Pop Art Abstract Sculptures

CHROMA AKA RICK WOLFRYD LOVE TEMPLE AP 2026 CHROMA LOVE TEMPLE Huichol Beaded Sculpture 29 X 23 × 11 inches Description . . . 2!!!!! Magnificient pieces . . . . Love Temple tran...

CHROMA aka Rick Wolfryd, R2-D2 (2), STAR WARS, BEST OF CHROMA, POP ART, SCULPTURE, AP 2026 Huichol Beaded Mixed Media Sculpture One of the most beloved robots in cinematic history...

CHROMA aka Rick Wolfryd, R2-D2, STAR WARS, BEST OF CHROMA, POP ART, SCULPTURE, AP 2026 Huichol Beaded Mixed Media Sculpture One of the most beloved robots in cinematic history is ...

Black, Silver & Gold Huichol Wolf Head Wall Sculpture Powerful, watchful, and deeply symbolic, this striking Huichol wolf head wall sculpture transforms one of nature's most int...

THANOS . . . best of CHROMA! POP ART, SCULPTURE, HUICHOL ART . . . COMMISSIONS AVAILABLE!! Huichol Beaded Mixed Media Sculpture Power is often portrayed as domination. Thanos asks ...

ATLAS . . . . . . Huichol Art, Beaded Mixed Media Sculpture, AP 2026, color art, mystical figure, OPEN FOR COMMISSIONS!!! Huichol Beaded Mixed Media Sculpture Atlas reimagines the...

"Glacial Horizon" Abstract Sculpture 98" x 30" x 30" in by Shawn Kolodny Medium: Steel & Automotive Paint Shawn Kolodny is a Miami-based artist renowned for his immersive, larg...

"Study in Monochrome (iI)" Abstract Sculpture 44" x 10" x 10"in by Shawn Kolodny Medium: Steel & Automotive Paint Shawn Kolodny is a Miami-based artist renowned for his immersi...

"Dust & Daydreams" Abstract Sculpture 68" x 24" x 24" in by Shawn Kolodny Medium: Steel & Automotive Paint Shawn Kolodny is an artist based in Miami, FL. For the past 15 ye...

"Celestial Alignment" Abstract Sculpture 66" x 18" x 18" in by Shawn Kolodny Medium: Steel & Automotive Paint Shawn Kolodny is an artist based in Miami, FL. For the past 15 yea...

KAWS TAKE (Blue) new & unopened in its original packaging. A standout KAWS figurative sculpture and variation of KAWS' large scale TAKE sculpture - a key highlight of the exhibition...

"THE WEIGHT OF THE WORLD" Abstract Sculpture 16" x 55" x 12" in by Shawn Kolodny Medium: Stainless Steel Shawn Kolodny is a Miami-based artist renowned for his immersive, large-sca...

Wellspring is a sculptural exploration of transformation, where the ancient language of nature meets the imagination of the artist. Based on the authentic form of a deer skull, the w...

"popheART" — layered laser cut aluminum and enamel on aluminum panel — 35 x 40 x 5.5 inches. Signed and numbered limited edition of 35. Commission only with apx. 4-5 week lead time....

ToyQube & Kenny Scharf collaboration. Chrome resin sculpture with artist signature incised on the underside. Edition of 300. Brand new in original box. All reasonable offers w...

Poly resin sculpture. Britto signature stamped on lower right. From the edition of 4000 (2nd edition). Comes in original box with certificate of authenticity. Artwork is in ex...

THE GOAL KEEPER: WORLD CUP CHAMPIONSHIP SERIES Huichol Beaded Sculpture by CHROMA / Rick Wolfryd THE GOAL KEEPER "The Goal Keeper" is a monumental celebration of imagination, movem...

Large contemporary candy mosaic wall sculpture composed of hand modeled clay elements arranged in a dense three-dimensional bubble relief panel. This sculptural wall work develops a...

JUST FOR KICKS: WORLD CUP CHAMPIONSHIP SERIES Huichol Beaded Sculpture by CHROMA / Rick Wolfryd “JUST FOR KICKS” transforms the universal language of football into a ceremonial obje...

"Luminous Flux" Abstract Sculpture 72" x 23" x 23" in by Shawn Kolodny Medium: Stainless Steel & Automotive Paint Creating art to reflect the times we live in, Kolodny creates ...

A rare one-time exclusive re-edition of just 500 pieces, released following the extraordinary popularity of the original 999-piece edition of the celebrated Red Balloon Monkey. Expe...

“Shambala” — Porcelain Wall Panel Materials: fine porcelain, gold leaf, acrylic varnish Comes with hooks and suspension cords for secure and convenient installation. “Shambala” is a...

JAN MARES Jan Mares (Czech, 1953-2005) Signed 3-D Glass American Flag, 2002 Cut, polished, and etched glass 3 × 5 × 2 inches incised signature and date Jan Mares was a celebrated C...

