glass based on an engraving, not signed, dated 1655 at the bottom centre, follower of Leandr...

La obra es de autor anónimo. El retablo va muy bien enmarcado con un marco neogótico del siglo xix en madera estofada y policromada. Medidas del retablo: 88 cm. altura x 56 cm. anc...

The Pilgrim and Angel Spanish School, 17th Century oil on canvas, gilt framed framed: 48 x 37 inches canvas: 43 x 32 inches provenance: private collection, Barcelona, Spain condition...

A large pair of 18th century veduta capriccio scenes with temple ruins after Gennaro Greco from the circle of Pietro Cappelli. The paintings are presented in more modern carved gilt ...

The Tooth-Puller is a superb original oil painting on canvas, realized by an anonymous artist, a follower of Caravaggio, in the first half of the X...

This important oil painting on canvas, although it is not signed as is almost always the case with this artist's paintings, is attributed to the great Genoese painter Luciano Borzone...

The Trial of Christ Dutch Old Master, 17th century oil on panel, unframed panel: 11 x 7.5 inches provenance: private collection, England, Christies auction stencil marks verso condi...

Jean Baptiste Caudot (Nancy 1682 – Nancy 1757) – Arcadian Landscape with Resting Figures. 54.5 x 73.5 cm (without frame) - 73.5 x 92.5 cm (with frame). Oil on canvas, in carved and...

This commanding mid-17th-century Spanish Baroque painting depicts Saint Elijah wrapped in a coarse Carmelite habit and raising a flaming sword. Towering within the vertical composit...

A fine, large 18th century veduta capriccio scene with temple ruins after Gennaro Greco from the circle of Pietro Cappelli. The painting is presented in a more modern carved gilt woo...

A beautiful, fascinating painting depicting one of the figures from Frans Hals’s famous painting *The Banquet of the Officers of the St George’s Militia* The reverse bears the artist...

US buyers pay no import tariffs on this item. This early 17th-century Spanish colonial oil painting depicts the Virgin Of The Immaculate Conception surrounded by an array of symboli...

Italian Madonna, early 18th Century, probably Genovese. Beautiful color palette. Not signed.

Figures in Rocky Outcrop Circle of Philipp Peter Roos (German, 1657–1706) 17th century, unsigned oil on linen canvas, unframed canvas: 29 x 34.5 inches Provenance: private collectio...

A very important painting by the great artist of the Florentine school, Onorio Marinari. Dr. Silvia Benassai has confirmed Marinari’s authorship of the Saint Margaret of Antioch; ava...

English School, 20th century painted in an earlier 'Tudor' style signed oil painting on paper stuck down on board, framed framed: 32 x 25 inches board: 25 x 18 inches provenance: fro...

Dancing Figures Flemish School, 17th century oil on on canvas, framed framed: 21.5 x 28.5 inches canvas : 16.5 x 24 inches Provenance: private collection, France Condition: very good...

This not signed very interesting oil painting on canvas dates back to the mid-17th century. It depicts the Virgin Mary kneeling and reading the Book of Hours. It is the work of an ...

French portrait of a nobleman, 17th Century, great condition. With a beautiful carved wooden frame.

Frank Chabry (1916-1979) was a 20th-century artist whose career spanned several transformative decades in the art world. His work likely reflects the artistic evolution of the mid-20...

Italian painter (17th–18th century) - Seated Franciscan friar writing (preparatory sketch). 14 x 16.5 cm (without frame) - 19 x 21.5 cm (with frame). Oil on panel, in wooden frame ...

Signed lower right, 'A. Leonardi' for Achille Leonardi (Italian, 1800-1870), inscribed, '... Roma' and painted circa 1860. An exceptionally fine and detailed, nineteenth century oil...

La obra es de autor anónimo. El retablo va muy bien enmarcado con un marco neogótico del siglo xix en madera estofada y policromada. Medidas del retablo: 88 cm. altura x 56 cm. anc...

Antique oil on canvas of religious subject depicting the Virgin Mary in a moment of prayerful contemplation. The composition is distinguished by the serenity of the expression, the r...

Ferdinand Victor Leon Roybet. French ( b.1840 – d.1920 ). Le Mousquetaire. Oil On Panel. Signed Upper Right. Image size 31.1 inches x 24.4...

Magnificent composition by Jacopo Palma il Giovane. Size: 92x58,5cm. Size with frame: 112x78,5cm. Palma il Giovane was a Venetian painter active in the late 16th and early 17th cent...

This expressive genre scene, an oil on canvas, presents a magnificent example of Baroque-era painting. The dramatic narrative of the "dice game" subject - where the emotions of an ea...

