Fabric Abstract Sculptures

This wall hanging is made in a natural boho style. I combined a ceramic art piece and a piece of wood, connecting them with linen rope. The ceramic part is decorated using the ancien...

Linda Stein, Case 1203 - Contemporary Art Mixed Media Wunderkammer Sculpture This work from Linda Stein's Displacement From Home series draws from the tradition of wunderkammer/cabi...

Linda Stein, Picnic Case 928 - Contemporary Mixed Media Wunderkammer Sculpture This work from Linda Stein's Displacement From Home series draws from the t...

"DOUS" series. Sculptures of this series are created for your interior in different colors. It is always important to combine objects with each other. That is why I created a pair...

Wall Mounting Mixed Media Sculpture, Waxed Linen, 19 x 14 x 7 in, Mary Giles Mary Giles (1944-2018) received her BS in Art Education from Mankato State University in Minnesota. Aft...

This work from Linda Stein's Displacement From Home series draws from the tradition of wunderkammer/cabinets of curiosities to highlight the global displacement and traumatic memory ...

acrylic on African fabric

The Ragisména series, which in Greek means cracked, has its materiality manifested through the desire to recreate and make feelings, memories and mythology tangible in the physical w...

Linda Stein, Revisiting Androgyny 934 - Feminist Contemporary Mixed Media Wall Sculpture This work from Linda Stein's Sexism series draws from the tradition of wunderkammer/cabinets...

This fabric work titled "Right On" is an original artwork by Kelly Kozma made of hand embroidery and collage on rag paper. The piece measures 13”h by 13”w framed. Kelly Kozma is a m...

Varco is a mixed media wall sculpture by Vera Vizzi that explores the emotional depth of the sea through a vivid interplay of texture, gesture and color. Composed in foam clay, plast...

This work from Linda Stein's Displacement From Home series draws from the tradition of wunderkammer/cabinets of curiosities to highlight the globa...

The Ragisména series, which in Greek means cracked, has its materiality manifested through the desire to recreate and make feelings, memories and mythology tangible in the physical w...

This fabric work titled "Squeaking By" is an original artwork by Kelly Kozma made of hand embroidery and photographs on paper. The piece measures 13”h by 13”w framed. Kelly Kozma is...

This work from Linda Stein's Displacement From Home series draws from the tradition of wunderkammer/cabinets of curiosities to highlight the global displacement and traumatic memory ...

The “Composition with Tools” series engages observers with quirky and playful truisms, gently leading them toward deeper reflections. Jose Ricardo Contreras...

The Ragisména series, which in Greek means cracked, has its materiality manifested through the desire to recreate and make feelings, memories and mythology tangible in the physical w...

Yvette Cohen’s oil paintings of geometric masses of color on shaped canvas become objects that fluctuate between two and three dimensions, bridging the divide between sculpture and ...

Round red lips clay mosaic wall sculpture in high relief composed of individually hand molded and fired ceramic elements. This circular wall relief reconstructs the lips motif throug...

Life Size Fiber Sculpture, Light Weight, 48 x 32 x 28 in, Hand Made, Ethan Meyer Lightweight (approximately 35 lbs), non fragile, soft sculpture Groot Foundation Grant Honorable Me...

Painter and sculpture Artist Natalie Krainin creates artworks using the innovative method of Fabric Texture Art. This technique, which resonates deeply with her professional roots, a...

Hexagonal gold clay wall sculpture in hand molded ceramic relief designed for modular wall installation. This wall-mounted clay sculpture is composed of hand molded natural clay, low-temperature fired and spray-finished in a metallic gold tone. The surface develops through compact braided strands compressed within a hexagonal structure, creating a dense ceramic relief defined by repetition and tactile accumulation. The gold finish intensifies the sculptural depth of the piece. Rather than functioning as a flat metallic surface, the color interacts with the relief geometry, producing shadowed recesses and reflective highlights. The intertwined clay elements generate a continuous textured field, emphasizing material density and structural cohesion. The hexagonal format establishes a precise geometric boundary that contrasts with the organic flow of the braided forms. This balance between geometry and material fluidity defines the visual language of the work. The sculpture operates both as an independent clay wall relief...

This large abstract statement painting by Teodora Guererra features a light, ethereal palette of soft sky blue, pale peach, lemon yellow, and cool white. The artist applies thick str...

Antonio Puri's "Tantra" sculptural painting is one of 100 intimately-scaled minimalist round mandala circles built from tiny seed beads adhered to canvas in a range of red hues, crea...

Contemporary Ceramic Vessel Form, Moon Jar, Patterned Stoneware, Silk, Dori "Clay serves as a medium for narrating the remnants of memory—formed through unpredictable, layered inter...

"Apple of Eden (small)" continues the series of human duality exploration. The outer and inner, form and essence—rarely identical. This version introduces a different texture and col...

Flashe on muslin with silk, felt & tulle

"Apple of Eden" is about us. About how our outer and inner worlds often don’t match. On the outside, everything seems solid and textured, but inside, there might be fragility, tender...

MARIA DOMPE, (Italian, b. 1958), Lady Sculpture, marble and fabric, 1995, height: 14 in. One of a pair, (Lady and Gentleman) being sold separately. Maria Dompe was born in Fermo on ...