Light Lilac Excess from Chloe Hedden’s Excess series captures the interplay between material abundance and emotional depth through thick, sculptural layers of paint. The soft lilac h...

Colorful geometric painted steel sculpture with stylized figurative forms and playful contemporary graphic language. Kubik is a contemporary steel sculpture by Héctor Francesch from...

Mid-Century Modern cut steel sculpture depicting a man in bell bottom pants standing casually with a cigarette in his right hand, His left hand is in his back pocket, signed and dated, artist's monogram and cipher and "1968." This a unique piece. It is interesting in that it speaks of a transition, leading into the later aluminum public pieces that kind of defined his work in the 70's. According to his estate this is most probably cast and sheet aluminum. It might possibly be steel. William Dickey King was born in 1925 in Jacksonville, Florida and grew up in the Coconut Grove neighborhood of Miami. As a boy, William King made model airplanes and helped his father and older brother build furniture and boats. “I was 19, 20, my mother gave me a hundred bucks, says, ʻGet out of this state and don’t come back until you’re 65; there is nothing here for you,’ ” Bill King recalled in a video interview for the Smithsonian museum. He came to New York, where he attended the Cooper Union and began selling his early sculptures even before he graduated. He later studied with the sculptor Milton Hebald and traveled to Italy on a Fulbright grant. He was a contemporary, at the Cooper Union, of Alex Katz and Lois Dodd, his first wife, and remained close in many ways to their common aesthetic grounding, shared also with younger sculptors such as Red Grooms and Marisol Escobar. The hallmark of King’s early work was radical experiment keeping company with social connection and hedonism. The mix of big, important, innovative ideas and immediate, sensory, in-the-moment experience was a kind of visual jazz. For this was not just the time of Franz Kline’s big open defiant brushstrokes and Jackson Pollock’s all-over mists of intricately drooling line, but of Charlie Parker and Dizzy Gillespie. If we look at the works that King made in the early 1950s when he got back from his Fulbright to Italy we see free, experimental, open forms that take their cue from jazz as much as art in their fusion of virtuosity and cool.American sculptor King is most noted for his long-limbed figurative public art sculptures depicting people engaged in everyday activities such as reading or conversing. He created his busts and figures in a variety of materials, including clay, wood, metal, and textiles. Mr. King worked in clay, wood, bronze, vinyl, burlap and aluminum. He worked both big and small, from busts and toylike figures to large public art pieces depicting familiar human poses — a seated, cross-legged man reading; a Western couple (he in a cowboy hat, she in a long dress) holding hands; a tall man reaching down to tug along a recalcitrant little boy; a crowd of robotic-looking men walking in lock step. Mr. King’s work often reflected the times, taking on fashions and occasional politics. In the 1960s and 1970s, his work featuring African-American figures (including the activist Angela Davis, with hands cuffed behind her back) evoked his interest in civil rights. But for all its variation, what unified his work was a wry observer’s arched eyebrow, the pointed humor and witty rue of a fatalist. His figurative sculptures, often with long, spidery legs and an outlandishly skewed ratio of torso to appendages, use gestures and posture to suggest attitude and illustrate his own amusement with the unwieldiness of human physical equipment. His subjects included tennis players and gymnasts, dancers and musicians, and he managed to show appreciation of their physical gifts and comic delight at their contortions and costumery. His suit-wearing businessmen often appeared haughty or pompous; his other men could seem timid or perplexed or awkward. Oddly, or perhaps tellingly, he tended to depict women more reverentially, though in his portrayals of couples the fragility and tender comedy inherent in couplehood settled equally on both partners. His first solo exhibit took place in 1954 at the Alan Gallery in New York City. William Dicky King was elected to the American Academy of Arts and Letters in 2003, and in 2007 the International Sculpture Center honored him with the Lifetime Achievement in Contemporary Sculpture Award. Mr. King’s work is in the collections of the Metropolitan Museum of Art, Guggenheim Museum, Whitney Museum and the Museum of Modern Art in New York and the Hirshhorn Museum at the Smithsonian American Art Museum in Washington, among other places, and he had dozens of solo gallery shows in New York and elsewhere. Reviews of his exhibitions frequently began with the caveat that even though the work was funny, it was also serious, displaying superior technical skills, imaginative vision and the bolstering weight of a range of influences, from the ancient Etruscans to American folk art to 20th-century artists including Giacometti, Calder and Elie Nadelman. The New York Times critic Holland Cotter once described Mr. King’s sculpture as “comical-tragical-maniacal,” and “like Giacometti conceived by John Cheever.” From an article by David Cohen "In a career that ran in tandem with the hegemony of formal abstraction in sculpture, Bill King inevitably struggled with the prejudice that sculpture full of humanity and humor can’t be quite as serious as sculpture devoid of them. But the tide has clearly turned in ways that ought to work in King’s favor, with an increasing number of sculptors, fêted internationally, who are producing work that looks remarkably close in spirit, if not quite as regal in sheer mastery of form, as his own. When art historians of the future connect the dots of modern sculpture then artists like Franz West, Stephan Balkenhol, Huma Bhabha...

