Wood Panel Paintings

Stephanie Hartshorn's beautiful original impressionist oil landscape "Presence" (2024) depicts an American midwestern plains scene, focused on the skyscape above, with a farm and mou...

Jeanine Donkers Remembrance 70 x 70 cm ( framed included in price) Measurement with included frame: 76.5 x 76.5 cm Oil on wood panel Jeanine Donkers' paintings offer a world filled...

Promenade Acrylic on wood 33.1 x 21.8 cm A compact yet striking cubist composition by French artist Grégoire Mathias, “Promenade” explores human figures through layered geometries and rich earth tones. “Promenade” is a refined, vertically oriented work in acrylic on wood panel by French artist Greg Mathias, a pioneer of Diachronic Cubism—an evolution of Cubism that doesn’t just fragment space, but also folds multiple moments in time into a single frame. In this composition, a solitary figure appears mid-step, portrayed through overlapping forms that subtly shift in posture and position, evoking successive instants of the same walk. Using a palette of earthy ochres, rose-beige tones, slate blues, and deep browns, Mathias blends geometric abstraction with temporal movement. The fractured background enhances the impression of both forward motion and layered time, suggesting the silent passage of moments within a single contemplative scene. Unlike traditional Analytical Cubism, which reduces forms to a still, spatial analysis, this piece embodies motion and transformation—hallmarks of the artist’s unique visual language. Compact in size but conceptually expansive, “Promenade” invites the viewer to witness the echo of steps already taken and those just about to occur. Perfect For: Interior designers sourcing vertical wall art...

Henri Pearson (French, 19th Century) Harbour Scene with Fishing Boats and Figures on the Shore Oil on wood panel, circa 1880–1890 This evocative harbour scene by the French painter H...

Edmund Bristow 1787 – Eton – 1876 English Painter 'The Stubborn' Signature: signed on the nameplate of the cottage 'E. BRISTOW'; titled on the reverse 'Interior of a Cottage with V...

Rather than re-creating a literal landscape on canvas or paper, I aim to express its essence in a rich and complex form of delicately painted organic subjects that float and trail ac...

Brad Davis’s "Violent Engines" is a panoramic oil painting on wood panel that captures a moment of stillness and introspection against the backdrop of industrial sprawl and natural b...

Ben-Zion (1897-1987) Flower Piece with Black Vase Oil on board, Hand signed 'Ben-Zion ' lower right, with the artist 's label and label from Duveen-Graham gallery, NY. 16 x 7 3/4 in., unframed as intended, Born in 1897, Ben-Zion Weinman celebrated his European Jewish heritage in his visual works as a sculptor, painter, and printmaker. Influenced by Spinoza, Knut Hamsun, and Wladyslaw Reymont, as well as Hebrew literature, Ben-Zion wrote poetry and essays that, like his visual work, attempt to reveal the deep “connection between man and the divine, and between man and earth.” An emigrant from the Ukraine, he came to the US in 1920. He wrote fairy tales and poems in Hebrew under the name Benzion Weinman, but when he began painting he dropped his last name and hyphenated his first, saying an artist needed only one name. Ben-Zion was a founding member of “The Ten: An Independent Group” The Ten” a 1930’s avant-garde group, Painted on anything handy. Ben-Zion often used cabinet doors (panels) in his work. Other members of group included Ilya Bolotowsky, Lee Gatch, Adolf Gottlieb, Louis Harris, Yankel Kufeld, Marcus Rothkowitz (later known as Mark Rothko), Louis Schanker, and Joseph Solman. Over the course of the group's existence, seventeen artists exhibited as members of The Ten at nine different shows. The group's nine shows were held at galleries and locations around New York City, including one international exhibition in Paris. David Burliuk, Lee Gatch, John Graham, Earl Kerkam, Karl Knaths, Edgar Levy, Jean Liberté...

Excellent condition. Signed G. Laeverenz München.

keywords; materiality, texture, oil painting, contemporary painting, ooze, perforation, Lucio Fontana, process-based, repetition, abstract painting, patterns, impasto, fushia, patter...

Ahasuerus and Haman at the Feast of Esther Attributed to Denys Calvaert (Antwerp, 1540 – Bologna, 1619), not signed Early 17th century Italian School, circa 1610 Oil on poplar panel,...

In her latest series, "The Weaver," Shizico explores forms, layers, and time onto canvases. Applying the format of diptychs and triptychs, she creates lyrical narratives, capturing t...

Paul Jansen Curious Calf 51 x 61 cm (Framed 67x 78 cm, Frame is included in price) Oil on wood panel Painter Paul Jansen (1960) started his artistic career as a photographer, and a ...

