1930s Paintings

Medium: Oil on Canvas Signature: Signed Lower Left Framed Size 36.00" x 27.00" Motor magazine Cover, October 1931

Humorous illustration featuring a young boy fishing with his grandpa and dog in a rowboat. Louis Dow Calendar Illustration, March 28, 1939 Artwork Dimensions: 36" x 22" Framed Dim...

The painting is signed, inscribed "Jerusalem" and dated "1931" at the lower right corner. Condition: Good Condition. unexamined out of the frame. Note: This work will be shipped from Israel...

Medium: Oil on Canvas Signature: Signed Lower Right Dimensions: 33" x 28", Framed Dimensions: 36.5" x 31.5" Original advertisement for Packard Motor Company, published 1930. Though...

Original cover for Liberty magazine, published October 3, 1931 Sandy is excited to receive an unexpected $35 income tax refund check. After going to the bank, he goes to lunch with ...

Date: 1930 Medium: Oil on Canvas Dimensions: 21.00" x 28.00" Signature: Signed Lower Right MOTOR Magazine, The Automotive Business Paper September, 19...

Signature: Signed Lower Right Medium: Oil on Canvasboard Good Housekeeping magazine cover, March 1936

Willy Eisenschitz is one of the most important Austrian artists of the 20th century, yet for a long time he received far too little attention in his ...

Medium: Oil on Board Signature: Signed Lower Right Sight Size 30.00" x 27.00", Framed 38.00" x 35.00" Saturday Evening Post Cover, May 16, 1931 From the Estate of Charles Martignett...

Harry Lemon Parkhurst American, 1876–1962 was a pulp illustrator for crime and detective stories. The works depicts an art thief caught at a pe...

Medium: Oil on Canvas Signature: Signed Lower Center August 8, 1931 Saturday Evening Post Cover

Original cover for Liberty magazine, published February 7, 1931. It’s wintertime and the streets are filled with muddy slush as the children of the neighborhood, Gwendolyn Smithers and Red Hancock, play outside. Red climbs to the top of a swaying wooden fence and begins to walk across it like a tightrope as he brags to Gwendolyn, “I bet you can’t do this.” Hoping he would slip, Gwendolyn giggles, “Ho-ho! I bet I can do it with my eyes shut.” As his ankles shake on the wobbling fence, Red bravely shouts, “I dare you...

Date: 1930 Medium: Oil on Canvas Signature: Signed and Dated Lower Right Contact exact dimensions. Liberty Magazine Cover, April 12, 1930

Hand-colour lithograph c1931 of Sir Thomas J Lipton, Bart by Gordon Ross (1873-1946) aboard his yacht 'Erin' Print Sz: 22 3/4"H x 15 1/4"W Frame Sz: 31"H x 23"W w/ coral mat & antique bamboo frame...

Saturday Evening Post Story Illustration, November 12, 1938 Both George Brehm and his younger brother Worth, had the ability to illustrate stories about children, particularly boys, sympathetically and convincingly. Perhaps this insight developed from their small-town Hoosier upbringing. George studied at the Art Students League in New York with Twachtman, DuMond, and Bridgman, but did his first illustration for the Reader’s Magazine, published by the Bobbs-Merrill Company near his home in Indianapolis. On the strength of this work, he obtained an assignment from The Delineator in New York, and his career was launched. Over the years, he illustrated a variety of mainstream magazines; his most memorable pictures were done for The Saturday Evening Post for story series by Booth Tarkington...

Jim's of Lambertville Fine Art Gallery is proud to present this piece by Richard Wedderspoon (1889 - 1976). Richard Wedderspoon was an important member of the New Hope Art Colony as both an Impressionist and Modernist painter. Wedderspoon was not only a respected painter, but also a teacher who spent summers at his Bucks County home and the school year at Syracuse University where he was Professor of painting. He was born in Red Bank, New Jersey and first studied art at the Carnegie Institute in Pittsburgh. He continued his studies at the Corcoran School of Art in Washington, and at age twenty four, he enrolled at the Pennsylvania Academy of the Fine Arts studying with Henry McCarter and Daniel Garber. While there his roommates were Charles Garner and Lloyd Ney. Wedderspoon began friendships with fellow artists, Charles Hargens, Clarence Johnson and Stanley Reckless...

Baby caring a horse shoe on his shoulders reminiscent of the famous J. C. Leyendecker Baby covers for the Saturday Evening Post. This is a cover illustration/ painting for Collie...

