Skip to main content
Items Similar to Still-Life Fruit Pace Paint 17th Century OIl on canvas Old master Roman school
Jan Davidsz De Heem - Still Life of Fruit - Dutch 17th century art Old Master still life oil painting
Still Life of Fruit - Dutch 17th century art Old Master still life oil painting
Unknown - Huge 18th Century Italian Old Master Oil Painting Still Life Fruit in Basket
Huge 18th Century Italian Old Master Oil Painting Still Life Fruit in Basket
Giovanni Battista Ruoppolo - 17th Century Still Life with Watermelons, Oil on Canvas, Framed
17th Century Still Life with Watermelons, Oil on Canvas, Framed
Unknown - Neapolitan Baroque painter - 17th century Still life with watermelon, fruits
Neapolitan Baroque painter - 17th century Still life with watermelon, fruits
Unidentified (XVIII Century) - "Still life with fruits and bird"
"Still life with fruits and bird"
Unknown - 17th-Century Italian Oil-on-Canvas Still Life Painting Featuring Fruits, 1670
17th-Century Italian Oil-on-Canvas Still Life Painting Featuring Fruits, 1670
Video Loading
Want more images or videos?
Request additional images or videos from the seller
1 of 17

Still-Life Fruit Pace Paint 17th Century OIl on canvas Old master Roman school

1660-1699

$11,591.40
£8,530.66
€9,750VAT Included
CA$16,093.90
A$16,138.39
CHF 9,336.93
MX$196,511.18
NOK 108,352.27
SEK 110,436.03
DKK 74,351.94

About the Item

Michele Pace, known as Michelangelo del Campidoglio (Rome, 1625–1669), Circle of Still Life with Fruit Roman School of the second half of the 17th century oil on canvas (72 x 96 cm. - Framed: 87 x 112 cm.) This splendid composition, emblematic of Roman Baroque still life from the height of the 17th century, showcases a rich variety of autumn fruits, harvested at the peak of their ripeness. On the right stands out a halved watermelon, revealing its red flesh and numerous dark seeds, next to pomegranates, which reveal their red, glossy seeds inside. Next to them is a dense, compact cluster of white grapes, and just below, small black grapes. On the left are ripe figs with velvety skin that have been split open, garlic, and other small berries, followed by a distinctive ribbed pumpkin adorned with dark streaks. Vine branches complete the scene, topped by a bamboo stalk that crosses the composition diagonally, inserted to lend a sense of depth and perspective to the composition, as well as to evoke a rural setting and the act of harvesting in the open air. The work is characterized by a marked Caravaggesque use of light, with a completely dark background that allows the raking light to bring out the volumes, the varied textures of the skins, and the vibrant colors of the fruits, lending the entire scene a strong sense of realism and three-dimensionality. In particular, the characteristics of the work—which, in terms of style and composition, can be unhesitatingly attributed to the Roman school—lead us to identify Michele Pace (Rome, 1625 –1669), a Roman painter known as Michelangelo del Campidoglio, particularly due to the scene’s composition, the exuberant brushwork, and the way the textures of the various types of fruit are rendered. The absence of signed works by Campidoglio makes it difficult to place his paintings in chronological order: born in Rome, he spent most of his working career there, except for a few brief stays in Naples, where he came into contact with the works of Abraham Brueghel (1631–1690), from whom he clearly drew pictorial motifs. However, the influence of other masters of the still life genre active in Rome during the same period is evident and explains the difficulties of attribution that scholars often face. In our case, the painting also clearly reveals stylistic affinities with certain works by two other specialists: the better-known Bartolomeo Castelli the Younger (Rome 1696–1738) and Michelangelo Cerquozzi (Rome 1602–1660). In 17th-century Rome, the attribution of still lifes is in fact complicated by a dense network of collaborations, workshop exchanges, and stylistic affinities among the artists just mentioned. In this specific case, the distinctive feature of this work—and of the Campidoglio’s stylistic signature—is the presentation of fruit at the peak of its plump, ripe state; for example, the half watermelon on the right and the pomegranates in the center, which are split open from the inside. This choice is not merely aesthetic (allowing the painter to showcase the juicy pulp and the intricate texture of the black seeds and kernels), but also carries a strong allegorical meaning tied to the concept of Vanitas: the fleeting beauty of nature captured a moment before its inevitable decline. ADDITIONAL INFORMATION: The artwork features a beautiful gilded wooden frame and comes with a certificate of authenticity and warranty. We handle and arrange shipping for purchased works, both within Italy and internationally, using professional, insured carriers. It is also possible to view the painting at our gallery in Riva del Garda; we would be delighted to welcome you and show you our collection of works. Please feel free to contact us for any additional information, with no obligation.
  • Creation Year:
    1660-1699
  • Dimensions:
    Height: 34.26 in (87 cm)Width: 44.1 in (112 cm)
  • Medium:
    Oil
  • Movement & Style:
    Old Masters
  • Circle Of:
    Michele Pace, known as Michelangelo del Campidoglio (Rome, 1625–1669),
  • Period:
    17th Century
  • Condition:
    Good condition.
  • Gallery Location:
    Riva del Garda, IT
  • Reference Number:
    1stDibs: LU988118504552