Beautiful , Large and important oil on panel by the renowned Fauvist artist Agustín Carrera (1878-1952) Born in Madrid to French parents, he studied in Marseille and Paris and benef...

The Palm Tree in Jamaica Frenchman's Beach 12" x 9" Frame made in Florence. Artist Nelson White painted The Palm Tree in Jamaica on one of his many trips to Jamaica and the Bahama...

poppy and encaustic on wood panel 14 x 14 x 1 inches This work on panel is being offered by Carrie Haddad Gallery, located in Hudson, NY. This modern encaustic painting by Allyson L...

Tracy Spadafora's “Blue Dumpster”, is from her series “Left Behind: Visual Histories”. This contemporary encaustic and oil painting consists of blue, rust, orange, white and black co...

Artist Ger Stallenberg likes to get lost in his landscapes. The artist born in Maastricht (1959) studied at the Academy of Visual Education in Tilburg. Ger Stallenberg is inspired b...

Studio of Adriaen Isenbrandt 1510 - 1551 The Virgin and Child Enthroned Oil on oak panel, wax seal verso Image size: 10 3/4 x 8 inches (27 x 20.5 cm) Contemporary style frame (image below) POA Provenance Collection of Mrs Marianne Hudson Mary, holding Jesus in her arms, is centrally positioned against a gold detailed architectural backdrop, reflecting the traditional iconography of the enthroned Virgin and Child. This composition suggests the theme of “Maestà” or “Majesty,” emphasising the figures religious significance. In the painting from the studio of Adriaen Isenbrandt, the artist masterfully infuses the scene with rich symbolism and hidden meanings that reflect the cultural and religious context of the period. The infant Christ, seated on the Virgin Mary’s lap, is draped in a delicate, translucent white garment that symbolises his purity. In his hand, he clutches a piece of coral, a multifaceted symbol representing immortality, youth, and health. Notably, coral was also a common teething tool during that era, adding another layer of contemporary relevance. A scarlet-headed blackbird, native to South America, perches gracefully on Christ’s outstretched finger. This bird is a potent symbol of creation and protection, enhancing the divine narrative of the scene. Mary, with a tender and loving gesture, caresses Christ’s back while gazing adoringly at her son, underscoring her role as the nurturing mother of God. Mary is centrally positioned within an architectural alcove, which subtly suggests a heavenly halo without explicitly depicting one. The alcove’s niches, traditionally used to emphasise the importance of sculptures, further highlight her significance. She is adorned in a voluminous red gown, with the undulating folds of the fabric accentuated by white highlights. The red colour of her dress symbolises maternal qualities, while the iridescent blue undercoat, visible in certain areas, signifies sanctity and purity due to its rarity and expense at the time. Moreover, Mary is depicted as the epitome of contemporary Medieval...

Kristine Moran, oil on wood panel, signed and dated verso

Acrylic on wooden panel with a white frame Lee Yu Min is a Korean artist born in 1987 who lives and works in Daejeon, South Korea. She is specialized in Korean painting, completing ...

Carolien van Olphen The Blue Kimono II Oil on wood panel 60 x 40 cm (Framed 68 x 48 cm, frame is included) Dutch artist Carolien van Olphen has left a great impression in many plac...

Adele Webster’s contemporary landscape paintings explore atmosphere, light, and the emotional presence of open space. Working with layered acrylic washes on wood panel, Webster creat...

