Pop Art Figurative Paintings

Peter Max was born in Berlin in 1937 but his family moved to China when he was still very young. In fact, the young Max would move frequently with his family, learning about a variet...

Contemporary figurative acrylic on canvas painting by Polish artist Joanna Woyda. Painting is in minimalistic, pop art style. The artwork depicts a girl standing on the shoreline, sh...

Elvis, Metallic Silver and Black Full Length Silkscreen Painting by Charles Lutz Silkscreen and silver enamel painted on vintage 1960's era linen with Artist's Denied stamp of the Andy Warhol Art Authentication Board. 82" x 40" inches 2010 Lutz's 2007 ''Warhol Denied'' series gained international attention by calling into question the importance of originality or lack thereof in the work of Andy Warhol. The authentication/denial process of the [[Andy Warhol Art Authentication Board]] was used to create value by submitting recreations of Warhol works for judgment with the full intention for the works to be formally marked "DENIED". The final product of the conceptual project being "officially denied" "Warhol" paintings authored by Lutz. Based on the full-length Elvis Presley paintings by Pop Artist Andy Warhol in 1964, this is likely one of his most iconic images, next to Campbell's Soup Cans and portraits of Jackie Kennedy, Marilyn Monroe, Liz Taylor, and Marlon Brando. This is the rarest of the Elvis works from the series, as Lutz sourced a vintage roll of 1960's primed artist linen which was used for this one Elvis. The silkscreen, like Warhol's embraced imperfections, like the slight double image printing of the Elvis image. Lutz received his BFA in Painting and Art History from Pratt Institute and studied Human Dissection and Anatomy at Columbia University, New York. Lutz's work deals with perceptions and value structures, specifically the idea of the transference of values. Lutz's most recently presented an installation of new sculptures dealing with consumerism at Frank Lloyd Wright's Fallingwater House in 2022. Lutz's 2007 Warhol Denied series received international attention calling into question the importance of originality in a work of art. The valuation process (authentication or denial) of the Andy Warhol Art Authentication Board was used by the artist to create value by submitting recreations of Warhol works for judgment, with the full intention for the works to be formally marked "DENIED" of their authenticity. The final product of this conceptual project is "Officially DENIED" "Warhol" paintings authored by Lutz. Later in 2013, Lutz went on to do one of his largest public installations to date. At the 100th Anniversary of Marcel Duchamp's groundbreaking and controversial Armory Show, Lutz was asked by the curator of Armory Focus: USA and former Director of The Andy Warhol Museum, Eric Shiner to create a site-specific installation representing the US. The installation "Babel" (based on Pieter Bruegel's famous painting) consisted of 1500 cardboard replicas of Warhol's Brillo Box (Stockholm Type) stacked 20 ft tall. All 1500 boxes were then given to the public freely, debasing the Brillo Box as an art commodity by removing its value, in addition to debasing its willing consumers. Elvis was "the greatest cultural force in the Twentieth Century. He introduced the beat to everything, and he changed everything - music, language, clothes, it's a whole new social revolution." Leonard Bernstein in: Exh. Cat., Boston, The Institute of Contemporary Art and traveling, Elvis + Marilyn 2 x Immortal, 1994-97, p. 9. Andy Warhol "quite simply changed how we all see the world around us." Kynaston McShine in: Exh. Cat., New York, Museum of Modern Art (and traveling), Andy Warhol: Retrospective, 1996, p. 13. In the summer of 1963 Elvis Presley was just twenty-eight years old but already a legend of his time. During the preceding seven years - since Heartbreak Hotel became the biggest-selling record of 1956 - he had recorded seventeen number-one singles and seven number-one albums; starred in eleven films, countless national TV appearances, tours, and live performances; earned tens of millions of dollars; and was instantly recognized across the globe. The undisputed King of Rock and Roll, Elvis was the biggest star alive: a cultural phenomenon of mythic proportions apparently no longer confined to the man alone. As the eminent composer Leonard Bernstein put it, Elvis was "the greatest cultural force in the Twentieth Century. He introduced the beat to everything, and he changed everything - music, language, clothes, it's a whole new social revolution." (Exh. Cat., Boston, The Institute of Contemporary Art (and traveling), Elvis + Marilyn 2 x Immortal, 1994, p. 9). In the summer of 1963 Andy Warhol was thirty-four years old and transforming the parameters of visual culture in America. The focus of his signature silkscreen was leveled at subjects he brilliantly perceived as the most important concerns of day to day contemporary life. By appropriating the visual vernacular of consumer culture and multiplying readymade images gleaned from newspapers, magazines and advertising, he turned a mirror onto the contradictions behind quotidian existence. Above all else he was obsessed with themes of celebrity and death, executing intensely multifaceted and complex works in series that continue to resound with universal relevance. His unprecedented practice re-presented how society viewed itself, simultaneously reinforcing and radically undermining the collective