Jim's of Lambertville Fine Art Gallery is proud to present this piece by Burgoyne Diller (1906 – 1965). Born in New York City in 1906, Burgoyne Diller began drawing when he was stri...

Original cover for Liberty magazine, published March 8, 1930. Gwendolyn teases little Ulysses for having a bald head after she had taken scissors to it on Valentine’s Day. Lil had frantically taken Ulysses to the barber in an attempt to salvage the remains of his hair, but there wasn’t much left and now his head “felt like a sprouting cactus.” Gwen points to the aquarium on the table and ties a piece of cord to a ruler, attaches a safety pin, and dangles the line above the surface trying to catch a goldfish. “Gwen stood there, stubbornly waiting for the possible turn in her fisherman’s luck!” (Liberty magazine, March 8, 1930, p. 57) “For the Love o’ Lil: The Picture Story of an American Family” In 1926, under his long-term contract to produce a cover per week for Liberty magazine, Leslie Thrasher introduced a signature cast of characters that appeared each week, telling a serialized story through his illustrations. Liberty touted its new cover serial as “something no magazine has ever done before…Heretofore, all magazine cover...

Alternate original cover for The New Yorker, published March 20, 1937. The colorful image features people admiring flowers at a garden show. Swiss born Roger Duvoisin studied at the...

MICHEL ADLEN 1898-1980 (Saki, Ukraine) 1898-1980 (Paris) [Ukrainian/Russian/French] Title: House in Landscape, 1939 Technique: Original Signed Oil pain...

Medium: Oil on Canvas Signature: Signed Lower Right Sight Size 28.00" x 23.00", Framed 34.00" x 29.00" Cover of The Saturday Evening Post, February 2, 1935

Date: 1938 Medium: Oil on Canvas Signature: Signed Lower Left Dimensions: 27.00" x 25.00" Calendar Illustration

Date: 1935 Medium: Pastel on Board Dimensions: 40.00" x 30.00" Signature: Signed Lower Left Framed and comes with Calendar Print Published by Gerlach...

This piece depicts the Revolutionary hero Haym Salomon. Salomon was born in Poland in 1740 and sailed to New York around 1772, where he soon joined the Sons of Liberty...

Date: 1932 Medium: Oil on Canvas Sight Size 30.00" x 22.00", Framed 38.00" x 30.00" Signature: Signed Lower Right Saturday Evening Post Cover, October 1, 1932. Exhibitions: Christi...

Female artist Louise Lue Osborne paints a classic composition with an interaction of two women and a child soaked in golden late light. The figural gro...

This oil painting is hand signed by the artist "I. Ryback" in the lower left corner. This painting was created in the early 1930's Provenance: The authenticity of this work has been...

Medium: Oil on Canvas Signature: Signed Lower Right See Here Rollins 1929 Story, The Rustlers of Silver River by Zane Grey. Country Gentleman Magazine, Jan...

Original Parisian jewellery design for a stunning diamond & emerald bracelet in gouache detail c1930s Art Sz: 7 1/2"H x 4 1/2"W Frame Sz: 14"H x 10 ...

"Walking in the Park"; Cream of Wheat advertisement from 1930. Grandfather and grandchildren walking in the park with the dog.

Date: 1934 Medium: Gouache on Pencil on Board Dimensions: 19.25" x 19.75" Signature: Inscribed and Signed Illustrated for "The Sea Remembers" by Gordon Malherbe Hillman, American Ma...

A portrait of two cats is deftly assembled by trailblazing modernist Hilla Rebay. The work is signed and titled lower left. 'Muschi et Antonio v. Rebay - Rome'. Titled to verso ‘Musc...

Date: 1932 Medium: Oil on Canvas Dimensions: 24.00" x 33.00" Signature: Signed Lower Left Story illustration for “Sons” by Pearl S. Buck, published in Cosmopolitan, October 1932, pages 66-67. "Sons" serves as the poignant sequel to Buck's story The Good Earth...

Medium: Oil on Canvas Signature: Signed Lower Right Revere F. Wistehuff was one of the central group of cover artists in the New Rochelle Art Colony in the 1920's, '30s, '40s which ...

Medium: Oil on Canvas Signature: Unsigned 'Goin' South' Saturday Evening Post Cover Study

ISSACHAR RYBACK 1897-1935 Yelizavetgrad 1897-1935 Paris (Ukrainian /Russian /French) Title: The Organ Grinder with a Parrot, 1932 Technique: Signed Oi...

WALTER WELLENSTEIN 1898 Dortmund - 1970 Berlin Pineapple and apples on a table (1933) Oil on panel. 61x65 cm (F. 61 x 65 cm). Signed and dated. signed top right Walter Wellen...

