1992
Victor Pasmore was born in Surrey, England. He was initially known as both a successful representational painter of still life and landscapes, who later became a pioneering abstract artist, producing collages, constructions, prints and paintings that were some of the most revolutionary works of their kind in Britain at the time.
Pasmore attended evening classes at Central School of Arts and Crafts beginning in 1927, while working as a local government officer, experimenting with art styles reflecting developments in art in France since the 1880s.
After experiments in lyrical abstraction in the early 1930s, Pasmore founded the Euston Road School with William Coldstream, Graham Bell and Claude Rogers in 1937, teaching a style of Cézannesque realism that he adhered to in his own portraits and landscapes. The school closed in 1940, but this group moved on to teach at the Camberwell School of Art 1943-49, though Pasmore himself began to experiment with abstraction again from 1947 onwards with the support of Kenneth Clark. His earliest new abstract experiments used linear forms and collage but in 1952 and in parallel with the work of Kenneth and Mary Martin, became rigorously constructivist, with some works as three-dimensional wall-reliefs in wood and perspex. Teaching at the Central School since 1949, he became Head of Painting at King’s College, Durham University in 1954, staying till 1961, when he was able to devote himself to painting full-time.
In the 1960s the geometry softened, introducing curved lines and edges, and bright colors blossoming in the 1970s and later into lyrical abstract compositions of points, wandering lines and planes of bright colors against his habitual white backgrounds and even some drawn outlines of natural forms again towards the end of Pasmore’s life. These transitions were inspired by his relocation to Malta in 1966, where he resided until his death. That same year, he also began intensive experimentation with making prints at the 2RC print shop in Rome in parallel with his paintings. Printmaking became a major part of his oeuvre and he worked with Curwen Press, Kelpra Studio, White Ink and other print studios. Since his death the popularity of his prints has escalated immensely, and his earlier work is now extremely rare.
Find original Victor Pasmore prints and other art today on 1stDibs.
Images on the Wall F, Edition A (Lynton G72f) - Victor Pasmore Modernist Print
By Victor Pasmore
Located in Kingsclere, GB
Victor Pasmore British, 1908-1998 Images on the Wall F, Edition A (Lynton G72f), 1992 etching with aquatint 55.9 x 49.5 cm 22 x 19 1/2 in signed with initials and dated in pencil, pr...
Etching, Aquatint
I, from Sensory World by Victor Pasmore, 1996
By Victor Pasmore
Located in Kingsclere, GB
I, from Sensory World by Victor Pasmore, 1996 Additional information: Medium: etching and aquatint 29.5 x 29 cm 11 5/8 x 11 3/8 in signed with initials and numbered I/III in pencil ...
Etching
Senza Titolo 11 by Victor Pasmore, 1989
By Victor Pasmore
Located in Kingsclere, GB
Senza Titolo 11 by Victor Pasmore, 1989 Additional information: Medium: etching with aquatint 40 x 57 cm 15 3/4 x 22 1/2 in signed with initials, dated and numbered 78/90 in pencil ...
Etching, Aquatint
Beyond the Eye II - White and Blue Abstract Modernist Print by Victor Pasmore
By Victor Pasmore
Located in Kingsclere, GB
Victor Pasmore, British, 1908-1998 Beyond the Eye II, 1995 unframed, lithograph 75.5 x 84 cm 29 3/4 x 33 1/8 in signed, dated and numbered 8/50 in pencil Provenance Bernard Cook, Wh...
Lithograph
Points of Contact, Transformations 1 - Victor Pasmore Modernist Monochrome Print
By Victor Pasmore
Located in Kingsclere, GB
Victor Pasmore British, 1908-1998 Points of Contact, Transformations 1, 1970 screenprint 18 1/2 x 18 1/2 in 47 x 47 cm signed and dated in pen and ink; numbered in pencil, edition of...
Screen
Points of Contact, Transformation 4 - Modern Bristish Abstract Monochrome Print
By Victor Pasmore
Located in Kingsclere, GB
Victor Pasmore British, 1908-1998 Points of Contact, Transformation 4, 1970 screenprint 18 1/2 x 18 1/2 in 47 x 47 cm signed and dated in pen and ink; numbered in pencil, edition of ...
Screen
Victor Pasmore Screenprint "Untitled 06"
By Victor Pasmore 1
Located in Stamford, CT
Screenprint in colors, on wove paper, signed in pencil, dated and numbered 24/70, published by Marlborough Graphics, Ltd., London, with the blind stamp of the printer Kelpra Studio, ...
Paper
1980 Victor Pasmore oil, acrylic and charcoal on canvas 'Abstract', signed
By Victor Pasmore
Located in Petworth, West Sussex
Victor Pasmore, R.A. Abstract, 1980 signed with initials (centre right) oil, acrylic and charcoal on canvas 44 x 150cm.; 17¼ x 59in. Executed in 1980. Provenance Sale, Bonhams London...
Canvas, Charcoal, Oil, Acrylic
"Uomo e Donna (Lynton G24)" by Victor Pasmore
By Victor Pasmore 1
Located in Chicago, IL
Expressive yet controlled, this striking black-and-white print is attributed to British artist Victor Pasmore, a pioneer of abstract art in post-war Britain of the late 1940 and 1950...
Paper
1979 etching by Victor Pasmore, inscribed, signed and dated, 'Cave of Calypso II
By Victor Pasmore
Located in Petworth, West Sussex
Victor Pasmore (British 1908 – 1998) Cave of Calypso II, 1975 Inscribed ‘P / P’ printers proof (lower left), signed and dated ‘VP 75’ (lower right) in pencil Etching 29.1/2 x 25.1/2 ...
Etching
Victor Pasmore Etching from "The Dance of Man In Modern Times Portfolio"
By Victor Pasmore 1
Located in Stamford, CT
An etching and aquatint by Victor Pasmore from his portfolio titled "The Dance of Man in Modern Times". Victor Pasmore was one of the leading members of the English school of Abstract Expressionism. Please note this is one print from a larger portfolio. Other prints from this portfolio are available. A bit about Pasmore- Beginning in 1947, he developed a purely abstract style under the influence of Ben Nicholson and other artists associated with Circle, becoming a pioneering figure of the revival of interest in Constructivism in Britain following the War. [6] Pasmore's abstract work, often in collage and construction of reliefs, pioneered the use of new materials and was sometimes on a large architectural scale. Herbert Read described Pasmore's new style as "The most revolutionary event in post-war British art".[7] In 1950, he was commissioned to design an abstract mural for a bus depot in Kingston upon Thames[8] and the following year Pasmore contributed a mural to the Festival of Britain that promoted a number of the British Constructivists. Pasmore was a supporter of fellow artist Richard Hamilton, giving him a teaching job in Newcastle and contributing a constructivist structure to the exhibition "This Is Tomorrow" in collaboration with Erno Goldfinger and Helen Phillips...
Paper
"Homenaje a Picasso" - 20th Century Print by Eduardo Chillida, Abstraction
By Eduardo Chillida
Located in Köln, DE
This is one of the most important motifs in the graphic oeuvre of Chillida. The Spanish artist is very well known for his large-scale sculptures which can be found in public as well ...
Aquatint