psychology of popular culture. He epitomized the tide of change that swept through the 1960s and, as Kynaston McShine has concisely stated, "He quite simply changed how we all see the world around us." (Exh. Cat., New York, Museum of Modern Art (and traveling), Andy Warhol: Retrospective, 1996, p. 13). Thus in the summer of 1963 there could not have been a more perfect alignment of artist and subject than Warhol and Elvis. Perhaps the most famous depiction of the biggest superstar by the original superstar artist, Double Elvis is a historic paradigm of Pop Art from a breath-taking moment in Art History. With devastating immediacy and efficiency, Warhol's canvas seduces our view with a stunning aesthetic and confronts our experience with a sophisticated array of thematic content. Not only is there all of Elvis, man and legend, but we are also presented with the specter of death, staring at us down the barrel of a gun; and the lone cowboy, confronting the great frontier and the American dream. The spray painted silver screen denotes the glamour and glory of cinema, the artificiality of fantasy, and the idea of a mirror that reveals our own reality back to us. At the same time, Warhol's replication of Elvis' image as a double stands as metaphor for the means and effects of mass-media and its inherent potential to manipulate and condition. These thematic strata function in simultaneous concert to deliver a work of phenomenal conceptual brilliance. The portrait of a man, the portrait of a country, and the portrait of a time, Double Elvis is an indisputable icon for our age. The source image was a publicity still for the movie Flaming Star, starring Presley as the character Pacer Burton and directed by Don Siegel in 1960. The film was originally intended as a vehicle for Marlon Brando and produced by David Weisbart, who had made James Dean's Rebel Without a Cause in 1955. It was the first of two Twentieth Century Fox productions Presley was contracted to by his manager Colonel Tom Parker, determined to make the singer a movie star. For the compulsive movie-fan Warhol, the sheer power of Elvis wielding a revolver as the reluctant gunslinger presented the zenith of subject matter: ultimate celebrity invested with the ultimate power to issue death. Warhol's Elvis is physically larger than life and wears the expression that catapulted him into a million hearts: inexplicably and all at once fearful and resolute; vulnerable and predatory; innocent and explicit. It is the look of David Halberstam's observation that "Elvis Presley was an American original, the rebel as mother's boy, alternately sweet and sullen, ready on demand to be either respectable or rebellious." (Exh. Cat., Boston, Op. Cit.). Indeed, amidst Warhol's art there is only one other subject whose character so ethereally defies categorization and who so acutely conflated total fame with the inevitability of mortality. In Warhol's work, only Elvis and Marilyn harness a pictorial magnetism of mythic proportions. With Marilyn Monroe, whom Warhol depicted immediately after her premature death in August 1962, he discovered a memento mori to unite the obsessions driving his career: glamour, beauty, fame, and death. As a star of the silver screen and the definitive international sex symbol, Marilyn epitomized the unattainable essence of superstardom that Warhol craved. Just as there was no question in 1963, there remains still none today that the male equivalent to Marilyn is Elvis. However, despite his famous 1968 adage, "If you want to know all about Andy Warhol, just look at the surface of my paintings" Warhol's fascination held purpose far beyond mere idolization. As Rainer Crone explained in 1970, Warhol was interested in movie stars above all else because they were "people who could justifiably be seen as the nearest thing to representatives of mass culture." (Rainer Crone, Andy Warhol, New York, 1970, p. 22). Warhol was singularly drawn to the idols of Elvis and Marilyn, as he was to Marlon Brando and Liz Taylor, because he implicitly understood the concurrence between the projection of their image and the projection of their brand. Some years after the present work he wrote, "In the early days of film, fans used to idolize a whole star - they would take one star and love everything about that star...So you should always have a product that's not just 'you.' An actress should count up her plays and movies and a model should count up her photographs and a writer should count up his words and an artist should count up his pictures so you always know exactly what you're worth, and you don't get stuck thinking your product is you and your fame, and your aura." (Andy Warhol, The Philosophy of Andy Warhol (From A to B and Back Again), San Diego, New York and London, 1977, p. 86). The film stars of the late 1950s and early 1960s that most obsessed Warhol embodied tectonic shifts in wider cultural and societal values. In 1971 John Coplans argued that Warhol was transfixed by the subject of Elvis, and to a lesser degree by Marlon Brando and James Dean, because they were "authentically creative, and not merely products of Hollywood's fantasy or commercialism. All three had originative lives, and therefore are strong personalities; all three raised - at one level or another - important questions as to the quality of life in America and the nature of its freedoms. Implicit in their attitude is a condemnation of society and its ways; they project an image of the necessity for the individual to search for