A fine, large 18th century veduta capriccio scene with temple ruins after Gennaro Greco from the circle of Pietro Cappelli. The painting is presented in a more modern carved gilt woo...

The Close of Day Italian School, 17th century circle of Salvator Rosa (1615 - 1873) (ascribed to this artist on a frame plaque) oil on canvas, framed Framed: 20.5 x 25.5 inches Canva...

US buyers pay no import tariffs on this item. This striking mid-17th-century oil painting, attributed to the workshop of Gaspar de Figueroa (1594-1658), depicts Saint Francis Xavier...

Orpheus is an original artwork realized in the first decades of the XVII century and attributed to the Italian master Tommaso Salini. Oil painting on canvas. A golden wood frame is...

Saint Mary Magdalene in Ecstasy, circle of Guido Reni (1575–1642) Italian School, 17th century Unsigned Charming oil on panel depicting Saint Mary Magdalene in an attitude of deep c...

Circle of Jusepe de Ribera (Xàtiva 1591 - Naples 1652) - Saint Joseph. 108 x 80 cm (without frame) - 123 x 95 cm (with frame). Oil on canvas, in carved and gilded wooden frame (not...

"Oil On Canvas Self Portrait After Sir Anthony Van Dyck" Follower of Sir Anthony van Dyck (Flemish painter, 1599-1641), Self portrait Oil on canvas (doubled), Probably end 18th centu...

The Flagellation of Christ Old Master Flemish School 17th century Medium: Oil on copper Dimensions: Image size 22 x 17 cm, frame size 39 x 31 cm

An important & large oil on canvas Baroque painting by the Bohemian Old Master artist, Franz Xaver Karl Palko (1724-1767), an allegory of architecture, circa 1750. The painting depic...

Flemish master active in Italy (17th century) - Sermon of St. John the Baptist in a Landscape. 58 x 73.5 cm. Oil on canvas (not signed) The painting depicts the Sermon of Saint Jo...

Oil painting on canvas 52 x 68 cm, with gilt wood frame, 58 x 75 cm. is the work of the painter couple Viviano Codazzi (Valsassina 1603-Rome 1670), who specialized as a quadraturist...

Oil on canvas attributed to Philipp Peter Roos Rosa da Tivoli, realized in the late 17th Century in Italy. Large work with very fine workmanship, in particular in the creation of an...

An early eighteenth-century, Italian baroque figural oil showing a group of cherubs or Amorini grouped together before red velvet drapes, one reclining on a wooden cross and wearing ...

Jacques Sébastien Leclerc, known as Leclerc des Gobelins Paris, 1733 – Paris, 1785 The Harvester's nap Oil on wood 23 x 30 cm (28.5 x 35 cm with frame) Inscription on the back: "Jacq...

18th Century Spanish Oil on Copper — Virgin Dolorosa Fine mid-18th century Spanish School oil on copper depicting the Virgin Dolorosa (Our Lady of Sorrows). The painting shows excel...

Old Master Fragment after Pietro Paolo Bonzi Italian Baroque Oil on Panel Portrait Artist: Anonymous, after Pietro Paolo Bonzi (1576–1636) Title: Old Master Fragment Study Period: c...

This exquisite painting, resembling a precious jewel, serves as an exceptional illustration of the devotional cabinet paintings created by Giuseppe Maria Crespi, a highly original Bolognese artist during the late 17th and early 18th centuries. Crespi's distinctiveness extended beyond his unique style and technique to the subjects he chose to portray. While his portraits and genre paintings often displayed a light-hearted and even irreverent tone, his treatment of religious themes resonated with deep emotion, even in its most inventive forms. This recently uncovered work by Crespi is a typical representation, invoking the tender connection between mother and child, and the Child's destiny, all within a compact and intimate format. Executed on a small scale, the painting showcases Crespi's remarkable sensitivity and mastery of paint, especially evident in the expressive brushwork of the drapery. The restrained and focused composition of the Holy Family allows for contemplation of the figures. Mary cradles the Christ child gently, seemingly presenting him to the viewer, her gaze knowing as the infant holds a diminutive cross, symbolizing his future crucifixion. Joseph appears in the background, emerging from the left side of the frame, gazing upward with folded hands in prayer. Individual motifs from this painting reappear in other works by Crespi, suggesting a synthesis of familiar elements into a vibrant composition. The artist's revisitation of designs throughout his career is evident, and this painting on copper likely belongs to a later period, reflecting stylistic ties to other works and Crespi's increased production of smaller devotional pieces. Distinguished by its cool palette, bold coloration, and the expressive force of the artist's hand, this Holy Family painting...