These two royal portraits are a major historical testimony to the stay of the Comte d'Artois (the future Charles X) and his family in Edinburgh in 1796-1797. Given by the sitters to Lord Adam Gordon, the Governor of Edinburgh, and kept by family descent to this day, these two portraits provide us with a vivid and spontaneous image of the Duc d’Angoulême and his brother the Duc de Berry. Danloux, who had emigrated to London a few years before, demonstrate his full assimilation of the art of British portrait painters in the brilliant execution of these portraits. 1. Henri-Pierre Danloux, a portraitist in the revolutionary turmoil Born in Paris in 1753, Henri-Pierre Danloux was first a pupil of the painter Nicolas-Bernard Lépicié (1735 - 1784) and then, in 1773, of Joseph-Marie Vien (1716 - 1809), whom he followed to Rome when, at the end of 1775, Vien became Director of the Académie de France. In Rome he became friends with the painter Jacques-Louis David (1748 - 1825). Returning to France around 1782, he settled in Lyon for a few years before returning to Paris in 1785. One of his first portraits was commissioned by the Baroness d'Etigny, the widow of the former Intendant of the Provinces of Gascony, Bearn and Navarre Antoine Mégret d'Etigny (1719 – 1767). He then became close to his two sons, Mégret de Sérilly and Mégret d'Etigny, who in turn became his patrons. In 1787, this close relationship with the d'Etigny family was further strengthened by his marriage to Antoinette de Saint-Redan, a relative of Madame d'Etigny. After his marriage, he left for Rome and did not return to France until 1789. It was during the winter of 1790-1791 that he painted one of his masterpieces, the portrait of Baron de Besenval. Set in a twilight atmosphere, this portrait of an aristocrat who knows that his death is imminent symbolizes the disappearance of an erudite and refined society which would be swept away by the French Revolution. The Jacobin excesses led Danloux to emigrate to England in 1792; many members of his family-in-law who remained in France were guillotined on 10 May 1794. Danloux enjoyed great success as a portrait painter in England before returning to France in 1801. During his stay in England, Danloux was deeply under the influence of English portraitists: his colors became warmer (as shown by the portrait of the Duc d'Angoulême that we are presenting), and his execution broader. 2. Description of the two portraits and biographical details of the sitters The Duc d'Angoulême (1775-1844) was the eldest son of the Comte d'Artois, the younger brother of King Louis XVI (the future King Charles X), and his wife Marie-Thérèse of Savoie. He is shown here, in the freshness of his youth, wearing the uniform of colonel-general of the "Angoulême-Dragons" regiment. He is wearing the blue cordon of the Order of the Holy Spirit, which was awarded to him in 1787, and two decorations: the Cross of Saint-Louis and the Maltese Cross, as he was also Grand Prior of the Order of Malta. Born on 16 August 1775 in Versailles, Louis-Antoine d'Artois followed his parents into emigration on 16 July 1789. In 1792, he joined the émigrés’ army led by the Prince de Condé. After his stay in Edinburgh (which will be further discussed), he went to the court of the future King Louis XVIII, who was in exile at the time, and in 1799 married his first cousin Marie-Thérèse Charlotte of France, the daughter of Louis XVI and the sole survivor of the royal family. The couple had no descendants. He became Dauphin of France in 1824, upon the accession to the throne of his father but played only a minor political role, preferring his military position as Grand Admiral. Enlisted in Spain on the side of Ferdinand VII, he returned home crowned with glory after his victory at Trocadero in 1823. He reigned for a very short time at the abdication of Charles X in 1830, before relinquishing his rights in favor of his nephew Henri d'Artois, the Duc de Bordeaux. He then followed his father into exile and died on 3 June 1844 in Gorizia (now in Italy). His younger brother, the Duc de Berry, is shown in the uniform of the noble cavalry of the émigrés’ Army. He is wearing the blue cordon of the Order of the Holy Spirit, awarded to him in May 1789, and the Cross of Saint-Louis (partly hidden by his blue cordon). Born on 24 January 1778 in Versailles, Charles-Ferdinand d'Artois also followed his parents into emigration and joined the émigrés’ army in 1792. After his stay in Edinburgh, he remained in Great Britain, where he had an affair with Amy Brown...

Painting with a traveler on a white horse and accompanied by a dog looking up at a road sign in the form of a cross. On the roadsign is ” Arnhem”. (a town at the Rhine river in the E...

California Sunset - The West Coast enjoys the luxury of the extravagant, dramatic sunsets in hues of vibrant oranges fading to pure yellow diminishing to lavender and traces of lime ...

A joyful sunflower field comes to life in this 11x14" acrylic painting on wood panel. Bold yellow blooms rise against a vivid blue sky, their dark centers and expressive brushstrokes...

"Rob Alexander's ""Twilight Approaches"" is an original, handmade oil painting that depicts the pink and yellow twilight reflecting on a snow covered lan...

Judd Mercer presents "Fractured Dream," is an original, handmade oil painting created in 2025. The piece measures 24 inches in height by 24 inches in width, rendered on a durable 1.5...

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts 2 gestural figures of back bunnies on a Light Sky Blue background with thick use of paint...

Alexander Eulert's original mixed media paintings on wood panels are abstract propositions of worlds where divergent forces coalesce into harmonious geometric interactions. He draws ...

Robert Lebsack creates artworks using mixed media with ink, acrylic, and charcoal on archival copies of newspapers, textbooks, and sheet music. As a visionary artist, Lebsack weaves ...

Artist: Voskan Galstian Work: Original Painting, Handmade Artwork, One of a Kind Medium: Acrylic on Canvas Panel Year: 2023 Style: Abstract Art, Title: Road To Zion Size: 18" x 24...