his own future, not passively, but aggressively, with commitment and passion." (John Coplans, "Andy Warhol and Elvis Presley," Studio International, vol. 181, no. 930, February 1971, pp. 51-52). However, while Warhol unquestionably adored these idols as transformative heralds, the suggestion that his paintings of Elvis are uncritical of a generated public image issued for mass consumption fails to appreciate the acuity of his specific re-presentation of the King. As with Marilyn, Liz and Marlon, Warhol instinctively understood the Elvis brand as an industrialized construct, designed for mass consumption like a Coca-Cola bottle or Campbell's Soup Can, and radically revealed it as a precisely composed non-reality. Of course Elvis offered Warhol the biggest brand of all, and he accentuates this by choosing a manifestly contrived version of Elvis-the-film-star, rather than the raw genius of Elvis as performing Rock n' Roll pioneer. A few months prior to the present work he had silkscreened Elvis' brooding visage in a small cycle of works based on a simple headshot, including Red Elvis, but the absence of context in these works minimizes the critical potency that is so present in Double Elvis. With Double Elvis we are confronted by a figure so familiar to us, yet playing a role relating to violence and death that is entirely at odds with the associations entrenched with the singer's renowned love songs. Although we may think this version of Elvis makes sense, it is the overwhelming power of the totemic cipher of the Elvis legend that means we might not even question why he is pointing a gun rather than a guitar. Thus Warhol interrogates the limits of the popular visual vernacular, posing vital questions of collective perception and cognition in contemporary society. The notion that this self-determinedly iconic painting shows an artificial paradigm is compounded by Warhol's enlistment of a reflective metallic surface, a treatment he reserved for his most important portraits of Elvis, Marilyn, Marlon and Liz. Here the synthetic chemical silver paint becomes allegory for the manufacture of the Elvis product, and directly anticipates the artist's 1968 statement: "Everything is sort of artificial. I don't know where the artificial stops and the real starts. The artificial fascinates me, the bright and shiny..." (Artist quoted in Exh. Cat., Stockholm, Moderna Museet and traveling, Andy Warhol, 1968, n.p.). At the same time, the shiny silver paint of Double Elvis unquestionably denotes the glamour of the silver screen and the attractive fantasies of cinema. At exactly this time in the summer of 1963 Warhol bought his first movie camera and produced his first films such as Sleep, Kiss and Tarzan and Jane Regained. Although the absence of plot or narrative convention in these movies was a purposely anti-Hollywood gesture, the unattainability of classic movie stardom still held profound allure and resonance for Warhol. He remained a celebrity and film fanatic, and it was exactly this addiction that so qualifies his sensational critique of the industry machinations behind the stars he adored. Double Elvis was executed less than eighteen months after he had created 32 Campbell's Soup Cans for his immortal show at the Ferus Gallery, Los Angeles in July and August 1962, and which is famously housed in the Museum of Modern Art, New York. In the intervening period he had produced the series Dollar Bills, Coca-Cola Bottles, Suicides, Disasters, and Silver Electric Chairs, all in addition to the portrait cycles of Marilyn and Liz. This explosive outpouring of astonishing artistic invention stands as definitive testament to Warhol's aptitude to seize the most potent images of his time. He recognized that not only the product itself, but also the means of consumption - in this case society's abandoned deification of Elvis - was symptomatic of a new mode of existence. As Heiner Bastian has precisely summated: "the aura of utterly affirmative idolization already stands as a stereotype of a 'consumer-goods style' expression of an American way of life and of the mass-media culture of a nation." (Exh. Cat., Berlin, Neue Nationalgalerie (and traveling), Andy Warhol: Retrospective, 2001, p. 28). For Warhol, the act of image replication and multiplication anaesthetized the effect of the subject, and while he had undermined the potency of wealth in 200 One Dollar Bills, and cheated the terror of death by electric chair in Silver Disaster # 6, the proliferation of Elvis here emasculates a prefabricated version of character authenticity. Here the cinematic quality of variety within unity is apparent in the degrees to which Presley's arm and gun become less visible to the left of the canvas. The sense of movement is further enhanced by a sense of receding depth as the viewer is presented with the ghost like repetition of the figure in the left of the canvas, a 'jump effect' in the screening process that would be replicated in the multiple Elvis paintings. The seriality of the image heightens the sense of a moving image, displayed for us like the unwinding of a reel of film. Elvis was central to Warhol's legendary solo exhibition organized by Irving Blum at the Ferus Gallery in the Fall of 1963 - the show having been conceived around the Elvis paintings since at least May of that year. A well-known installation photograph shows the present work prominently presented among the constant reel of canvases, designed to fill the space as a filmic diorama. While the Elvis canvases...

