1820s Landscape Paintings

Abraham Cooper 1787 – 1868 Monogrammed and dated 1824 Portrait of the Racehorse 'Don John' Provenance: Label on the reverse Galerie Art and Antiques Dr Christa Cackett Switzerland ...

Wonderfully painted early 19th-century English rural landscape with cattle in a cowshed. Very similar to the work of Edward Williams who was a very well-known English landscape pai...

This lovely British Old Master landscape oil painting with excellent provenance is attributed to being by George Vincent, after John Crome. Painted circa 1820 the setting is a woodl...

George Dinsdale (British, fl. 1809-1829) View of Bramham Park from the east, c. 1829 Oil on canvas 48.4 x 67.1 cm.; (within frame) 62.6 x 81 cm. (Unsigned) Provenance: Private coll...

Abraham Johannes Romswinckel (1810-1856) Self-portrait in Indonesian landscape Inscribed Abr. Joh. Romswinckel, geb. Batavia 17 Oct. 1810, overl...

Anonymous (English School) The Ballad Singers, ca. 1820 Oil on canvas Lively, theatrical, and brimming with charm, The Ballad Singers is a rare surviving example of early 19th-centu...

John Nost Sartorius (British, 1759–1828) Men Out Bird Shooting in a Woodland Landscape, circa 1820 Oil on wooden panel, in a fine antique gilt frame Unsigned A finely observed early 19th-century sporting picture by John Nost Sartorius, one of the most respected figures in the English tradition of animal and sporting painting. The composition depicts a quiet moment in the field: a sportsman advancing through woodland with his gun, accompanied by attentive pointers, their forms crisply picked out against the darker recesses of the forest. Sartorius was celebrated for his ability to combine accurate animal portraiture with atmospheric landscape settings, and this work is characteristic of his mature period. The dogs are rendered with anatomical confidence and individual character, while the surrounding woodland is handled with a restrained, naturalistic palette that lends depth and calm to the scene. The narrative is understated and refined, intended as much for contemplation as for sporting reference. Painted on a wooden panel, as was common for Sartorius’s smaller and more intimate works, the picture retains a pleasing surface quality and detail. It is housed in an antique gilt frame of appropriate date, enhancing its presence and lending a strong period feel. Works by Sartorius were highly sought after by country house patrons in the early 19th century and were often commissioned to record favourite dogs or shooting grounds. Today, paintings of this type remain especially appealing to collectors of British sporting art and sit equally well in traditional country house interiors or more formal libraries and studies. A confident and decorative example of English sporting painting...

Attributed to André Giroux Paris, 1801 - Paris, 1879 Landscape with the Three Graces Oil on canvas Trace of a signature lower right 56 x 70 cm (68 x 85 cm with frame) Beautiful black...

Palace with Vignettes of Scenes of Royal Court Life Early 19th century Rajput School Gouache on heavy paper, mounted to gold flecked support board c. 1820 Unsigned as usual Inscribed...

Eugène VERBOECKHOVEN Warneton, 1798 – Schaerbeek, 1881 Oil on wood panel 42 x 33.5 cm (58 x 50 cm with the frame) Signed, dated and located lower right “EJ Verboeckhoven / 1826 / à G...

Arch of Constantine, Rome Oil on canvas 21.7 x 29.5 cm Without frame