Bird Animal Prints

Classical Bird print, after John James Audubon, printed by Harry N. Abrams, Publishers, New York unframed, 17 x 14 inches color print on paper Condition: very good Provenance: from...

Classical Bird print, after John James Audubon, printed by Harry N. Abrams, Publishers, New York unframed, 17 x 14 inches color print on pap...

Heron Bihoreau - Black Crowned Night Heron French chromolithograph, published in 1931. Printed title lower right of sheet. Plate number top right. From a French series of illustrati...

Erwin Rambow, American (1925 - 2013) - Owl, Medium: Offset Lithograph, Size: 19.5 x 15.5 in. (49.53 x 39.37 cm), Frame Size: 21.75 x 17.5 inches

This artwork titled "Rabbit Series #3" 1980, is an original mezzotint with embossing by noted Hungarian artist Radovan Kragulj, b.1935. It is hand signed, dated, titled and inscribed A.P. (Artist Proof) in pencil by the artist. The sheet size is 25.5 x 19.5 inches, framed size is 26.75 x 20.75 inches. It is custom framed in a silver metal frame, with white backing. It is in excellent condition. About the artist: Radovan Kraguly...

This artwork titled "Bird Form" from the suite "Bestiary and some Correspondences" 1968 is an original color lithograph on Arches paper by renown British artist Graham Vivian Sutherl...

Mike Mitchell - Hooded Oriole - Contemporary Artist Edition Details Year: 2019 Class: Art Print Status: Official Released: 07/18/19 Run: 500 Technique: ...

Artist: John James Audubon (American, 1785-1851) Title: "Roseate Spoonbill" (Plate 362, No. 73) Portfolio: The Birds of America (First Royal Octavo Edition) Year: 1840-1844 Medium: Original Hand-Colored Lithograph on wove paper Limited edition: approx. 1,200 Printer: John T. Bowen, Philadelphia, PA Publisher: John James Audubon and J.B. Chevalier, New York, NY and Philadelphia, PA Sheet size: 6.75" x 10.44" Image size: 5" x 7.63" Reference: Ayer/Zimmer page 22; Bennett page 5; McGill/Wood page 208; Nissen No. IVB 51; Reese No. 34; Sabin No. 2364; Tyler App. I Condition: In excellent condition Very rare The "Roseate Spoonbill" is one of the very top, absolute most desirable birds from Audubon's famous "Birds of America" series Notes: Provenance: private collection - Fleming Island, FL. Lithography and hand-coloring by American artist John T. Bowen (1801-c.1856). Comes from Audubon's famous seven volume portfolio "The Birds of America", (1840-1844) (First Royal Octavo Edition), which consists of 500 hand-colored lithographs. Based on a composition painted in Florida in 1831 or 1832. "This beautiful and singular bird" was prized for its wings and tail feathers which were made into fans in St. Augustine. The roseate spoonbill is a gregarious wading bird of the ibis and spoonbill family, Threskiornithidae. It is a resident breeder in both South and North America. The roseate spoonbill's pink color is diet-derived, consisting of the carotenoid pigment canthaxanthin, like the American flamingo. To make 'The Birds of America' more affordable and widely available, in 1839 John James Audubon began the first octavo edition, a smaller version of the folio which was printed and hand-colored by J. T. Bowen in Philadelphia. Employing a new invention, the camera lucida, the images were reduced in size, rendered in intermediate drawings by John James Audubon and his son John Woodhouse, and then drawn onto lithographic stones. These miniatures exhibit a remarkable amount of attention to quality and detail, as well as a meticulous fidelity to the larger works. Some compositional changes were made in order to accommodate the smaller format. Like the Havell edition, John James Audubon’s first...

Artist: (after) John James Audubon (American, 1785-1851) Title: "Belted Kingfisher" (Plate 255, no 5-3) Portfolio: The Birds of America (Bien Edition) Year: 1860 Medium: Original Chr...

Mokuchu URUSHIBARA Crows on a branch, c. 1930 Woodcut after on an ink drawing Signed with the artist's stamp On paper 38.5 x 28 cm (c. 15,15 x 11.02 in) INFORMATION : Engraving pu...