Portrait of a Child with Pet Dog Italian School, early 1600's circle of Annibale Carracci (1560-1609) oil on canvas, framed Framed: 11.5 x 9 inches Board : 10.5 x 8.5 inches Provenan...

Italian School, 17th century oil on canvas (laid on board), framed framed: 15 x 21 inches board: 14 x 20 inches provenance: private collection, France condition: very good and sound ...

Circle of Jacques Courtois, called Il Borgognone (Saint-Hyppolite 1621 – Rome 1676) - Cavalry Battle. 53 x 80 cm. Oil on canvas, unframed (not signed). The composition belongs to ...

This evocative antique oil painting on canvas depicts a dramatic European genre scene centered on an encounter between a well-dressed young gentleman and two impoverished figures. Pr...

17th Century Italian School St Peter Oil on Canvas 55 1/2 x 41 inches This large and tender rendering of Saint Peter was painted by the hand of great Italian painter of the 17th Cen...

Circle Wouwerman, Horseman by a Tent, Riders Playing Cards (?), Old Master Dutch Art, Travellers or Riders resting by a tent and gambling

The Resurrection of Lazarus Flemish Old Master, 17th century (unsigned as is typical for the period) oil on canvas, framed framed: 30 x 38 inches canvas: 19 x 27 inches Provenance: ...

17th Century Antoon van Dyck Follower Religious Painting A very important not signed painting from the Flemish school, attributed to an artist from the circle of the great painter A...

Oil on canvase realized by Giovanni Francesco Romanelli, so called "Il Viterbese" (1610-1662). It depicts the famous abduction of Persephone, daughter of Zeus and Demeter, by Hades....

The painting and the preparatory drawing are offered together. Provenance Private collection, Germany, Trier, c. 1980- 2013 Saint John the Baptist Brown ink and wash over red chalk on oatmeal paper 31 x 20.5 cm Inscribed: „Ferrau Fenzonio da Faenza invt. esque … imp. da Fran. Villamena …“. bears the collector's mark of Henry Scipio Reitlinger (1882-1950; Lugt 2274a) on a tiny label glued to the verso On the reverse is a partial drawing of a Pieta, pricked for transfer. Provenance New York, Doyle, 14. October 2015, No. 6 The painting and the preparatory drawing resemble the composition of an engraving after Ferraù Fenzoni by Francesco Villamena. Drawing, engraving and painting are almost identical, except for minor differences. Even the measurements nearly correspond: painting (32 x 25,5 cm), drawing (30 x 20,5 cm), engraving (31,1 x 23,5 cm). Dr. Guiseppe Scavizzi confirmed the attribution of the present panting to Fenzoni and he dates it to c. 1590. The inscription on the drawing reads “Ferrau Fenzonio da Faenza invt. esque. . . imp. da Fran: Villamena . . .”. The engraving’s inscription also lists place and date “Ferra Fensionius inventor/F. Villamoena sculpsit Rome/Aspectu fruitur… antra puer/cum Privilegio… 1613”. Interestingly, the engraving is not mirrored as it is in most printing processes. Painting, drawing and engraving are not reversed but the same. It is remarkable to note that there are further paintings by Fenzoni which were engraved in the same order and not reverted. They also show strong parallels regarding the compositions and the measurements (see for example “Deposition of Christ” ). Ferraù Fenzoni was an Italian painter mainly active in Todi. He is also called Il Faenzone after his birthplace (Faenza). He apprenticed in Rome during the papacy of Gregory XIII and contributed to numerous fresco cycles under pope Sixtus V, such as the Loggia della Benedizioni in the Lateran Palace, the frescoes on the walls and vaults of the Scala Santa of the adjacent Basilica of San Giovanni in Laterano, and the decoration in the Sistine library. His expressive canvases straddle the styles of Mannerism and Baroque. In 1594, he moved to Todi. A “Last Judgement” by him is housed in the cathedral of Todi. He returned to Faenza in 1599, where he decorated chapels in the cathedral from 1612 to 1616. In 1622, he completed a “Deposition”, now in the local Pinacoteca. In 1640, Fenzoni was named “cavaliere dello speron d’oro” by Cardinal Colonna and, on 25th April 1634, he was nominated vicar and “castellano of Granarolo”. Fenzoni‘s style is characterized by a mixture of the Mannerism of the Northern Netherlands and the Italian Baroque. Saint John the Baptist, Old Master, 17th Century, By Fenzoni, Religious Scene, Rome Art...

Oil on canvas realized in Italy ih the late 17th Century. The painting depicts the episode from Genesis (21, 9-21) in which the servant Hagar, together woth her little son Ishmael b...