Original Fashion Design Illustration by Roz Jennings, British watercolor and ink on card, unframed size: 12 x 8.25 inches condition: very good A beautifully colorful and characterfu...

CHRIS WATTS "Juliet" Acrylic on Canvas 60 x 60 inches _____________________________________ Chris Watts is an award-winning graphic designer, singer-songw...

Contemporary figurative acrylic on canvas painting by Polish artist Joanna Woyda. Painting is in minimalistic, pop art style. The artwork depicts a girl standing on the shoreline, sh...

Star Wars Storm Trooper Pop Art by British Urban Graffiti Artist, Chris Pegg. Entitled The Good The Bad & The Ugly. Art measures 42 x 24 inches Frame measures 50 x 32 inches Chri...

Spittle Marcus Dean Kitchen, American Date: 2020 Mixed Media with Acrylic, Oil Pastel, Ink and Spraypaint on Canvas, signed Size: 38 x 60 inches

Unique acrylic painting and silkscreen on canvas. Hand signed and dated by Andy Warhol on verso. Martin Lawrence provenance label on verso. Canvas size 20 x 20 inches. The artwor...

This is a 1/1 original with wood cutout framed - It's all hand done with spray paint and acrylic, framed with non glare glass. TBOY is a British artist who's meteoric rise has pu...

This contemporary circular portrait painting by Natasha Lelenco belongs to the early series of Currencies, a project that reimagines the traditional coin as a symbolic portrait. Exec...

This painting is in excellent condition and has only been shown in a gallery. Federico López Córcoles was born in the Alicante region of Spain in 1970. This area is well-known for ...

"Jeni Stallings creates work that often draws from her dreams and personal experiences. She tends to render those moments in a muted, femininity-infused surrealism far from the hard-...

"Jeni Stallings creates work that often draws from her dreams and personal experiences. She tends to render those moments in a muted, femininity-infused surrealism far from the hard-...

English artist Jonjo Elliot's large scale still life works are a collision of expressionistic fauvism and his collections encourage a youthful candor. Plants thrive in environments the viewer wants to immerse themselves in. He’s interested in the crossover point between abstract and representational art and is constantly exploring where painting can take him and the viewer as a means of expression. This large 68 inch high by 64 inch wide original painting is created with acrylic paint on canvas. This artwork is signed on the front and back. This artwork does not require framing, it is wired and ready to hang. Free local Los Angeles area delivery. Affordable Continental U.S. and worldwide shipping available. A certificate of authenticity issued by the art gallery is included. Jonjo Elliott is a mixed-media artist working in a range of mediums, from paper and paint to skate ramps, ceramics, and chairs. Working from his studio in the UK, his vibrant works are inspired by the spaces surrounding him and his large scale still life's are intended to bring color and delight into the homes of his collectors. A graduate of De Montfort University, he now manages a studio in Leicester. Jonjo's immersive and lively artworks are collected extensively in the UK, the US, and throughout the world. His works have been represented by Artplex Gallery since his Los Angeles solo show in 2019. REPRESENTATION Artplex Gallery, Los Angeles, CA, USA EXHIBITIONS 2023 'Fragmented Fluorescence', Artplex Gallery, Los Angeles, CA 2022 'Slice of life', Artplex Gallery, Los Angeles, CA 'Instalive', 19 Karen gallery, Brisbane, Australia Affordable Art Fair New York City 2021 Artplex Gallery, Los Angeles 2019 Solo Show, Artplex Gallery Affordable Art Fair, New York 2018 Solo Show, LCB Depot Affordable Art Fair, London “Love Art,” Curve Theatre Roys People Art Fair, Oxo, London “Love Art,” New Walk Museum 2017 “Daily Grind,” Solo Show, LCB Depot “Permanent Fixture,” Gujiko Gallery “Steep Learning,” Curve Theatre “Staircase,” De Montefort University “Joe Orton’s What the Butler Saw...

Swiss artist Marion Duschletta transforms luxury objects and urban landscapes from around the world into unique layered artworks. She combines an intriguing mixture of urban photogra...