Mike Mitchell - Vermillion Flycatcher - Contemporary Artist Edition Details: Year: 2017 Class: Art Print Status: Official Released: 11/04/17 Run: 450 Technique: Giclee Paper: Cotton...

Great White Heron is a modern artwork realized in 1870. Woodcut print, hand colored, published by London, Bell & Sons, 1870. Name of the bird printed ...

JOHN J. AUDUBON (1785 – 1851) FORK-TAIL PETREL - PLATE CCLX Audubon, John James. FORK-TAIL PETREL - PLATE CCLX OF "THE BIRDS OF AMERICA by John James Audubon. From the "Double Eleph...

American Crow by J.J. Audubon from his Birds of America folio shows an adult male crow in a Black Walnut bush with a nest of a Ruby-Throated Hummingbird in a branch below the crow. This original chromolithograph plate no. 226 is in good condition with a repairable water mark in the image on the left side as can be seen in the photos. The ” Birds of America” by John James...

Lone Star Beer Wild Game Print This print is new old stock. In mint condition and freshly framed. Hunting Dated 1994 San Antonio Texas Image Size: 2...

"Procession (Fish)" is an original serigraph print by Ronald Osiecki. It is signed and part of a limited edition. This print depicts fish hea...

This is a framed original 19th century hand-colored folio-sized lithograph entitled “Cacatua Ophthalimica” (Blue-eyed Cockatoo) by John Gould, from the supplement to his "Birds of Australia", published in London between 1851 and 1869. The print depicts a large blue-eyed cockatoo perched on a branch, with its head turned to the left. The scene is enhanced with leaves and sky and clouds in the background. This striking framed Gould...

Ducks is a limited edition drypoint etching by artist and printmaker, Kate Boxer. The monochromatic colour scheme of the work gives the subject matter a gravitas that makes for a con...

This artwork titled "Young Loons, 1990 is an original color lithograph by Canadian Inuit noted artist Pitaloosie Saila. 1942-2021. It is hand signed, titled, dated, located, described and numbered 34/50 in pencil by the artist. The subject size is 38.75 x 23.25 inches, sheet size is 44 x 30 inches, framed is 51.75 x 37.25 inches. Custom framed in a metal frame, with grey/blue backing. It is in excellent condition. About the artist: Pitaloosie was born in 1942 on the southwest coast of Baffin Island near what is now the community of Cape Dorset. She spent her childhood years in various hospitals in Quebec and Ontario for treatment of tuberculosis. She learnedEnglish during this time, and recalls the difficulty she experienced in relearning her native language upon her return to Baffin Island in 1957. She is now one of the few of her generation who speak both English and Inuktitut fluently. Pitaloosie began drawing in the early 1960’s, and quickly established herself as a versatile and intelligent graphic artist. Over the years, she has become a familiar presence in the Kinngait Studios, and her work has been included in annual print collections since 1968. Since the late 1960’s, Pitaloosie has made frequent trips to southern Canada to attend exhibitions and conferences. In 1967, she spent several weeks in Toronto while her husband, the well-known sculptor Pauta Saila, participated in an International Sculpture Symposium. Subsequently, she has visited Halifax, Toronto, Ottawa, Kansas City and Vermont. Her work has been featured in solo drawing exhibitions, and in 1977, Canada Post issued a stamp depicting her print, Fisherman’s Dream. Her 1985 lithograph entitled In the Hills represented the Northwest Territories in the centennial celebration of the National Parks of Canada. Amnesty International, the international human rights organization, selected a drawing by Pitaloosie entitled Mother and Child to use for their 1990 Christmas card. She was also one of nine featured artists in the acclaimed exhibition Isumavut: The Artistic Expression of Nine Cape Dorset Women, which opened at the Canadian Museum of Civilization in the fall of 1994 and continues to travel to other venues. Pitaloosie’s husband, Pauta, passed away in Cape Dorset in June of 2009 at the age of 93. In 2004, both she and Pauta were appointed members of the Royal Canadian Academy of the Arts, in recognition of their life’s work and contributions to Canadian art. Selected Exhibitions: • 2019 60/60, Feheley Fine Arts, Toronto • 2016 Pitaloosie Saila: A Print Retrospective, Feheley Fine Arts, Toronto • Toronto • 2003 The Inuit 2004 Sanaasimasiatok/Fine Works: Sculpture from Cape Dorset, Feheley Fine Arts, Icon: Selections from Private Collections, Feheley Fine Arts, Toronto • 1996-1997 Pitaloosie & Pauta, McMichael Canadian Art Collection, Kleinburg, ON • 1994 – 1995 Isumavut: The Artistic Expression of Nine Cape Dorset Women, Canadian Museum of History, Gatineau, QC • 1993 – 1994 Contemporary Inuit Drawings, Muscarelle Museum of Art, College of William and Mary, Williamsburg, VA • 1991 – 1992 In Cape Dorset We Do It This Way: Three Decades of Inuit Printmaking, McMichael Canadian Art Collection, Kleinburg, ON • 1989 – 1991 Kenojuak Ashevak...