More From This Seller

View All
Still-Life Flower Von Tamm 17/18th Century Paint Oil on canvas Old master Italy

Franz Werner Von Tamm (hamburg 1658-vienna 1754)Still-Life Flower Von Tamm 17/18th Century Paint Oil on canvas Old master Italy, 1680-1740

Still-Life Flower Von Tamm 17/18th Century Paint Oil on canvas Old master Italy

Located in Riva del Garda, IT

Franz Werner Von Tamm known as Monsieur Daparait (Hamburg 1658-Vienna 1754) Attributed to Still life of fruit with lizard Oil on canvas, 58 x 74 cm. Framed 76 x 92 cm. This magnifi...

Category

Early 17th Century Old Masters Paintings

Materials

Oil

Still-Life Flowers Brueghel Paint 17/18th Century Oil ona canvas Old master Art

Abraham Brueghel (Antwerp, 1631 – Naples, 1697) Still-Life Flowers Brueghel Paint 17/18th Century Oil ona canvas Old master Art, 1680-1730

Still-Life Flowers Brueghel Paint 17/18th Century Oil ona canvas Old master Art

Located in Riva del Garda, IT

A follower of Abraham Brueghel (Antwerp, 1631 – Naples, 1697) Still Life with Flowers and Citrus Fruits Oil on canvas 70 x 52 cm. - Framed 85 x 67 cm. The composition depict...

Category

17th Century Old Masters Still-life Paintings

Materials

Oil

You May Also Like

Still Life with fruits - Oil Paint On Canvas - 17th Century

Still Life with fruits - Oil Paint On Canvas - 17th Century, 17th Century

Still Life with fruits - Oil Paint On Canvas - 17th Century

Located in Roma, IT

Still Life with fruits is an original oil on canvas realized in the 16th Century by an Italian School Master. Original oil painting on Canvas. The painting represents a still life...

Category

17th Century Baroque Still-life Paintings

Materials

Canvas, Oil

17th-Century Italian Oil-on-Canvas Still Life Painting Featuring Fruits, 1670

17th-Century Italian Oil-on-Canvas Still Life Painting Featuring Fruits, 1670, 1670

17th-Century Italian Oil-on-Canvas Still Life Painting Featuring Fruits, 1670

Located in Vicoforte, IT

Large 17th-century Italian painting. This oil-on-canvas painting depicts a rich composition of fruit arranged on stone steps against a sweeping landscape. The artist constructs the s...

Category

1670s Still-life Paintings

Materials

Canvas, Oil

17th Century Oil on Canvas Italian Antique Painting Still Life with Fruits, 1670

17th Century Oil on Canvas Italian Antique Painting Still Life with Fruits, 1670, 1670

17th Century Oil on Canvas Italian Antique Painting Still Life with Fruits, 1670

Located in Vicoforte, IT

An important 17th-century Italian painting. This oil on canvas artwork depicts a large still life with fruit, of remarkable pictorial quality. Immersed in a splendid landscape, we fi...

Category

1670s Still-life Paintings

Materials

Canvas, Oil