Artist: Claes Oldenburg (1929-2022) Title: Fire Plug Souvenir-'Chicago August 1968' (Platzker 10) Year: 1967 Medium: Cast plaster with acrylic paint Sculpture Size: 7.875 x 7.5 x 5.8...

CHROMA — SNOOPY Figure (Huichol Technique) A sculptural reinterpretation of an iconic cultural figure through the CHROMA language—where contemporary form meets traditional Huichol b...

Interesting Latin American art collage/assemblage of images. bears elements of Arte Povera. it is mounted onto a wood construction. Signed verso and bears label from Stux Gallery. Well Known Brazilian political artist and collector. Showed at Stux Gallery (they showed Doug Anderson and then Mike and Doug Starn...

CHROMA SUPERBOWL FOOTBALL (DELUXE!) — 47 INCHES A monumental, one-of-a-kind CHROMA sculpture merging American football iconography with the intricat...

White circular abstract wall sculpture from Pop Art pioneer Jane B. Grimm, who began her artistic career in the 1960’s, when her free-form sculptural jewelry exploded onto the fashio...

A rare one-time exclusive re-edition of just 500 pieces, released following the extraordinary popularity of the original 999-piece edition of the celebrated Gold Balloon Monkey. Exp...

A rare one-time exclusive re-edition of just 500 pieces, released following the extraordinary popularity of the original 999-piece edition of the celebrated Pink Balloon Monkey. Exp...

Letters and numbers cut from a sheet of brushed steel. Hand signed and dated Brad Howe (born 1959) is an American sculptor from California. His work has been exhibited domestically and internationally. This is done in a bold and colorful Pop Art style reminiscent of the work of the Memphis Milano Group. Brad Howe was born in 1959 in Riverside, California. As a student of International Relations at Stanford University, Howe attended the University of São Paulo to specialize in Literature and Economic History. It was there that he discovered his passion for art and architecture that would eventually lead to his first exhibitions. He started his career as a sculptor in Brazil, using stainless steel, aluminum and polyurethane. He credits sculptor Alexander Calder as an early influence in his work. Since then, he has exhibited in over eighteen countries worldwide and his works have been placed in collections in more than 32 countries, including Brazil, Mexico, France, Germany, South Korea and United States. His work can also be found at various universities including Massachusetts Institute of Technology (MIT) in Boston, Temple University in Philadelphia, and UCLA. Monumental and Public Art have become a major focus of his career. Over the past ten years, he has completed over 30 public projects in 7 different countries. One of his sculptures can be seen in the city of Palo Alto, California. Moreover, as part of the Beverly Hills Centennial Arts of Palm Installation, he designed four sculptures outside the Beverly Hills City Hall, on North Santa Monica Boulevard in Beverly Hills, California. The Crocker Art Museum (Sacramento, California), the Honolulu Museum of Art, the Lancaster Museum of Art and History (Lancaster, California), and the Pasadena Museum of California Art (Pasadena, California) are among the museums holding work by Brad Howe. His work was included in the Arts of Palm exhibition in Beverly Hills, palm trees by prominent artists including Brad Howe, Michael McMillen, Mike Stilkey, Peter Shire, Peter Alexander and Ryan Schmidt. His studio is actively completing site-specific commissions and installations for cities, universities, museums, and private corporations. Brad Howe also actively participates in group gallery shows with smaller works that serve as models, or maquettes, for his large-scale pieces. SELECT GROUP EXHIBITS: On The Road: American Abstraction, David Klein Gallery, Detroit, Michigan Properties of Light, George Billis Gallery, Los Angeles, California Blur the Lines, Brad Howe and Takashi Murakami, Asian Art Works, Busan, Korea Brad Howe, Zachary Thornton, Lopez-Herrera, Thomas Punzmann Fine Arts, Frankfurt, Germany Gary Komarin and Brad Howe, Galerie Proarta, Zurich, Switzerland Color Balance, Marco Casentini and Brad Howe, Melissa Morgan Fine Art...

Wall sculpture in self-hardening paste with a painted interior revealing narrative florals and folkloric motifs. ENJOINT is a folded wall object that functions as both vessel and st...

The Bruce High Quality Foundation Copper Plate Bruce Shadow Box Sculpture, 2017 Customized wooden shadow box featuring a copper printmaking plate with hand-painted Bruce face. Accomp...

Dark Plum, Persian Rose, and Prussian Blue Trio Combo by Chloe Hedden presents a rich chromatic dialogue through sculptural abstraction. United by format but distinct in emotional to...