This is an original rare and extremely collectible first edition John James Audubon hand colored lithograph entitled "Long-billed Curlew", No. 71, Plate 355, from Audubon's "Birds of America. It was lithographed, printed and colored by J. T. Bowen and published in Philadelphia between 1840-1844. It depicts a male and a female Long-billed Curlew standing on a grassy mound with water and the skyline of the city of Charleston...

Emidio di Nola, original Italian pasta poster. Size 19" x 25.5". Professional acid-free archival linen-backed; in excellent condition; ready to frame....

Joseph Fleischmann, 'Whaling' (Hartingers Wandtafeln: Zoologie T. XXXII), monumental vintage color lithograph, 1900. Signed in the matrix, lower right. A superb, beautifully nuanced impression, on cream wove paper, the full sheet with margins (1 1/2 to 2 3/16 inches), in very good condition. The full sheet, unmounted and unmatted—shipped carefully rolled and protected. Sheet size 28 x 38 1/2 inches (711 x 978 mm). Rendering by A. Berger after Joseph Fleischmann. Published in "Hartinger's Wandtafeln Zoologie" (Hartinger's Zoological Wall Charts) by "Verlag von Carl Gerold's Sohn, Wien" (Published by Carl Gerold's Son, Vienna), 1900. This Artic whaling scene depicts a Greenland whale in the foreground pursued by whalers. A whaling ship is seen in the background and at right, another whale among icebergs with seagulls overhead. The composition is exceptionally accomplished. Rather than depicting the whale as a specimen, Fleischmann presents it as a monumental living creature within its Arctic environment. The distant sailing ship and whaleboats establish scale, while the drifting pack ice, seabirds, and subdued northern light create an atmospheric narrative. The image succeeds equally as a work of natural history and as a decorative maritime print. ABOUT THE ARTIST Josef Fleischmann was an Austrian painter, illustrator, and lithographic designer active in Vienna during the late nineteenth and early twentieth centuries. Working at a time when Vienna stood among Europe's foremost centers of chromolithographic printing, he became known for producing richly detailed natural history illustrations that combined scientific accuracy with exceptional artistic craftsmanship. Fleischmann worked for the distinguished Viennese publisher Carl Gerold's Sohn, contributing illustrations to the celebrated educational series Hartinger's Wandtafeln, a collection of zoological and botanical wall charts produced for schools, universities, and scientific institutions throughout the Austro-Hungarian Empire. Printed by the renowned lithographic establishment of Albert Berger...

Archival Inkjet on Somerset Satin 330gsm Paper with deckled edges edition of 250 hand-signed and numbered.

This is a hand-colored engraving of an Icelandic Ger Falcon entitled "Gerfault d''Islande" by Francois Nicolas Martinet, plate 210 from 'Histoire Naturelle des Oiseaux' in associatio...

Original “Watch Out .. Point the Muzzle in a SAFE Direction” vintage National Rifle Association of America vintage poster. Printed in 1946 on a thick cardboard stock. Excellent ...