Original Fashion Design Illustration by Roz Jennings, British watercolor and ink on card, unframed size: 12 x 8.25 inches condition: very good A beautifully colorful and characterfu...

This contemporary pop art portrait, created by French artist Natalya Mougenot, stands as a unique piece in her collection. Painted in striking blue tones, it was directly inspired by...

Original Fashion Design Illustration by Roz Jennings, British watercolor and ink on card, unframed size: 12 x 8.25 inches condition: very good A beautifully colorful and characterfu...

Original Fashion Design Illustration by Roz Jennings, British watercolor and ink on card, unframed size: 12 x 8.25 inches condition: very good A beautifully colorful and characterfu...

Born in 1982 in Manzanillo, Cuba, artist Darwin Estacio Martinez honed his artistic skills at the Professional Academy of Fine Arts "El Alba" in Holguin...

Carl Smith is an American artist who has been living in Berlin, Germany, since 2001. He works with a combination of silkscreen printing, collage, and painting to create his urban ins...

Original acrylic painting on canvas. Hand-signed in acrylic on front by Peter Max. Canvas size 71.75 x 35.75 inches. Custom framed with hand painted filet. Frame size approx 86 x 50 inches. Max studio catalog number and year on verso. Artwork is in excellent condition. All reasonable offers will be considered. About the Artist: Peter Max (American, born 1937) is a German artist known for his unique brand of rainbow-hued prints and paintings, which he has created since the early 1960s. Employing painterly strokes, his illustrations incorporate a wide spectrum of colors and patterns as seen in his Umbrella Man series. “I'm just wowed by the universe. I'm just glad to do something I love to do. I love color, I love painting, I love shapes...

"Jeni Stallings creates work that often draws from her dreams and personal experiences. She tends to render those moments in a muted, femininity-infused surrealism far from the hard-...

This piece depicts a colorful collage composition portrait of Audrey Hepburn, as Jon Davenport explores the process of deconstructing iconic imagery from the past and present. Davenport start’s out with photos of his paint-stained studio floor and collages in articles/advertising from an array of vintage magazines collected over the years; plus any other interesting stuff captured on his travels. He then transfers the images to a panel board, layering them on with gel medium, together with strokes, splashes, drips, and splats of paint. Once it's dry, another layer of gel medium is poured on to give it a melting effect. After it drys off again, another layer of paint is added to embellish a few areas and to accentuate or fade out certain aspects. And then, he finally adds a coat of polyurethane for protection and making the colors pop. This unique work is executed on a wood panel board and comes ready to be displayed with hanging wire on verso, signed by the artist lower right. Art measures 36 x 24 inches From biology student to owning and running a creative agency in London to a career as a fine artist, life has taken Jon Davenport on a rewarding and unconventional journey. Despite his scientific beginnings, he’s always had a strong artistic streak weaving its way through his different career paths. Growing up in Ipswich, UK, Jon was always an avid drawer, and could often be found with a pencil and paper in hand. With the arrival of his first computer, he embraced the new frontier of digital art and had work published in one of those early computer magazines. His creative urges took a backseat to get a biology degree at Brunel University in London. It was afterward, in his first job working at the Archant newspaper group in Ipswich, that he quickly progressed from plate maker to becoming an integral member of the art studio. It was during this time that he taught himself photoshop, desktop publishing, and graphic & web design. After a few years, he set up a design agency, and eventually went full time and moved to London. This proved to be a successful move, working for a number of clients such as Nike and Virgin, and gaining praise from the likes of Richard Branson and Tony Blair. It wasn’t until Jon moved to the USA to marry his wife, Atlanta artist Christy Kinard...

Ricardo Goyo was born in Barcelona in 1972. He began his artistic career studying in France at the National School of Fine Arts in Nice. There he had the opportunity to meet, work, a...