Inspired by the artists of the Modern Art era, including Post-Impressionist Paul Cezanne, Kang visualizes the modern day search for identity in an age where information and images permeate every aspect of contemporary life. His architectural urban scenes are flattened, with everything pressed against the surface of the artwork. At times, multiple views of the same houses are visible, trees and bushes are vaguely alluded to, and the color palette finds a hectic balance. Just as a city operates in a balance of chaos and the sublime, so do the artworks of Kang. The Sublime is a euphoria that affects the deep recesses of one’s consciousness. As is this experience of the sublime, his work is largely abstract. This large colorful horizontal artwork is 23 inches high by 41 inches wide. The sides of this textured, original mixed-media artwork are painted and it does not require framing. It is hand-signed and dated by the artist on front right corner and on the back. Free local Los Angeles area delivery. Affordable U.S. and worldwide shipping available. Provenance: Artspace Warehouse. A certificate of authenticity issued by the art gallery is included. Tae Ho Kang was born in Seoul, Korea in 1945. He studied at the College of Arts of Hongik University in Seoul, South Korea. He later moved to California to study Fine Art at California State University, where he graduated in 1980. Since then, his artworks have focused on the never-ending quest for home and belonging in a dense urban landscape. About his mixed media artworks, he remarks: “One day, when I was traveling, I was impressed by the beautiful scenery of the city under the sky, with many straight lines, curved lines, and harmonies of different colors, which seemed to be a magnificent orchestral performance. The beauty of this urban landscape gave me a deep impression and great change began to take place in my work. I wanted to be a molecule in this huge space. I have to find a house of my heart to be molecule. Where is the house I live in? What is my identity? This question has begun to arise. I am on a long journey to find my own house.” His mixed media collage artworks have been exhibited in solo and group exhibitions as well as international art fairs throughout the US and in Korea. Kang's work has also been featured in Television and Film productions, including Criminal Minds, NCIS Los Angeles, Unforgettable, The Mindy Project, The Great Indoors, and American Housewife. His artworks have been exhibited and acquired by private collectors around the world. REPRESENTATION Artplex Gallery, Los Angeles, USA SOLO EXHIBITIONS 2018 EK Art Gallery, Los Angeles, CA 2017 CLU Gallery, Los Angeles, CA 2010 Vendome Gallery, Los Angeles, CA 2009 LA Artcore Gallery, Los Angeles, CA 2006 Artcore Brewery Annex Gallery, Los Angeles, CA 2005 Yemac Gallery, Seoul, Korea 2004 Andrewshire Gallery, Los Angeles, CA 1998 John N Joe gallery, Los Angeles, CA 1995 John N Joe gallery, Los Angeles, CA 1994 Andrewshire Gallery, Los Angeles, CA 1992 LA Artcore Gallery, Los Angeles, CA 1991 Hyo-Chun Gallery, Seoul, Korea Andrewshire Gallery, Los Angeles 1978 Shin Moon Gallery, Seoul Korea GROUP EXHIBITIONS 2022-23 Artplex Gallery, Los Angeles, CA 2019 Artspace Warehouse, Los Angeles, CA 2014 Invitational Exhibition of 11 Artists in California, Art center, Seoul Korea 2012 Bring a Friend, Lois Lambert Gallery-Bergamot Station(E-3), Santa Monica, CA 2011 Selected works (3 artists), Lois Lambert Gallery-Bergamot Station(E-3) CA Perserverance+Passion, Korean Cultural Center, Los Angeles CA 2010 The 1st Annual APLA(Aids Project Los Angeles), Bonhams & Butterfields Auction House 2009 The 10th Annual Exhibition of Hong-Ik Alumni 2009 Exhibition of Association of Christian Artist...

His studio is located "everywhere", or at least where this artist is inspired by the landscape. Frank Dekkers, an outdoor painter, but not a "square painter" as we know him. A spe...

Oil painting on wooden panel realized by Marco Fariello in 2025.

Gough’s interest in the elusive quality of memory has always been an invariable interest in his art practice. Rooted in memories of his upbringing in Newfoundland, Gough’s paintings ...

Abstract encaustic painting with brown branches with dark red berries against a light beige background "Winter Berry Diptych" made by Hudson Valley based artist, Allyson Levy, in 201...

"The Dance" is an exquisitely detailed contemporary still life by Karina Rodríguez, rendered in oil on wood panel in 2025. This artwork is framed in a simple, black frame and is read...

oil and wax on canvas over wood panel signature on verso Hiro Yokose paints images of nature composed in subtle, sensuous palettes. Playing with the viewer’s perceptions, his work c...