This is an original rare and extremely collectible first edition John James Audubon hand-colored royal octavo lithograph entitled "Great North Diver or Loon", No. 96, Plate 476, from...

The single letter "Q", from the alphabet, illustrated by a quail. All letters are available, and the full set of 27 etchings in folio box is available for $3200. Animals, real and im...

Snowy Owl a modern artwork realized in 1870 by the British artist Alexander Francis Lydon (1836-1917) . Woodcut print, hand colored, published by London, Bell & Sons, 1870. Name ...

This is an original John James Audubon hand-colored 1st octavo edition lithograph entitled "Whooping Crane, Male, adult", No. 63, Plate 313 from Audubon...

One of 9 humorous portraits of birds engaged in conversation by Franco-Iranian artist Marjan Seyedin. In her works, birds and animals provide an allegor...

Artist: John James Audubon (American, 1785-1851) Title: "Snowy Heron" (Plate 374, No. 75) Portfolio: The Birds of America (First Royal Octavo Edition) Year: 1840-1844 Medium: Origina...

David Shrigley, I Can Sing For You, 2022 Hand-signed and dated on the reverse Edition 76 of 125 75 x 56 cm Screenprint in colours Private Collection UK

This is an original 1st edition John James Audubon hand-colored lithograph entitled "White-headed Sea Eagle or Bald Eagle", No. 3, Plate 14 from Audubon's "Birds of America, lithogra...

"White Swan" (2022) by Kate Breakey is an archival pigment print that depicts a swan in a lake. This piece was hand colored using pencil and pastel. About the artist: Kate Breakey...

Shepard Fairey Peace is Power (Blue Dove) Screen print on thick cream Speckletone paper Year: 2025 Size: 24 x 18 inches (60.96 x 45.72 cm) Edition: 500 Signed by Shepard Fairey, dated and numbered by hand COA provided *Edition number may vary from the image shown. The Peace is Power print by Shepard Fairey centers on the idea that peace is not passive, but an active and transformative force requiring empathy, diplomacy, creativity, and sustained effort. Rather than defining peace simply as the absence of conflict, Fairey frames it as the ability to resolve disagreement without violence—a process that demands patience, compassion, and collective responsibility. The composition prominently features the dove, an internationally recognized symbol of peace that has appeared throughout art history as an emblem of hope, reconciliation, and unity. Fairey employs the dove as both a visual anchor and a universal communication device, reinforcing the accessibility and immediacy of the work’s message. Consistent with his broader practice, Fairey combines bold graphic imagery with socially conscious themes, encouraging viewers to consider peace not as an abstract ideal but as a practical investment in the well-being of humanity and the planet. Originally conceived as a gesture for friends and family during the holiday season, the print was later released more broadly as an expression of gratitude to collectors and supporters. Through its direct symbolism and optimistic tone, Peace is Power reflects Fairey’s enduring belief in art’s capacity to inspire dialogue, solidarity, and constructive social values. Peace is Power print, Shepard Fairey dove...

"Three Herons" - Hand Watercolor Engraving "Three Herons" from a collection of the Most Rare Birds Drawn and Engraved From Life, A Natural and Rational History of the Different Bird...

"Snoopy Come Home" is an original lithograph poster by Charles Schulz. It features the popular characters from Peanuts, Snoopy and Woodstock, on top of ...

"Collection Of The Most Rare Birds" - Hand Colored Engraving Collection of the Most Rare Birds Drawn and Engraved From Life, A Natural and Rational Histor...

Arctic Tern is a modern artwork realized in 1870 by the British artist Alexander Francis Lydon (1836-1917) . Woodcut print, hand colored, published by L...

Original PARIS linen-backed 1946 vintage travel poster, preservation linen-backed and ready to frame. Very good condition, Grade A- Original 1946 Paul Colin Paris Vintage Poster ...

Mokuchu URUSHIBARA The Flight of the Crows at Sunset, c. 1930 Woodcut after on an ink drawing Signed with the artist's stamp On paper 39.5 x 28 cm (c. 15,35 x 11.02 in) INFORMATIO...