Canadian artist Virginie Schroeder uses thick textural, playful lines, and other geometric forms to create works with subjects that are not immediately visible when seen up close. Verbal and psychological interplay with the public is integral to her creative process. Her art is the result of reflection, and aesthetic intuition provoked by the geometric forms. Her art exists to intrigue, to elicit questioning of its abstract character visible at first glance. One must draw away slightly to begin to glimpse the impressively detailed work in its totality. This original figurative pop art painting measures 28-inches high by 40-inches wide. It is an acrylic paint composition on canvas, it is wired and ready to hang. The sides of the artwork are painted by the artist and it does not require framing. It is signed by the artist on the bottom and back of the painting. Free local Los Angeles area delivery. Affordable Continental U.S. and global shipping available. A certificate of authenticity issued by the art gallery is included. Virginie Schroeder is an innovative artist based in Quebec, Canada. She prefers things not to be visible immediately In order to perceive the works, the viewer must feel them and open up all of their senses in order to enjoy the emotion of the work. Schroeder urges the viewer to enter the work, allowing their emotions to be absorbed into its subject. Her paintings are made to inspire new artistic visions while impressing their stunning technicality to the public. Schroeder seeks an invented, unstructured, different, and yet popular vision, and hopes to awaken our senses in the search for her works. When a face, an animal, a landscape, or any other subject is removed from its linear structure, it acquires a completely different form, a different identity, dimension, and a new prestige. One does not recognize it at first sight; it emerges as the very process of observation. It is here that the magic occurs, as the viewer consciously discovers a work of abstract character in vivid color which plays upon the tension between the figurative and the imaginary. Schroeder's original artworks have been exhibited in galleries and art fairs internationally and have been acquired by prestigious collectors around the globe. REPRESENTATION Artspace Warehouse, Los Angeles, CA EXHIBITIONS 2023 Folded Landscapes, Artspace Warehouse 2022 Affordable Art Fair New York 2021 Artspace Warehouse, Los Angeles, CA 2021 Affordable Art Fair New York 2020 LA Art Show, CA 2020 Art Palm Springs, CA 2019 Artspace Warehouse, Los Angeles, CA 2019 Affordable Art Fair Hong Kong 2018 Artspace Warehouse, Los Angeles, CA 2018 Affordable Art Fair Hong Kong 2018 Art Market Hamptons, NY 2018 Affordable Art Fair New York, NY 2018 Art Market San Francisco, CA 2018 Carre D’artiste New York Soho 2018 Canadian Delegation London, UK 2018 Carre D’artiste Lyon, FR 2018 Art Palm Spring, CA 2018 Affordable Art Fair Milan, IT 2018 Galerie Le Pharos, FR 2018 Beauchamp Art Gallery, CA 2018 Danielle Peleg Gallery, MI 2017 Context Art Miami, FL 2017 Affordable Art Fair New York, NY 2017 SOFA Chicago, IL 2017 Beauchamp Art Gallery, CA 2017 Art Market Hamptons, NY 2017 Art Market San Francisco, CA 2017 Carre D’artiste New York Soho 2017 Art Club Galerie Paris...

Alea Pinar Du Pre's original mixed media artworks portray human figures in a graphic pop-realist style. An enterprising autodidact merging technology and fine art, her vibrant contemporary pop-figurative artworks colorfully explore the territory between human reality and artificial reality. Her paintings portray the fact that our perceptions of solid reality are deceptively virtual. This unique collage is a part of her "Locket" series, as she explains: "We consist of the same atoms, created billions of years ago in a supernova. And here we are living and breathing and experiencing life, and we think we are all so different. I think we are all the same, it’s just that are masks and poses are different. I love humanity and this game we are playing. With snapshot, I am trying to capture the unawareness of the fact that we are the greatest wonder of the universe". This one-of-a-kind 34 inch tall by 26 inch wide oval artwork...

Kathleen Keifer's original artworks represent one of the most significant expressions of New California Realism. Keifer brings a fresh perspective to her colorful scenes of everyday ...

Contemporary figurative acrylic on canvas painting by Polish artist Joanna Woyda. Painting is in minimalistic, pop art style. The artwork depicts a boy standing in the water. He is v...

Carl Smith is an American artist who has been living in Berlin, Germany, since 2001. He works with a combination of silkscreen printing, collage, and painting to create his urban ins...

English artist Jonjo Elliot's large scale still life works are a collision of expressionistic fauvism and his collections encourage a youthful candor. Plants thrive in environments t...

Original Fashion Design Illustration by Roz Jennings, British watercolor and ink on card, unframed size: 12 x 8.25 inches condition: very good A beautifu...

“Kaleidosoul” is a vibrant exploration of inner emotion and silent connection. Through expressive colors and subtle gazes, this piece reveals the ever-shifting spectrum of the soul —...

"Jeni Stallings creates work that often draws from her dreams and personal experiences. She tends to render those moments in a muted, femininity-infused surrealism far from the hard-...

Swiss artist Marion Duschletta transforms iconic imagery and urban landscapes from around the world into unique artworks. She layers an intriguing mixture of urban photographs and Am...

Turn up the volume of joy! This painting is about that moment when the world is simple, bright, and every beat makes you smile wider. Colors that dance like music, energy that never ...

We are please to announce that we are now exclusively representing the Pop Art cowboy and cowgirl paintings of the artist Matt Straub. We at the gallery have been excited about the ...