This textured abstract painting by Teodora Guererra features a warm orange and red palette with subtle white accents. The artist applies paint in thick layers and wide, energetic str...

Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research. Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium. The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth. Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio. She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth. Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace. Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...

Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research. Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium. The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth. Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio. She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth. Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace. Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...

Glass River - Abstract Wall Sculpture with Cloth and Glass Abstract wall sculptures by Cassandra Jacobs (American, b. 1964). This piece features an intriguing interplay of materials...

Sapphire blue felt takes the shape of a biomorphic form in this contemplative wall sculpture by fabric artist Chung-Im Kim. The felt is cut into irregular shapes that are sewn with p...

John Garrett was raised in southern New Mexico by parents who were both educators. They instilled in him an appreciation for the handmade with their collections of Native American a...

Ragisména which in Greek means cracked, has its materiality manifested through the desire to recreate and make feelings, memories and mythology tangible in the physical world. The wo...

Wonderful post-modern wall sculpture that is part of artist Jack Reilly (American, b. 1950) "Classics Series" solo exhibition held at the Boritzer-Gray Gallery in October, 1989 at Los Angeles. This unique piece juxtaposes classical motifs with 3 dimensional stacked geometrically modern shapes and hues. The combination of linear structure and color field painting with illusionary space resulted in a unique synthesis of abstraction and pictorial depth, which was sometimes referred to as "Abstract Illusionism." Signed and dated on verso "Jack Reilly, October 1989." Image size: 19"H x 29"W x 3.5"D Reilly's early work reflected various influences of prominent artists of the time including Frank Stella, Elsworth Kelly...

From the “Imaginary Gardens” series, Winter Garden is a textile sculpture inspired by silence, slowness, and seasonal transitions. The piece features soft padded shapes, metallic thr...

Painter and sculpture Artist Natalie Krainin creates artworks using the innovative method of Fabric Texture Art. This technique, which resonates deeply with her professional roots, a...

This large abstract statement painting by Teodora Guererra features a soft, airy palette of pale whites, icy blues, hints of sage green, and touches of lavender gray. The artist buil...

This series of sculptures is called Emotional States. It was created in 2023 in Kyiv (Ukraine). I lived and worked all year in my hometown in the middle of a Big war. I experienced a...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

This mixed-media work on paper, canvas and wood forms part of the artist’s ongoing Fragments series, a body of work in which ruptured framing, material tension and partial figuration...

A striking and highly textural handwoven wall-mounted textile artwork by American fiber artist Barbara Coburn, created during the 1970s studio craft movement. Executed in richly laye...

This large mixed-media work on paper, canvas and wood belongs to the artist’s ongoing Fragments series, where ruptured framing and material expansion become central to the act of rep...

In this sculptural piece, Linda King Ferguson has cut a piece of linen canvas into a half-diamond shape, with an ellipsis cut-out close to the scalloped right edge. A red cotton thread completes the second half of the diamond shape, then hangs from the bottom corner, evoking the image of a kite. King Ferguson's paintings are abstractions of the female body. She chooses to use linen...

While her work ranges in scale from dainty diminutive pedestal objects to large sprawling installations, there is a common thread that runs through these seemingly disparate bodies o...

Duane Paul's work can best be characterized as innovative, dynamic and intimate. His sculptures each employ colorful organic shapes, which act as a personal language. The playful and sensual experience of his work covertly explores sexuality, gender traditions, sex, and race. "My artistic mission is to stimulate productive public conversation around these topics." "Humpty Dumpty...

This sculpture is called Tree of Life. It features recycled wood—a 130-year-old oak tree. this wood was a part of 18th century building in Kyiv. The artist gave it a second life by ...

This series of sculptures is called Emotional States. It was created in 2023 in Kyiv (Ukraine). I lived and worked all year in my hometown in the middle of a Big war. I experienced a...

Wait, Weight - Abstract Wall Sculpture with Reflective Spheres Abstract wall sculptures by Cassandra Jacobs (American, b. 1964). Each piece is constructed from plaster bandages, wra...

Contemporary Abstract Fiber Sculpture, Woven and Crocheted, 30 x 20 x 15 in Groot Foundation Grant Honorable Mention Recipient 2025 "My work, both in painting and sculpture, involv...

This series of sculptures is called Emotional States. It was created in 2023 in Kyiv (Ukraine). I lived and worked all year in my hometown in the middle of a Big war. I experienced a...

This rare and visually arresting mid-century modern abstract painting was created circa 1950 by celebrated Denver modernist Angelo Di Benedetto (1913–1992). Executed in acrylic on a ...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

"Chunjeein-1, 2 & 3", 33” x 7 1/8” x 6 3/4” (total installed dimensions), 2019 This three-piece work of abaca fiber, pure gold leaf and eco-soluble resin is by Chang Yeonsoon (b. 1950), a Korean...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

This abstract painting by Teodora Guererra features a light palette with light, muted green at the top and bottom, and other accent colors toward the center of the composition includ...

This abstract painting by Teodora Guererra features a teal, pink, and white palette. The artist layers thick strokes of paint using a palette knife in broad, horizontal sweeping stro...

Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research. Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium. The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth. Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio. She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth. Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace. Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...