Artist: John James Audubon (American, 1785-1851) Title: "Tropic Bird" (Plate CCLXII - 262; part No. 53) Portfolio: The Birds of America (Havell Edition) Year: 1835 Medium: Original H...

This is an original 1st octavo edition John James Audubon hand-colored lithograph entitled "Yellow-billed Cuckoo, 1. Male, 2, Female, Papaw Tree", No. 55, Plate 275 from Audubon's "B...

Owl - Night is a hand coloured limited edition drypoint etching with carborundum by artist and printmaker, Kate Boxer. The deep navy background of this Kate Boxer artwork hints at th...

Artist: John James Audubon (American, 1785-1851) Title: "American Flamingo" (Plate 375, No. 75) Portfolio: The Birds of America (First Royal Octavo E...

Two adult Purple Martins are feeding their two fledglings at the nest. This chromolithograph is from The Birds of America by John James Audubon and is ...

Buff-Backed Heron is a modern artwork realized in 1870 by the British artist Alexander Francis Lydon (1836-1917) . Woodcut print, hand colored, published by London, Bell & Sons, 1...

La pie by Georges Manzana Pissarro (1871-1961) Pochoir 28 x 44.5 cm (11 x 17 ¹/₂ inches) Signed lower right, manzana Artist biography: Like all second-generation Pissarro artists, G...

The Bird is an original screen print realized by Giselle Halff in the late 20th century. Good conditions. Hand-signed on the lower right. E.A. on the lower left. The artwork is d...

Raoul DUFY Colorful Birds on Blue Background, 1965 Lithograph (Mourlot workshop) Unsigned On vellum 30 x 24 cm (c. 11.8 x 9.4 in) INFORMATION : Posthumous published lithograph pub...

David Shrigley, Balance The Ball On Your Nose, 2022 Screen print on paper 56 x 75 cm (22.04 x 29.52 in) Edition of 123 of 125 Hand-signed and numbered by the artist David Shrigley ...

Artist: John James Audubon (American, 1785-1851) Title: "Great White Heron" (Plate 368, No. 74) Portfolio: The Birds of America (First Royal Octavo Edition) Year: 1840-1844 Medium: O...

Classical Bird print, after John James Audubon, printed by Harry N. Abrams, Publishers, New York unframed, 17 x 14 inches color print on paper condition: very good provenance: from...

This original first edition hand-colored lithograph entitled "Canada Goose" was produced by J. T. Bowen after a drawing by John James Audubon. It was published in Audubon's first octavo edition of Birds of America in Philadelphia in 1840. It depicts two Canada geese, a male and a female. This Audubon bird lithograph is in excellent condition other than tiny foci (1-2 mm) of discoloration at the edge of the upper margin of the sheet and some wrinkling along the left edge related to the book binding. The print is otherwise in very good condition. The original descriptive text from Audubon's publication is included with the purchase of this beautiful and striking lithograph. The sheet measures 10.13' x 6.75". John James Audubon (1785-1851) was a naturalist and artist. He was initially unsuccessful financially prior to the publication of his famous work “The Birds of America”, spending time in debtor’s prison...

PARR (1893-1969) KINNGAIT (CAPE DORSET) HUNTER HAULING A SEAL, 1966 #2, Stonecut, signed, titled numbered 28/50 Dorset 1966. Image 14 x 22 ¼. Full sheet ...

Etching on fine art paper, E.A. 1/1 from the cycle " Botanical Dream Nr. 11", presented in the Danubiana Meulenstein Art Museum in Bratislava/2021..

This is an original rare and extremely collectible first octavo edition John James Audubon hand colored lithograph entitled "Brown Pelican, Young First Winter", No. 85, Plate 424, fr...

Lithograph realized in 1968. Signed and dated in the plate. Hand signed and numbered in pencil. Edition of XV in roman numbers. Image dimension cm. 38x56. Very good condition ex...

Set of 4, Italian, circa 1750, original strike, hand-colored avian engravings from the Natural History of Birds by Saverio Manetti. Printed on laid paper, with self-matting, in later...

This is a rare, original first edition hand-colored engraving depicting the natural history of butterflies and moths, which is plate 10 from Moses Harris' publication "The Aurelian: ...