Artist Comments
A man lights his cigarette and enters a moment of pause, stress relief, and contemplation. The contrast of light and shadow on his face highlights his concentra...

"James BOB" Pop Art James Dean Painting 66 x 52 inch by John Paul Fauves From "Alts iz farloyrn" ("All is lost") series 2019 Mixed media, acrylic and oil on canvas 66" × 52" inch "Alts iz farloyrn" ("All is lost") "Alts iz Farloyrn” – the latest series by John Paul Fauves featuring large-scale mixed media paintings, sculptures, and his famous art masks. Inspired by American idols James Dean and Steve McQueen, "Alts iz Farloyrn,” which translates to "All is Lost," was Steve McQueen’s first ever line on stage and represents Fauves own struggle with losing it all yet discovering his true self. “Alts iz Farloyrn” dives deep into the darkness that surrounded James Dean and Steve McQueen and explores their need to live fast. Through this new series, viewers are reminded that although both men overcame challenges to become the Hollywood elite, they struggled to mentally escape their troubled childhood and demons. Recognized internationally for his Neo-Pop Expressionism, Fauves paintings deal with identity through art, mainstream culture and social media. About this series, Fauves says “I have personally lost it all and what I’ve learned is when you lose it all you can win it all again and create a new beginning!” ABOUT John Paul FAUVES: John Paul Fauves (born in 1980) is a contemporary Artist from Costa Rica . His artistic journey started at a very young age after he became a student of Joaquin Rodriguez del Paso , one of the most important Costa Rican modern art tutors. John Paul spent 15 years studying and mastering his technique, and only a few years ago he finally started showcasing his work. In his paintings he engages questions of identity as they relate to art history as well as our everyday interactions with mainstream culture and social media. Greatly inspired by modernist masters as wellas pop-artists, Fauves mixes fragments of different iconic images in vivid and colourful compositions. Of his experimental and high eclectic style, he says, “art is an expression from the soul, and the soul is somethinglimitless. This is why I am always searching for different elements to bring into the work.” 2019: ​ Alts Iz farloyrn, Los Angeles, CA Portraits of Someone, London ​ ​ 2018: ​ [ Mi / Me ] solo exhibition at DOPENESS ART LAB, Taipei, Taiwan Arte de La Peer Papi Chulo group exhibition, Krause gallery, NYC Down the Rabbit Hole group exhibition, Imitate London, London, UK ARCO Madrid Art Palm Beach, Miami ​ 2017: ​ Art Basel Miami PIXELS Pre-Basel group exhibition by JM Art Management at Laurent & Martin gallery LA Style Fashion week FACES, group exhibition by JM Art Management at HOMME gallery A Loss of Innocence, solo exhibition Guy Hepner...

Fun, vibrant mixed media piece. Woman dipping her toe into the pool. On wood. About the Artist: Allen's work has gained recognition world-wide for it's complex layering of mixed media works that create a narrative of modern American culture. His work today is a culmination of many years of painting, thinking and experiencing. He blends urban street art with his background of typography, mixed media collage, and abstract expressionism into each of his urban pop expressionist works. The son of fine artist / commercial artist Harrison Allen, Mark learned a lot very early from his talented father. His think training also includes a bachelor degree in commercial art from Texas...

Original Fashion Design Illustration by Roz Jennings, British watercolor and ink on card, unframed size: 12 x 8.25 inches condition: very good A beautifully colorful and characterfu...