Manganese, Prussian Blue, and Vermillion Excess Trio Combo by Chloe Hedden presents a high-impact chromatic narrative that oscillates between intensity, depth, and heat. Together, th...

Foam clay relief in deep blue tones on fir wood that sculpts a draped form, suggesting an enclosed oceanic presence at the edge of the field. This sculptural painting is executed in ...

Signed and dated 2025. OPEN FOR COMMISSIONS!!! ALTERTATION ART . . . is a collaboration process between Rick Wolfryd, fine artist and art dealer with over 40 years experience, and ...

White and cool grey ceramic sculpture from Pop Art pioneer Jane B. Grimm, whose artistic career exploded onto the 1960's art and fashion scene in NYC when her free-form sculptural je...

Drape 114 Champagne by Ted VanCleave transforms a single sheet of metallic leather into a sinuous, process-driven study of material and form. Its creased, crinkled, and softly wrinkl...

Pale blue and white free standing sculpture from Pop Art pioneer Jane B. Grimm, who began her artistic career in the 1960’s, when her free-form sculptural jewelry exploded onto the f...

3-D sculpted multiple (to be hung on the wall) by British Pop Art pioneer Richard Smith: Richard Smith D from Logo Suite (Magenta), 1971 Silkscreen on 3-D Molded Plastic Over Wood P...

keywords; #sinuous, focus on material, sculptural folds, Aldo Chaparro, use of common materials, creased crinkled and wrinkled, angular, abstract sculpture, angular, process-oriented...

Drape in Blue by Ted VanCleave transforms a single sheet of metallic leather into a sinuous, process-driven study of material and form. Its creased, crinkled, and softly wrinkled sur...

A rare one-time exclusive re-edition of just 500 pieces, released following the extraordinary popularity of the original 999-piece edition of the celebrated Silver Balloon Monkey. E...

A rare one-time exclusive re-edition of just 500 pieces, released following the extraordinary popularity of the original 999-piece edition of the celebrated Blue Balloon Monkey. Exp...

This vibrant sculpured painting titled "Life" is a contemporary mixed media wall sculpture by Italian artist Vera Vizzi, exploring the symbolic and emotional resonance of transformat...

Enamel on iron sculpture. Hand signed on the base by Romero Britto. Hand numbered 812/100 on the base. Size: 11.75 x 6.75 x 4.75 inches. Certificate of Authenticity Included. Ar...

Persian Rose, Hot Pink and Manganese Blue Excess combo is a trio of thick and vibrant impasto paintings on wood. The elegant texture is spontaneously built up and creates the dynamic...

Manganese Excess by Chloe Hedden is an electrifying fusion of color and texture, embodying the intensity and vibrancy of deep blue pigments. The rich manganese hue surges across the ...

Mixed media sculpture created as a prototype for the Miami Children's Museum. Hand signed lower left front on the base by Romero Britto. Hand numbered 57/500 on the backside of th...

Can be rotated and hung in any orientation. For inquiries please use ASK THE SELLER button. *Continental US shipping is $500 USD keywords; #sinuous, focus on material, sculptural fo...

Artist: William Landwehr (American, b. 1941) Title: Yellow is the Color of my Dead Bird's Tail Year: circa 1980 Medium: Mixed Media Construction with Neon Size: 68 in. x 63 in. x 8 i...

Nayla Kai Saroufim is a Lebanese artist based in Los Angeles and Beirut. She earned a degree in Illustration and Art Direction from the Académie Libanaise des Beaux-Arts. She had wor...

Drape in Midnight Blue by Ted VanCleave transforms a single sheet of metallic leather into a sinuous, process-driven study of material and form. Its creased, crinkled, and softly wri...

Artist Mark Knoerzer is best known for his abstract paintings, light installations and hand painted wooden sculptures. Using color and extensive layering to create geometric images and emergent symbols, Knoerzer has developed a unique visual language that, while often highly formal and even symmetrical, nevertheless reflects an intense commitment to beauty and the sheer pleasure of seeing. Knoerzer’s 2019 solo show Half-Life was reviewed by Cate McQuaid in The Boston Globe. His work has also appeared in documentaries as diverse as Evocateur: The Morton Downey Jr. Movie, which was selected for the Tribeca Film...

Large Aqua Metallic Wall or pedestal mount keywords; #sinuous, focus on material, sculptural folds, Aldo Chaparro, use of common materials, creased crinkled and wrinkled, angular, a...

William Weege (b. 1935). American Pop Art Artist. Colorful mixed media on a vintage vinyl LP record Hand signed and dated 1976 recto. Born in Milwaukee, Wisconsin in 1935, Weege studied printmaking, collage and sculpture at the University of Wisconsin. In the late 60's Vietnam war era his politically charged radical anti war posters...