Tiberio Titi (Florence, Italy, 1573 – 1638) Title: Portrait of a Gentleman Medium: Oil on panel Dimensions: Without frame 122 x 91 cm – with frame 162 x 133 x 10 cm Not signed Publ...

John F. Pasmore (British, 19th century) Young Woman by a Cottage Door with Cat, Dog and Bird, circa 1880 Oil on panel, signed lower left A finely observed late-Victorian genre paint...

A circular landscape set within a luminous gold frame, this work reflects Elena Zolotnitsky’s ongoing meditation on beauty, adolescence, and the passage of time. Her oil paintings ar...

Neutral-toned abstract contemporary painting by Houston, TX artist Winifred Booth. The piece depicts two gray rectangle shapes with black calligraphic-l...

EMILIO SÁNCHEZ PERRIER Spanish, 1855 - 1907 ÁLAMOS EN LA ORILLA DEL GUADALQUIVIR signed "E Sanchez Perrier" (lower left) oil on wood panel 36-5/8 x 19-5/8 inches (93 x 50 cm.) framed...

oil and wax on canvas over wood panel signature on verso Hiro Yokose paints images of nature composed in subtle, sensuous palettes. Playing with the viewer’s perceptions, his work c...

Some time ago Evgeniy bet with his good friend that he could paint a painting where about half of it would be pure white primer but painting will look finished anyway. So this story ...

Abstract art experiments with the use of texture, tone, and the perception of light, inviting viewers to engage with emotion and movement rather than recognizable forms. Through abst...

Abstract art experiments with the use of texture, tone, and the perception of light, inviting viewers to engage with emotion and movement rather than recognizable forms. Through abst...

Tracy Spadafora's “Dumpster 1-800”, is from her series “Left Behind: Visual Histories”. This contemporary encaustic and oil painting consists of red, white, black and brown colors, w...

Brad Davis’s "Bob’s Used Auto Parts" is an oil painting on wood panel measuring 18 x 14 inches, presented in a contemporary frame with overall dimensions of 20 x 16 inches. Framed an...

Gough’s interest in the elusive quality of memory has always been an invariable interest in his art practice. Rooted in memories of his upbringing in Newfoundland, Gough’s paintings ...

Lindsey Kustusch's "Kaleidoscope #2" is a compelling handmade original oil on wood panel artwork, measuring 20 x 16 inches. This 2025 piece is a primary market item, arriving for Kus...

By Linda Dumont 6" x 6" - Oil on Panel About the Artist: Linda Dumont draws upon her childhood experiences in a vibrant and experimental art world to create extraordinary works. Wit...

Elena Zolotnitsky is a Russian American painter whose work explores beauty, adolescence, and the passage of time. Her paintings emphasize the tactile physicality of paint, creating s...

Artist Statement "While staying at the Forbes' Trinchera Ranch in southern Colorado, I was intrigued by seeing this heavy cloud layer every morning hovering below Mt. Blanca's impressive peak of 14,351 feet. The cloud layer created an atmospheric division between the cool shadows below and the bright, warm light above." ―Peter Adams Description The artist's particular bold, broad brushwork magnifies a sense of epic in this pristine scene. The painting exemplifies the American West as an expansive land of free spirit and boundless possibilities. The colors are opulent and there is an intriguing sense of mystery about the subject, a Shangri-la feeling. The presentation of the painting makes a grand entrance statement. Provenance Acquired by the gallery directly from the artist Gallery Note The artist began the painting in 2006 and completed it in November of 2017. Exhibited Maxwell House...

Steven Nederveen's art is a testament to the complex and ever-evolving relationship between humans and nature. His vivid nature scenes, often seemingly uplifting and idyllic, also reveal the darker aspects of our connection with the natural world. Through his work, Nederveen explores the dualities of our relationship with nature - the love and destruction that can coexist within us. His masterful use of color and light illuminates the beauty and mystery of natural environments such as oceans and...

Acrylic on wooden panel with a white frame Lee Yu Min is a Korean artist born in 1987 who lives and works in Daejeon, South Korea. She is specialized in Korean painting, completing ...

Ludwig van Löfftz (1845-1910)
 The Artist at Work
 Oil on panel
 Signed and located Munchen lower left 
21 x 16 cm
 Provenance: * Collections of Prof. Dr. Ludwig Borchardt and Emili...

Lindsey Kustusch's "Roses in Bloom" is a compelling handmade original oil on wood panel artwork, measuring 16 x 20 inches. This 2025 piece is a primary market item, arriving for Kust...