Medium: Oil on Canvas Signature: Signed Lower Left

Date: 1933 Medium: Oil on Canvas Dimensions: 28.00" x 36.00" Signature: Signed Lower Left 1933 Interior Redbook Magazine, November 1933 A large signed and dated oil on canvas by no...

Story illustration for “Appearance and Reality” by W. Somerset Maugham, published in Cosmopolitan, November 1934, pages 22-23. Described as "A masterfully witty story of manners and...

Bencion (Benn) Rabinowitch Poland 1905 - Paris 1989 Dancing Girls Oil on Board 14 ½ in. by 21 in. W/frame 21 ½ in. by 28 in. He came from a rabbinic family, his father was an ar...

Collier's Magazine Cover, January 1931 Medium: Oil on Canvas Signature: Signed Lower Right As a child, Jackson shoed early interest in drawing, and took Saturday morning lessons from the only are teacher in town, but went on to graduate as an architect from Georgia Tech...

Signed Lower Left by Artist Liberty Magazine Cover, January 27th, 1934

Signed Lower Left by Artist

Signed "Norman Price" Lower Right "Gray! What are you doing here without your uniform?" Illustration for "Love and the Lieutenant" by Robert W. Chambers, published in Woman's Home C...

Medium: Oil on Canvas Signature: Signed Woman with suitor/explorers wearing pith helmets Publication Information: Story Illustration for "A Marriage of Concenience" by Comerset Mau...

Signature: Signed Lower Right This Week Herald Tribune, February 5, 1939 EXHIBITED: The Dana Room, Steinman College center, Franklin and Marshall College, ...

Medium: Oil on Canvas Signature: Signed Lower Right Dimensions: Sight Size 36.00" x 31.00;" Framed 43.00" x 38.00" Cover of The Saturday Evening Post, April 7th, 1934

Story illustration for “Hearts and Swords” by Rafael Sabatini for Liberty magazine, published November 4, 1933. The full caption reads: “Fury blinded him. It almost choked him. ‘A ...

Medium: Oil on Canvas Sight Size 12.00" x 10.00", Framed 20.00" x 18.00" Signature: Signed Lower Left June 1933 Cappers Farmer Magazine Cover.

Beautifully rendered in Krolls signature academic style. Unframed - Signed lower right, unframed

Medium: Oil on Canvas Study for the November 22, 1930 cover illustration of The Saturday Evening Post.

Date: 1926 Medium: Oil on Canvas Dimensions: 28.00" x 30.00" Framed Dimensions: 35⅛ x 39⅛ in. Signature: Signed Lower Left Magazine story illustration for "The Dead Ride Hard," for ...

Date: 1934 Medium: Oil on Canvas Dimensions: 22.00" x 23.00" Signature: Signed Lower Left Cover of Northwest Farmer Magazine, February 1934.

Original cover for Liberty magazine, published October 17, 1931. As Lil’s Aunt Ruby, a “social gadabout” and “blithe widow of many years’ standing” arrives at the Jenkins family home for a visit, Sandy tries to hide his irritation once he sees the massive amount of luggage she had in tow. Aunt Ruby shows off an enormous new diamond ring and coyly announces she is to be married that fall and that her new fiance would be arriving shortly. As Lil scrambles up some hors d’oeuvres and cocktails, Sandy hears a car pull up to the house and is shocked to discover that Aunt Ruby’s future husband is none other than Sandy’s boss! (Liberty magazine, October 17, 1931, p. 37) “For the Love o’ Lil: The Picture Story of an American Family” In 1926, under his long-term contract to produce a cover per week for Liberty magazine, Leslie Thrasher introduced a signature cast of characters that appeared each week, telling a serialized story through his illustrations. Liberty touted its new cover serial as “something no magazine has ever done before…Heretofore, all magazine cover...

This oil painting is signed by the artist "I Pailes" at the lower left corner. The work was painted in circa 1930's. Provenance: The Issachar Ber Frydman collection. Acquired in Fr...

Original cover for Liberty magazine, published April 25, 1931. Miss Wise tries to keep the children in her classroom focused during the day’s history lesson, but Gwendolyn Smithers ...

Portrait of Theresa Rogers Housed in a period hand carved wood frame. Some scatter minor paint loss and stretcher marks otherwise presents very well Signature: Signed lower right T...

Original cover for Liberty magazine, published May 30, 1931. The circus train arrived overnight and set up their great white tent, causing great excitement and anticipation to every...