Simon Bull, British (Born 1958) Hand Embellished Giclee on Canvas "Whisper" (white flower) Hand signed Lower Left, Numbered 283/350 on Obverse side. Measures 16" x 16" image, frame measures 24-1/8" x 24-1/8" Simon Bull (born in March 1958) is an English-born artist living in America. Early years and education. Simon Bull was born in Bedfordshire, England. The second of four children. His father, Ian Bull served as an officer in the Royal Army Chaplains’ Department of the British Army. Ian’s extensive military postings stationed the family around the world in Guyana, Hong Kong, Germany, and Northern Ireland. Simon went to boarding school in Yorkshire, attending Ripon Cathedral Choir School from 1965 to 1969 and in Surrey, at the Royal Russell School from 1969 to 1976. In 1976 he took a one-year Foundation course at Gloucestershire College of Art and Design and went on to graduate in 1980 from Leeds Polytechnic with a BA (Hons) degree in Fine Art. He studied printmaking and Fine Art under Norman Webster and Norman Ackroyd RA. His time at Leeds was marked by his interest in and study of the masters, such as Henri Fantin-Latour, Jean-Baptiste-Simeon Chardin, and Rembrandt; he wrote his dissertation on watercolorist John Sell Cotman. In his graduating year he exhibited his etching Jackie at the Royal Academy Summer Exhibition and his works were acquired by Leeds City Art Gallery. His art is currently represented exclusively, by his own company Simon Bull Studios of Carmel CA and MEUSE gallery on Carmel’s Ocean Avenue. Simon Bull Studios contracts with and supplies a network of fine art galleries around the world including Cutter & Cutter Fine Art, Park West Gallery and others. He has been represented in the UK by, London Contemporary Art and DeMontfort Fine Art; as well as in the USA with Media Arts Group. His worldwide licensing agent is Art Brands Group. In 2007 he was invited to create a series of paintings that celebrated the life of Muhammad Ali. Many of these works are now on permanent display in the Muhammad Ali Center in Louisville, Kentucky. He has spoken on behalf of the Muhammad Ali Center at the Vancouver Film Festival for the premiere of the movie Facing Ali. In 2009 he was commissioned to paint US President Barack Obama by boxing legend Muhammad Ali. His two joint portraits of Barack Obama and Muhammad Ali were unveiled at the Kentucky Bluegrass...

Large Expressionist Charlie Chaplin Portrait Painting, Red Black Figurative Oil on Canvas Medium: Oil on canvas Dimensions: 73 x 60 cm (28.75 x 23.63 in) Framing: Unframed Signature: Signed Date: 2004 Condition: Good condition. Stable canvas and well-preserved paint surface. Striking large-scale expressionist portrait inspired by the iconic figure of Charlie Chaplin. The composition is built around a powerful contrast between deep black silhouettes and an intense red background, creating a bold and emotionally charged visual impact. The figure is rendered in a raw, gestural manner, bordering on abstraction while maintaining a strong figurative presence. The dripping paint, aggressive brushwork and simplified forms evoke influences from neo-expressionism and contemporary European figurative painting. A visually commanding piece that works exceptionally well as a statement artwork in modern interiors. Joaquim Falcó...

The painting "Everyday Warrior" depicts a woman whose strength and resilience are manifested in the most important part of the battlefield - in the rear. Inspired by the real image o...

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Screenprint, on Stonehenge paper, with full margins. Unsigned. Warhol Foundation stamp on verso. Sheet size 30.25 x 22 inches. Image size 22.5 x 18.125 inches. Custom framed as p...

Italian artist Fabio Coruzzi merges painting and photography into one imaginative image that offers a new outlook on an otherwise ordinary urban scene. His artworks represent an auth...

Original acrylic painting on canvas. Hand signed lower left by Peter Max. Canvas size: 10 x 10 inches. Frame size: 19.37 x 19.37 inches. Studio catalog number and date on verso. ...

This vibrant acrylic painting by Natasha Lelenco, part of her on process Ancestor Clones series, features a striking symbolic face depicted in intense shades of green. The portrait's...

Italian artist Fabio Coruzzi merges painting and photography into one imaginative image that offers a new outlook on an otherwise ordinary urban scene. His artworks represent an auth...

Pop singer. The painting by Venetian painter, born in 1937. Technique: oil on canvas. Signed in full lower right and on the back of the canvas: Andrea Pagnacco. It represents a singe...

Moschetta original artwork "Head 83.2022" As an Antique sculpture, Dario Moschetta creates strength and movement in this artwork. Moreover, experimental technique brings an unique t...

Naguy Claude mixes popular culture icons and street art with comic and cartoon characters, as well as famous superheroes, in his original layered mixed media paintings. His artworks ...

"Jeni Stallings creates work that often draws from her dreams and personal experiences. She tends to render those moments in a muted, femininity-infused surrealism far from the hard-...

Los Angeles street artist Gary John exploded onto the international art scene first during Art Basel Miami in 2013. John’s playfully bold work quickly gained attention and he was nam...

This painting is in excellent condition and has only been shown in a gallery. Federico López Córcoles was born in the Alicante region of Spain in 1970. This area is well-known for ...

"Yellow Marsh Mallow" Mixed media Painting 39" x 31" inch by John Paul Fauves Painting ships rolled In tube. ABOUT John Paul FAUVES: John Paul Fauves (born in 1980) is a contempo...

Los Angeles street artist Gary John exploded onto the international art scene first during Art Basel Miami in 2013. John’s playfully bold work quickly gained attention and he was nam...

Italian artist Fabio Coruzzi merges painting and photography into one imaginative image that offers a new outlook on an otherwise ordinary urban scene. His artworks represent an auth...